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Tales under the cat tree

Duleepa Wijayawardhana
Tales under the cat tree
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  • Ep. 23: Role-playing games will change your life!
    This is a two-part episode about roleplaying games and Dungeons and Dragons. This episode is a backgrounder on roleplaying games and how they could possibly change your life. And certainly, how they have changed mine.Today’s episode features my friends Andres, Nik, Olli, Niall and Liisa. Over six years we have adventured through many worlds and told many stories. This episode is as much about them as it is about role-playing in general. Thank you!A future episode will feature more of the stories, characters and worlds.Links from today’s episode:* All about Dungeons and Dragons: I suggest this primer video for those interested.* Critical Role* Daggerheart* Dragonlance Chronicles by Margaret Weiss and Tracy Hickman* R. A. Salvatore’s original Icewind Dale Trilogy that introduces Drizzt Do’Urden to the world * Raymond E. Feist’s Magician This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit tales.dups.ca
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  • Ep. 22: (Update) The Shortcut and Enlightened Migration
    An updated version of Episode 6 included an interview with Riikka Loisamo, CEO of The Shortcut.The interview is followed by my own immigrant story and some singing!Links:* Visit The Shortcut in Finland for more about their programs and how to get involved.* Learn more about the attitude change campaign run by The Shortcut and their partners. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit tales.dups.ca
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  • Ep. 21: The "Cheater" Episode
    When I was growing up in the 1980s in Hong Kong, we only had four television channels. Of these, two were in English—ATV and TVB. My father refused to buy a VHS player, his reasoning being that I would spend too much time watching TV. To this day, I think it was because he was burned by VHS beating Betamax. As with every kid in my generation, I was glued to the TV at certain times of the day. There were Saturday morning cartoons, Sesame Street every weekday afternoon, and the famous syndicated Disney hour on Sunday evenings.Without modern conveniences like YouTube, if you missed an episode during a long and arduous season of 25 episodes, your only hope was to watch it on videotape or wait for reruns. There was also the infamous “cheater” episode that many shows of that era created. Picture this: It’s episode 18 of a Golden Girls season in the 1980s. Dorothy, Rose, Blanche, and Sophia are sitting around the kitchen table. Sophia brings up some ridiculous premise about her flight from Sicily, and therein ensues an episode made of clips from previous episodes. This is a “cheater” episode—no new footage, cheaper production costs, and some ridiculous framing device for the clips.As I grew older, I noted that almost all the TV shows used this gimmick at some point in the season. There were comedy shows that I watched with my parents, like The Golden Girls and The Cosby Show, while others were more aimed at me, like MacGyver, The A-Team, Riptide, and Hardcastle and McCormick, to name a few. Television in Hong Kong in the 80s was a mix of American and British. I don’t remember if television shows from Canada, Australia, or the UK used this storytelling mechanism.I do recall watching Neighbours, for example. This came on every afternoon, and I remember watching youngsters Kylie Minogue and Jason Donovan very clearly before their music careers. Canadians would be surprised to learn that The Beachcombers would air on lazy Sunday afternoons, usually after televised lawn bowling, and someone will have to write in and tell me whether that show had such episodes. I sincerely doubt that many Hong Kong people could make head or tail of what was happening in Molly’s Reach. It’s probably unsurprising that what I remember most about The Beachcombers growing up is a comedy skit show in Hong Kong making fun of it.So for this “cheater” episode for Tales Under the Cat Tree, I will use the framing device of what it has taken to put out a weekly podcast of roughly 20 minutes by myself. After all, this was something I had never done before. Initially, my plan was 20 episodes in total, so, with this episode, I am considering this my first season, done and dusted. In listening to this you may get some ideas if you are considering having a podcast yourself. At the end I will talk about what’s next!Recording a PodcastMicrophone Arm: Rode PSA 1+ microphone arm Microphone: Shure MV6 USB-C microphone. A very good microphone I could not use: a Rode NT 1 Condenser mic. Mentioned:Coming Up with a Theme SongAudio effects: Artlist. Mentioned:Interviewing for a PodcastInterviews: Riverside.FM. Audio editing: Audacity Audio AI: AuphonicWireless Mics: Rode Wireless MicroMentionedUse of AI in Tales Under the Cat TreeOther editing tools: Adobe Podcast. Transcription: MacWhisper whisper.cpp The Future of Tales Under the Cat TreeAt the end of 21 episodes, which is about the same