The Emo Social Club Podcast

"It didn't feel like I'm watching a show or I'm watching these members play these songs. It felt like I was in a one and a half hour thrill ride."  

Brian breaks down why Bring Me The Horizon's Next Gen tour is a PS1-fueled thrill ride, and the hosts discuss the scene's reaction to Beartooth's Caleb Shomo coming out as gay.

Plus, Brian and Lizzie get into the controversial new Ozzy Osbourne interactive AI avatar—is Sharon Osbourne just securing his legacy, or is this the ultimate metal cash grab? And to cap it off, they review Drake's attempts to recover from the Kendrick Lamar fallout, noting that none of his newest tracks pass the song of the summer test.

It’s another auspicious day of infotainment on idobi Radio. We’re teaching you things you didn't know, even if you wouldn't pass a college course with this info.

 

EPISODE HIGHLIGHTS:

• BMTH's Live Show Evolution: Why the Next Gen tour feels like a 90s video game fever dream.

• Caleb Shomo Comes Out: Navigating the metalcore community's response to the Beartooth frontman, and addressing lingering homophobia in the scene.

• The Ozzy AI Avatar: Debating the Osbourne family's latest IP move and the weird future of legacy acts.

• Drake Post-Kendrick: Why none of Drake's new drops are claiming the Song of the Summer title.

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Support the Show:
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It was never just a phase. We connect the Myspace era to today's waves.

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That is JT Woodruff, the ultimate emo wife guy.

In this episode of the Make Me a Fan series, Lizzie selects five tracks from Hawthorne Heights to prove to Brian that the band is more than just early-2000s scene stereotypes. They discuss the band's history, their modern evolution, and whether Brian is ready to join the fandom.

If you had five songs to convince your friend to love your favorite band, what would you choose? In this episode of the Make Me a Fan series, Lizzie tries to convert Brian into a Hawthorne Heights believer.

Despite being in the thick of the mid-2000s scene boom, Brian originally wrote the band off as a skeptic. To prove him wrong, Lizzie brought 5 specific tracks spanning their entire discography to see if she can change his mind: "Ohio Is For Lovers," "Niki FM," "Saying Sorry," "End of the Underground," and "Cardinal."

We break down the undeniable edge-core grip of "Ohio Is For Lovers," revisit their Victory Records TRL era with "Saying Sorry," and look at their modern evolution. Plus, we talk about the nostalgia of the local scene, whether "Ohio Is For Lovers" was destined to be the soundtrack to every Matt Cutshall meme on the internet, and why frontman JT Woodruff is the ultimate "emo wife guy."

Can five songs overwrite 20 years of scene stubbornness?

 

Episode Chapters:

00:00 - The Make Me A Fan Challenge

03:15 - Breaking Down Ohio Is For Lovers & Scene Stereotypes

15:40 - Cardinal & Their Modern Sound

22:20 - Niki FM: JT Woodruff is the Ultimate Emo Wife Guy

33:10 - Saying Sorry & The Victory Records Era

44:30 - End of the Underground & Brian's Final Verdict

JOIN THE CLUB!
Youtube: https://emosocial.club/youtube
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TikTok: https://emosocial.club/tiktok
Twitch: https://emosocialclub.tv
Discord: https://emosocial.club/discord
Facebook: https://emosocial.club/facebook
Twitter: https://emosocial.club/twitter

Support the Show:
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Support us and watch exclusive episodes: https://emosocialclub.tv
It was never just a phase. We connect the Myspace era to today's waves.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"I would argue that Sempiternal is their re-debut album. It pivoted to something that's a little bit more poppy for the mainstream general audience... it very much was a rebranding of them in a way."

This week, Brian and Lizzie dissect Bring Me The Horizon's pivotal 2013 album, Sempiternal. They discuss the addition of Jordan Fish, Oli Sykes' shift to clean vocals, and how the band laid the blueprint for modern metalcore.  

A decade after its release, Bring Me The Horizon's Sempiternal remains a monumental record in emo history and modern metalcore. Brian and Lizzie sit down to review the album that transformed BMTH from a raw deathcore act into global rock superstars. They analyze the massive impact of Jordan Fish joining the band, bringing cinematic synths and EDM influences that completely reshaped their sonic landscape. The hosts break down Oli Sykes' evolution into clean, Linkin Park-inspired vocals and review standout tracks like 'Can You Feel My Heart', 'Shadow Moses', and 'Sleepwalking'. From the pop punk level of catchy hooks embedded in their heavy breakdowns to the nuanced electronic soundscapes that paved the way for the current 'baddiecore' movement, this episode covers it all. Did Sempiternal single-handedly save a stale scene, or are there valid critiques of its straightforward lyrics? Tune in to hear the Emo Social Club's final verdict on this definitive release.   

