Peter and Shaun were busy this week, so Tim did a monologue, on the first album by Curved Air, Air Conditioning. Topics that come up are: Curved Air’s role in the English rock scene post-psychedelia and pre-prog rock, the nature of the writing committeee they mobilised, how the album fits into the band’s career trajectory, and the extent to which they can be considered a fusion band. Also: how do Curved Air relate to French philosopher Alain Badiou? What would Kant have said? What would Stumpy have said? How does the band incorporate quantum mechanics in their work? And we know that something happened today, but what exactly was it?
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50:33
Strawbs - From The Witchwood: Review
Shaun and Tim discuss their opinions of the third album by Strawbs, From The Witchwood. The discussion includes: whether it should be thought of as a concept album, where it stands in the Strawbs canon, why we can’t find any information on the cover, whether Wordsworth was an influence on the lyrics, and how important the Christian influence was on the band. Also, does Rick Wakeman ever stop playing? Can we trust Artificial Intelligence? Does the animatronic Oliver Cromwell have a Norfolk accent? And which is better, the English Civil War or the Norman Invasions? There’s only one way to find out…
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1:21:45
CRAPA RANKS: THE TOP FIFTEEN BEATLES OUTTAKES
Peter, Shaun and Tim discuss their favourite Beatles outtakes. The discussion includes: the ratio of John songs to Paul songs and of John and Paul songs to George songs; why there are so many early outtakes and late outtakes; who did the best solo album; and why they gave so many songs to Billy J. Kramer. Also, are there any Ringo songs on the list? Is there anything that shouldn't have been on the White Album? Is ‘Every Night’ brilliant or awful? And why did Cilla Black sound like that?
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1:51:08
The Electric Light Orchestra - The Electric Light Orchestra: Review
Peter and Shaun were busy this week, so Tim did the second part of his ‘Birmingham Beatles’ duology: the first album by the Electric Light Orchestra. The ‘conversation’ included: the Move connection, the differences between ELO and the later prog movement, the incredibly high quality of ELO’s musicianship and the nature of the creative relationship between Jeff Lynne and Roy Wood. Also, why did so many of the songs have two titles? Why was the album called ‘No Answer’ in the U.S. (as opposed to, say, ‘Press one for hold’)? Where would one cry from if not from one’s eyes? And who led the Royalist forces against Cromwell in the English Civil War?
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45:42
The Move - Move: Review
Peter and Shaun were busy this week, so Tim did a monologue about the debut album by The Move, Move. The ‘conversation’ included: the multicultural nature of The Move’s music, the ELO connection, whether this is the best UK album of the 1960s and why this was both the beginning and the end for the band. Also, why didn’t they make a concept album about gardening? Who the hell is singing each song? How did the album tapes end up in a bin in central London? And who was Mr. Chad?
Why not sit down, make yourself a cup of tea and listen to three old friends talking about the classic rock and prog music that has marked their lives?
Ireland