number as a season of 80s television, I need to look forward to Season 2. I didn’t know what I wanted out of this podcast, and it shows. I’ve experimented with themes, structures, publishing times, and formats. The criticism I’ve received reflects the same: you don’t know what to expect, and I don’t have a format to stick to.Going forward each week, I will pair bigger topics with a compelling piece of fiction or autobiography. I sincerely believe that stories provide a lens into capturing and understanding any topic—whether history, technology, or business—by connecting personal narratives to the wider picture. This means more episodes such as Episode 10, where I wrote a story called “To the lands of milk and honey” to illustrate management styles, or Episode 15, “From Russia Without Love,” which had a story about Stalinist purges by Dr. Erwin Warkentin followed by an interview. This means more original writing and biography, paired with interviews and topics around an episode theme.Thank you to everyone who has helped me thus far, you are too numerous to name. I hope you will join me or stay with me on this journey. In fact, I hope you will contribute. Everyone has or knows someone with a story. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit tales.dups.ca
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  • Ep. 20: Flash!
    Today’s episode also features the flash fiction story “Sullivan’s Choice”My name is not DaveDave was born bawling. He didn't really like what he saw when he popped out into the light. "Rather depressing," he drawled. But there was nothing to do about it, so he sighed, shut up and set up shop in my head.To date, that is the shortest “flash fiction” story I’ve ever written at exactly 42 words, not including the title.Flash fiction is a sub-genre of the short story that can range from a few hundred or fewer words to maybe a thousand words. In other words, a really short short story! As with any story, it needs to have a progression: a beginning, a middle, and an end. Flash is a genre I knew nothing about until early 2024 when I randomly decided to get back into writing fiction. Since I needed something to force me forward, I found an online course at Oxford University entitled, “Flash Fiction Workshop,” with writer and teacher Gail Anderson. On a whim, I enrolled.Over a twelve-week period, this group of students was courageous enough to present their creations to each other and receive live feedback. I won’t lie; the first time my story was discussed, I was terrified. I can write until the cows jump over the moon for the world wide web, but here were real, live people dissecting my work in front of me while I was muted. I suppose years of code reviews by my peers have helped, but this was on another level.Writing flash stories is an art. If I had been asked how difficult it would be to write a piece of fictional literature under 1000 words, I might have said, “It can’t be that bad.” In reality, with less space to get your ideas across, each word becomes a ponderous weight on your lips. In such a situation, your mind can lazily wander into a “telling” mode where the reader is left unsatisfied and unchallenged. With 1000 words or less, can you craft a story with any wonder at the end? Does the story leap from the page into your subconscious long after you have read it because it made you think? Can you even get the reader to see the same things you do and get to the same conclusion?The first story I wrote for the class was called “In the looking glass.” It centered on the perspective as seen from within a mirror stationed in the hallway at the entrance of an apartment, something I had thought was obvious. But it wasn’t. It was only obvious to me because I had imagined my current apartment, which has a mirrored closet at the end of the entrance hallway. Seeing my short short story through other people’s eyes was enlightening. One person even thought there was a video camera behind the glass; another could not understand why the person was putting on shoes in their bedroom. After all, that’s where they had their mirrors!Every week we were given “prompts” and a specific word count with which we played for the following week. The prompts could be photos, audio clips, or random words, to name a few. For me, a haunting melody turned into a tragedy for twins; a prompt about a city turned into a story about a parrot; and a photo of an old storefront bearing the name C. Sullivan turned into a version of the devil come to visit, called “Sullivan’s Choice.”If you are interested in starting up writing again, or for the first time, Gail’s course is one of the best I can recommend. I had forgotten the joy of putting pen to literal paper. I had forgotten the cathartic release of working through reality by writing fiction. A few of us loved the course so much that we have continued to meet almost monthly since the course ended. The “Chapter Chasers” writing group celebrated its first anniversary this past month. Through this year of telling stories to each other, the members have changed jobs, survived health scares, moved cities, and found refuge in our imaginations. We