Hitchhiking Highway 61: A Bob Dylan Inspired Podcast

Why does Bob Dylan switch to piano on Black Crow Blues? On this episode, we explore this overlooked song from Another Side of Bob Dylan and how it foreshadows his fearless artistic evolution.

In this episode of Hitchhiking Highway 61, host Kevin Fallon looks at the first song on Another Side of Bob Dylan, All I Really Want To Do. The song marks a turning point for Dylan as the singer is looking to break free of exceptions and create on his own terms.

In this episode of Hitchhiking Highway 61 we explore Restless Farewell by Bob Dylan, where he says goodbye to his folk era on The Times They Are A-Changin'. The song touches on fame, identity, media backlash, and the need to move forward. Blending music analysis with personal stories, it's about change, letting go, and stepping into the unknown.

In this episode of Hitchhiking Highway 61, we explore The Lonesome Death of Hattie Carroll and how it reflects the tension between hope and injustice in 1960s America. After performing at the March on Washington, Bob Dylan was inspired by the real-life killing of Hattie Carroll. We break down the song's storytelling, its critique of systemic injustice, and how it differs from Dylan's protest anthems-showing the power of music not just to inspire change, but to preserve memory.

In this episode of Hitchhiking Highway 61, we explore “When the Ship Comes In” from The Times They Are a-Changin' by Bob Dylan. First performed with Joan Baez at the March on Washington for Jobs and Freedom in 1963, the song sounds like a sweeping civil-rights anthem—but it was actually inspired by Dylan being denied a hotel room because of his appearance.
We unpack how Dylan turned a petty personal slight into a biblical vision of justice, and how that reflects the spirit of 1960s protest music. Along the way, we contrast it with the inward-looking anger of 1990s rock—from Nirvana and Pearl Jam to Rage Against the Machine and their anthem Killing in the Name.
From the Civil Rights Movement to a wrongly getting grounded for a suspicious reason, this episode looks at how songs transform personal grievance into something that can feel like prophecy—and why listeners sometimes hear something entirely different.