The Emo Social Club Podcast

"I would argue that Sempiternal is their re-debut album. It pivoted to something that's a little bit more poppy for the mainstream general audience... it very much was a rebranding of them in a way."

This week, Brian and Lizzie dissect Bring Me The Horizon's pivotal 2013 album, Sempiternal. They discuss the addition of Jordan Fish, Oli Sykes' shift to clean vocals, and how the band laid the blueprint for modern metalcore.  

A decade after its release, Bring Me The Horizon's Sempiternal remains a monumental record in emo history and modern metalcore. Brian and Lizzie sit down to review the album that transformed BMTH from a raw deathcore act into global rock superstars. They analyze the massive impact of Jordan Fish joining the band, bringing cinematic synths and EDM influences that completely reshaped their sonic landscape. The hosts break down Oli Sykes' evolution into clean, Linkin Park-inspired vocals and review standout tracks like 'Can You Feel My Heart', 'Shadow Moses', and 'Sleepwalking'. From the pop punk level of catchy hooks embedded in their heavy breakdowns to the nuanced electronic soundscapes that paved the way for the current 'baddiecore' movement, this episode covers it all. Did Sempiternal single-handedly save a stale scene, or are there valid critiques of its straightforward lyrics? Tune in to hear the Emo Social Club's final verdict on this definitive release.   

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It was never just a phase. We connect the Myspace era to today's waves.

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"There's video evidence of me being like 16 years old playing to zero people in a coffee shop. So I'm like, trust me, the grind has been there forever."  

David Osterhout of Bike Routes sits down to discuss the viral success of "World Apart," opening for Hawthorne Heights and Young Culture, and a surreal encounter with Bruce Springsteen.  

David Osterhout of South Jersey's Bike Routes is having a massive breakout year, but don't call him an industry plant. He sits down with Brian and Lizzie to talk about grinding for six years in front of empty coffee shops, the sudden TikTok explosion of "World Apart," and a surreal Portland bookstore encounter with Bruce Springsteen that led to an E Street Band collaboration with Jake Clemons on the track "Delicate." David details the band's roots in the rich New Jersey DIY scene, the lead-up to the new album "Prairie," and the reality of transitioning from local acoustic gigs to full-band tours with Young Culture and Hawthorne Heights. Later in the episode, Brian and Lizzie stick around to unpack the recent scene controversy surrounding the Chaotic Good marketing agency. They discuss the reality of modern music promotion, the mechanics of mass clip creation pushing songs into the algorithm, and why the internet is suddenly obsessed with calling every rising pop-punk and emo band a psyop.

 

"It's one of those moments where I've planned my whole life, like if I ever run into Bruce Springsteen, I have to say this, this, this. I just walked up and I was just like, can I shake your hand?"

"My dreams came true the first time we played a show out of the state of New Jersey. That was a ceiling for me. I was like, the second we play a show across state lines, we're good."

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It was never just a phase. We connect the Myspace era to today's waves.

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"Teen angst doesn't go away just because you get older. I think as an adult, you have less and less ways to relieve that stress of everyday life."  

Multi-platinum artist Bryce Vine might be known for massive hip-hop crossover hits, but his musical DNA is pure Warped Tour.  

Multi-platinum artist Bryce Vine might be known for massive hip-hop crossover hits, but his musical DNA is pure Warped Tour. From hunting down Blink-182's Dude Ranch on the radio as a kid to obsessing over the Tony Hawk's Pro Skater soundtracks, Bryce has always been a scene kid at heart. He sits down with Lizzie to talk about blending those early pop-punk influences into his mainstream sound, navigating the reality of industry expectations, and what it’s actually like collaborating with scene heavyweights like John Feldmann and Travis Barker. Looking ahead to summer, Bryce talks about his placement on the Warped Tour 2026 lineup and getting to play alongside legacy acts like Third Eye Blind and New Found Glory. Stick around after the interview as Brian and Lizzie unpack the modern festival landscape, debate the mixed online reactions to the recent Warped Tour announcements, and question whether today's scene artists still get unfairly pigeonholed by outdated genre expectations.   