have yet to meet in person!Because of Gail, her course, and my writing group, I do believe my writing has improved. I am now on the lookout for adverbs that don’t really advance the narrative in someone’s head, where the writing becomes lazy, making for a less engaging experience for the reader. I think with care about each word and sentence, making sure they work to drive home the story. I did take a longer, advanced writing course after the “Flash Fiction Workshop.” The advanced writing course gave me more tools to explore character, plot creation, and more, however, for me, receiving live feedback from my peers was the most fun.Storytelling is unique to each individual: their style, their experiences, and their beliefs. Courses won’t teach you how to write but give you tools with which you can get your story into the mind of another effectively. As with any skill, the only way to improve is to practice every day and every week. Every day I walk through a myriad of stories: The veins on a leaf are the map to an ancient city; a shuffling man hunched over on the sidewalk, a tale of joy or sorrow untold; a melody unlocks the path to someone’s heart. Every day I am bursting to tell you a story. I do not know how you will understand it, I do not know if you will enjoy it, but I do know that I must try. Sometimes the stories are long, but oftentimes, you can accomplish in a few words what takes a novel, and that is the beauty of flash fiction.Since April, I have published only one of the other stories that I wrote during the flash fiction course: The following are flash fiction stories specifically written for this Substack This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit tales.dups.ca
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  • Ep. 19: Remembering Moishe
    If you are looking for links to various sources, materials and sites cited in the show, please scroll to the end. The article that inspired this episode is Yair Rosenberg’s The Atlantic piece: The MAGA Influencers Rehabilitating Hitler.I only met Moishe Kantorowitz once in my entire life, some 30 years ago. I have remembered his name ever since. This is not something I can say about most people that I have spent a couple of hours with.Moishe—I hope I can get away with referring to him by his first name—came to talk to the History graduate students at Memorial University of Newfoundland, of which I was one. He was, in my memory at least, a quiet man. He came in, sat at the head of the classroom; there were some ten of us and a few professors. I can't remember when, but he rolled up his shirt, turned his arm, and showed us the tattoo of his number from Auschwitz. He talked about the forced march from what is now Belarus. He talked about what that felt like, how starved he was, and what it was like to lose all his family.Moishe was the first and only Holocaust survivor I have ever met in person.A decade later, I was coming down a long mountain hike in the Rockies with a dear friend, and we had incorrectly calculated the amount of water we needed. That interminable hike scrambling up a thousand metres felt like the end of the world. In that moment, for some reason, Moishe's face and his story popped into my mind. I remember thinking, how can I possibly feel so terrible when what I was experiencing was not even an iota of what he experienced?The reality is though, unlike people I have met in Europe, in Canada, and the United States, I do not have any family ties to this war. There are no strange Sri Lankan great-uncles who found themselves traversing the countryside of Europe in World War Two. But it doesn't matter. It shouldn't matter.The lessons of the Holocaust and of the German Concentration Camps are there plain and simple. The hatred on display was staggering: groups of people, most of all the Jewish people, were made out to be nothing more than animals to be experimented upon and finally exterminated. Do not hate the German people; what happened and this hatred is possible for anyone, anywhere, "anywhen". Do not say, "It cannot happen to us." Instead, ask the question, "When will it happen again?" In the 20th century, genocides have happened in too many societies, from the Rwandan genocide to the Cambodian Killing Fields. There are of course many theories on why we commit genocide as a species. The one I ascribe to starts and ends with the mushy stuff between our ears. Neuroscience tells us not only that our brains are incredibly malleable, but that we also basically function in an illusion of the world as we have created it. For example, you can actually manipulate the brain to think you have a third arm. If you are reading this on your daily commute, I am sure that you cannot even imagine hurting one of your fellow passengers. Then again, that annoying mosquito, well, that's another story. Unfortunately, our brains can create models where you are part of an in-group and the others, well, they could just as well be one of those mosquitos. The term is "otherization". It's when we refer to "those people."I have heard this term so often. A well-educated person used that expression to describe a homeless First