JOIN THE CLUB!
Youtube: https://emosocial.club/youtube
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Facebook: https://emosocial.club/facebook
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Support the Show:
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Support us and watch exclusive episodes: https://emosocialclub.tv
It was never just a phase. We connect the Myspace era to today's waves.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"There's video evidence of me being like 16 years old playing to zero people in a coffee shop. So I'm like, trust me, the grind has been there forever."  

David Osterhout of Bike Routes sits down to discuss the viral success of "World Apart," opening for Hawthorne Heights and Young Culture, and a surreal encounter with Bruce Springsteen.  

David Osterhout of South Jersey's Bike Routes is having a massive breakout year, but don't call him an industry plant. He sits down with Brian and Lizzie to talk about grinding for six years in front of empty coffee shops, the sudden TikTok explosion of "World Apart," and a surreal Portland bookstore encounter with Bruce Springsteen that led to an E Street Band collaboration with Jake Clemons on the track "Delicate." David details the band's roots in the rich New Jersey DIY scene, the lead-up to the new album "Prairie," and the reality of transitioning from local acoustic gigs to full-band tours with Young Culture and Hawthorne Heights. Later in the episode, Brian and Lizzie stick around to unpack the recent scene controversy surrounding the Chaotic Good marketing agency. They discuss the reality of modern music promotion, the mechanics of mass clip creation pushing songs into the algorithm, and why the internet is suddenly obsessed with calling every rising pop-punk and emo band a psyop.

 

"It's one of those moments where I've planned my whole life, like if I ever run into Bruce Springsteen, I have to say this, this, this. I just walked up and I was just like, can I shake your hand?"

"My dreams came true the first time we played a show out of the state of New Jersey. That was a ceiling for me. I was like, the second we play a show across state lines, we're good."

JOIN THE CLUB!
Youtube: https://emosocial.club/youtube
Instagram: https://emosocial.club/instagram
TikTok: https://emosocial.club/tiktok
Twitch: https://emosocialclub.tv
Discord: https://emosocial.club/discord
Facebook: https://emosocial.club/facebook
Twitter: https://emosocial.club/twitter

Support the Show:
Leave a review on Apple Podcasts/Spotify
Share this episode with a friend who needs to hear it
Support us and watch exclusive episodes: https://emosocialclub.tv
It was never just a phase. We connect the Myspace era to today's waves.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"Teen angst doesn't go away just because you get older. I think as an adult, you have less and less ways to relieve that stress of everyday life."  

Multi-platinum artist Bryce Vine might be known for massive hip-hop crossover hits, but his musical DNA is pure Warped Tour.  

Multi-platinum artist Bryce Vine might be known for massive hip-hop crossover hits, but his musical DNA is pure Warped Tour. From hunting down Blink-182's Dude Ranch on the radio as a kid to obsessing over the Tony Hawk's Pro Skater soundtracks, Bryce has always been a scene kid at heart. He sits down with Lizzie to talk about blending those early pop-punk influences into his mainstream sound, navigating the reality of industry expectations, and what it’s actually like collaborating with scene heavyweights like John Feldmann and Travis Barker. Looking ahead to summer, Bryce talks about his placement on the Warped Tour 2026 lineup and getting to play alongside legacy acts like Third Eye Blind and New Found Glory. Stick around after the interview as Brian and Lizzie unpack the modern festival landscape, debate the mixed online reactions to the recent Warped Tour announcements, and question whether today's scene artists still get unfairly pigeonholed by outdated genre expectations.   

"Teen angst doesn't go away just because you get older. I think as an adult, you have less and less ways to relieve that stress of everyday life and the things that are going on in your head, and then you just end up overthinking."

"There's a lot of pressure in the music industry... you kinda gotta consider it in a different way. So I really try to tell up and coming artists not to worry too much about that and just lead by example by putting out music because it's what makes me feel good."

"I just wanna make dope s***, and I think my fans get that. So if it's a punk song this time, then they learn all the words because they're invested now."

JOIN THE CLUB!
Youtube: https://emosocial.club/youtube
Instagram: https://emosocial.club/instagram
TikTok: https://emosocial.club/tiktok
Twitch: https://emosocialclub.tv
Discord: https://emosocial.club/discord
Facebook: https://emosocial.club/facebook
Twitter: https://emosocial.club/twitter

Support the Show:
Leave a review on Apple Podcasts/Spotify
Share this episode with a friend who needs to hear it
Support us and watch exclusive episodes: https://emosocialclub.tv
It was never just a phase. We connect the Myspace era to today's waves.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.