"Teen angst doesn't go away just because you get older. I think as an adult, you have less and less ways to relieve that stress of everyday life and the things that are going on in your head, and then you just end up overthinking."

"There's a lot of pressure in the music industry... you kinda gotta consider it in a different way. So I really try to tell up and coming artists not to worry too much about that and just lead by example by putting out music because it's what makes me feel good."

"I just wanna make dope s***, and I think my fans get that. So if it's a punk song this time, then they learn all the words because they're invested now."

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It was never just a phase. We connect the Myspace era to today's waves.

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"It's been a slow burn. It's not like a commemoration of a time that we blew up... It's just an album that became more successful later on."

Microwave sits down with Brian and Lizzie at the Salt Shed during their Much Love 10-Year Anniversary Tour. The band dives into their slow-burn rise to success following the 2022 Story So Far tour, the hilarious reality of crashing in Hot Mulligan's dorm lobby, and why they relate more to Jimmy Eat World than Midwest emo. Plus, rapid-fire reviews of new releases from The Maine, Enter Shikari, Bilmuri, and more.  

Microwave is in the hot seat this week as Brian and Lizzie sit down with Nathan, Tyler, Tito, and Luke live from the Salt Shed to celebrate the ten-year anniversary of Much Love. Despite what their Wikipedia page says, the guys aren't actually influenced by Midwest emo, and they break down tracing their true sound back to Jimmy Eat World rather than Cap'n Jazz. They discuss what it has been like to watch Much Love explode in popularity after their 2022 run with The Story So Far, validating their slow-burn success in the scene. The band also reminisces about the unglamorous realities of early DIY touring, highlighted by a hilarious 2016 story where they slept on the floor of a freshman dorm lobby while Hot Mulligan's roommate vacuumed around them. Following the interview, Lizzie gets sassy as she and Brian dive into rapid-fire reviews of the latest tracks dropping ahead of the spring and summer tours, sharing their unfiltered thoughts on new music from The Maine, Bilmuri, Enter Shikari, and more.   

"In 2016 on The Wonder Years tour, we stayed at Chris from Hot Mulligan's freshman dorm. We assumed it was like a house, and we showed up and were sleeping in the lobby. I woke up to somebody just vacuuming right next to me."

"We weren't robbed of any of the experiences of developing a band. Some people, their s*** blows up when they're eighteen, and then they have the pressure of having to follow that up and do something just as good immediately."

"We kinda got grouped in with bands that are more directly influenced by Cap'n Jazz and American Football and Midwest emo. Our influence is more like Jimmy Eat World type stuff."

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"For me, it's just like I write the song so that I could get it off my chest, and I think it's the coolest thing in the world."    

LØLØ stops by the club to discuss her jump to Hopeless Records, the power of hyper-specific lyrics, and double standards for women in pop-punk.    

Canadian artist LØLØ joins Brian and Lizzie to talk about her upcoming album, god forbid a girl spits out her feelings! She explains why treating her songwriting like a personal diary actually helps fans connect more deeply, rather than alienating them, and what it was like making the move to a new label. 

The conversation also tackles the reality of being a woman in the alternative scene. LØLØ breaks down the double standard of women getting criticized for writing 'I hate this man' tracks, while male pop-punk artists have built entire careers on the exact same premise. 

Plus, Brian and Lizzie debate whether Ashlee Simpson's Autobiography era actually qualifies as an underrated scene record. 

 

"For me, it's just like I write the song so that I could get it off my chest, and I think it's the coolest thing in the world."

"I feel like a lot of women are writing that kind of song, honestly. And I see a lot of people commenting like, oh, like, imagine a guy wrote this about a girl."

"That kind of stuff is important as an escape when there is so much going on in the world."

JOIN THE CLUB!
Youtube: https://emosocial.club/youtube
Instagram: https://emosocial.club/instagram
TikTok: https://emosocial.club/tiktok
Twitch: https://emosocialclub.tv
Discord: https://emosocial.club/discord
Facebook: https://emosocial.club/facebook
Twitter: https://emosocial.club/twitter

Support the Show:
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It was never just a phase. We connect the Myspace era to today's waves.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.