Nations man in Edmonton, Canada. A Sinhalese person I met used it to describe a Tamil person some decades ago in Sri Lanka. A Finn used that term in a professional setting when talking about African immigrants to Finland. Politicians the world over use it to refer to their opponents. "Those people," the ones who are not like us, the ones that don't belong, the ones that ought not to be treated like you and me. Heck, I know, judging by at least one beer bottle thrown at me, I have been one of "those people."There's not much distance from referring to "those people" to a place where you condone violence or aggressive action towards that same group. From there, it's not very far towards the extremes we have seen the world over. For the reader that says you are crazy, that's fine: I just know that I am no different than anyone else. I can be swayed, I can be desensitized, I can commit violence through inaction as much as action. I have seen the "other" in business settings: leaders who denigrate their staff in whole or in part and staff who talk of their leaders like some caricatures from Dilbert. We create mental models of people around us, we group them into our in-groups and out-groups, we perform actions against them whether that be simply in thought, by voice or, in the extreme, with physical violence.There is a solution. There is very little that differentiates us as human beings. We all have different external colours and appearances, we have different beliefs, we have different preferences. However, for the most part, the similarities outweigh the differences. When I show you a green leaf, you nod at our shared greenness. We laugh, we cry, and we love in the same way. The more you talk to another person, the more you learn. The more you share, the more you connect. The more you listen, the more you understand.Thank you! If you enjoyed reading this, please subscribe!The solution, if I could make it happen, is for everyone to meet every other "type" of person. When you meet the homeless person and understand that he was like you until his divorce left him in a depression where he lost his job and couldn't afford the medication. When you meet the gay man and you realize that you share a passion for the same movies. When you meet the immigrant and you realize that you both had mothers who loved gardening.The solution is the continuous updating of your mental models through new meeting new people. I would love for each person to experience life in another country, in another state, in another province. We can seek to bring those of differing views together so they can have a sensible dialogue, maybe by starting with what makes us similar instead of what makes us different. We can try not to lump "right wing" and "left wing" people into groups and instead seek out people with different views. I don't expect people to change overnight, but I do believe the more you experience, the more you change your internal assumptions.This is when I remember Moishe, and not just him, but so many other people that I have met who have changed my internal assumptions and models. We must never forget history; we must never fail to pass on our history; we must always tell our stories. In those stories, we have the possibility to change one person, and just maybe, that one person is enough. I hope that when you hear someone saying "those people," you remember that some of "those people" never saw their parents again because other people saw to it that "those people" were exterminated.Moishe Kantorowitz passed away in 2008. He received an honorary degree from Memorial University of Newfoundland for his work in Holocaust education. His book, published by Azrieli Foundation’s Holocaust Survivor Memoirs Program and distributed by Second Story Press, is called Lament. I never knew Moishe beyond that one single time that I met him. That one time though, he told me a short story of his life, which I have remembered ever since, and I thank him for this kindness.* In the podcast episode, you can listen to excerpts from the film reels produced when the United States Department of Defense liberated German Concentration Camps in 1945. This film is in the Public domain and available on the Internet Archive* The excerpt from Moishe Kantorowitz’ memoir Lament is read with permission of the Azrieli Foundation’s Holocaust Survivor Memoirs Program the book Lament will be launched in St. John’s on September 18, 2025. It is entirely by coicidence that this is happening at the same time as this episode. Please purchase your copy of Lament at Second Story Press* The biography I read is from the Montreal Holocaust Museum and can be read in full here. There are also photos of Moishe throughout his life. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit tales.dups.ca
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In this podcast we'll explore the wonderful worlds created by words: from technology and the future to fiction and other realms. Come join me and my friends for a weekly exploration of our present, future, and humanity through storytelling. tales.dups.ca
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