Bandsplain

Chris Ryan and Amanda Dobbins join Yasi to revisit the Strokes and their influence on the guitar rock that followed in their wake. They discuss the band's meteoric rise, Julian Casablancas’s distinctive songwriting, the model-filled audiences that helped fuel the band’s early buzz, and how their debut album, 'Is This It,' somehow lived up to the overwhelming hype. Plus, the pressure following their early success, the band’s uneven output in the years that followed, and their resurgence in the TikTok age.

Episode Playlist

Listen to The Strokes Playlist here

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CREDITS:

Host: Yasi Salek @yasisalek

Guests: Amanda Dobbins @akdobbins, Chris Ryan @crashactivated

Producer: Rob Sundermann

Editor: Adrian Bridges

Additional Production Supervision: Justin Sayles

Theme Song: Bethany Cosentino

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Sarah Lewitinn (music journalist, restaurateur, and the artist formerly known as Ultragrrrl) joins Yasi to revisit Interpol and the early 2000s New York landscape they emerged from. They discuss their international origins, the dogged Joy Division comparisons, and the pressure to follow up on an instant classic, as well as the steady and surprising arc of their career and output leading up to their latest album, this year’s 'This Mirror Weighs a Ton.'

Episode Playlist

Listen to the Interpol Playlist here

Subscribe on YouTube



CREDITS:

Host: Yasi Salek @yasisalek

Guests: Sarah Lewitinn @ultragrrrl

Producer: Rob Sundermann

Editor: Adrian Bridges

Additional Production Supervision: Justin Sayles

Theme Song: Bethany Cosentino

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It’s draft day, and Yasi is joined by Rob Mahoney and Sean Fennessey for a generational Indie Sleaze Draft. But first, what actually counts as indie sleaze? Are the Strokes so important that they get their own category? And can you win by simply drafting Yeah Yeah Yeahs in every category? (You can if you draft with your heart.) Plus: the return of Sparks (not the band)!

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CREDITS:

Host: Yasi Salek @yasisalek

Guests: Rob Mahoney @robmahoney and Sean Fennessey @seanfennessey

Producer: Rob Sundermann

Editor: Adrian Bridges

Additional Production Supervision: Justin Sayles

Theme Song: Bethany Cosentino

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Jason Stewart (How Long Gone) joins Yasi to talk about “House of Jealous Lovers,” the Rapture’s cowbell-powered anthem that fused punk and dance and helped define the electroclash era. They discuss the band’s early days on Sub Pop, the song taking shape in the hands of James Murphy and DFA, the band’s move to a major label, and the fallout that followed. Plus, a look back at Cinespace Tuesdays in Hollywood, DJing across the globe, and an important question: Why was will.i.am everywhere all the time?

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CREDITS:

Host: Yasi Salek @yasisalek

Guest: Jason Stewart @themjeans

Producer: Rob Sundermann

Editor: Adrian Bridges

Additional Production Supervision: Justin Sayles

Theme Song: Bethany Cosentino

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Journalist Jenny Eliscu joins Yasi to talk all things Yeah Yeah Yeahs, from their wild early days in New York to their place as one of the most important bands of the 2000s. They discuss the term indie sleaze, debate whether the Yeah Yeah Yeahs deserve the crown as the era’s best band, break down why “Maps” remains an all-time classic, and explore the tensions that have shaped the band throughout its career. Plus, growing up in the spotlight, surviving the hype, and where the Yeah Yeah Yeahs fit in today’s music landscape.

Episode PlaylistListen to the Yeah Yeah Yeahs Playlist here.

Subscribe on YouTube.Host: Yasi Salek @yasisalekGuest: Jenny Eliscu @jennylsqProducer: Rob SundermannEditor: Adrian BridgesAdditional Production Supervision: Justin SaylesTheme Song: Bethany Cosentino
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