Past Present Feature with Marcus Mizelle

Tawfik Sabouni breaks down his Berlinale-bound documentary Other Side of the Sun and how it grew out of lived experience, from filming protests during the Syrian revolution to imprisonment, exile, and ultimately shaping that reality into his first feature. He doesn’t separate fiction and nonfiction, approaching cinema as one language built around truth and urgency.
The film follows survivors returning to the prison where they were held, using reenactment to access memory rather than spectacle. Built around faces instead of events, it focuses on the human imprint of trauma, with the process itself forcing Sabouni to confront experiences he nearly walked away from.
Drawing from filmmakers like Rithy Panh (The Missing Picture) and Joshua Oppenheimer (The Act of Killing), the film blends personal testimony with cinematic form. The takeaway is clear: tell the stories that matter, especially the ones others would rather ignore.

What Movies Are You Watching?
This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. 
If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off. 
Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.
Visit revivalhub.com to see what's playing this week. 
Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. 
Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature

Support the show

Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Charlie Tyrell breaks down how The AI Doc: Or How I Became an Apocaloptimist, this years SXSW Audience Award winner now in theaters from Focus Features, turns an overwhelming, abstract subject into something personal by grounding it in fatherhood. Instead of approaching AI through pure information or fear, the film frames it through the lens of bringing a child into the world, making the stakes immediate, emotional, and human.
Co-directed by Daniel Roher, Academy Award winning director of Navalny, and produced by Daniel Kwan, Academy Award winning director of Everything Everywhere All At Once, the filmmaking process was massive and chaotic, built from dozens of interviews, extensive transcripts, and layered animation. The challenge was finding clarity inside that volume while keeping the film engaging and cinematic, reflecting a lineage of documentaries that blend personal narrative with larger ideas. Charlie’s past inspirations include Stories We Tell by Sarah Polley and recent films Weapons and 28 Years Later.
At its core, AI is already here, already shaping everything, and the real question is who chooses to engage with it. Don’t assume someone else will shape the future for you.

What Movies Are You Watching?
This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. 
If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off. 
Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.
Visit revivalhub.com to see what's playing this week. 
Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. 
Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature

Support the show

Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Belgian filmmaker Frederike Migom breaks down her Berlinale premiere Everyone’s Sorry Nowadays, a coming-of-age story set almost entirely inside a single home and a young girl’s mind. The film explores identity through a tightly contained structure, blending realism with imagined sequences that bring the character’s inner world to life.
She talks through her unconventional path into directing, from acting and production work to navigating Europe’s state-funded film system. A key turning point came not from making films, but from receiving funding, the moment she says she finally felt “allowed” to call herself a director. The conversation digs into adapting a novel, working within creative limitations, and why fear is an unavoidable part of the process. 
Migom cites films like Boy, Arizona Dream, the work of Céline Sciamma and Andrea Arnold, and Eternal Sunshine of the Spotless Mind as touchstones for balancing realism with subjectivity. She also shares a simple philosophy that carried her through: feel the fear, do it anyway - and trust that the process will lead you where you need to go.

What Movies Are You Watching?
This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. 
If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off. 
Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.
Visit revivalhub.com to see what's playing this week. 
Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. 
Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature

Support the show

Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Jeremy Workman discusses Secret Mall Apartment, his Netflix documentary about a group of Rhode Island artists who secretly built and lived in an apartment inside a busy shopping mall, filming the entire four-year experiment themselves. After a strong self-released theatrical run, the film is now streaming on Netflix.
Jeremy traces the project back to a chance meeting in Athens, where he connected with the main subject and slowly earned the trust of the full group after years of other filmmakers being turned away. He also reflects on his path into nonfiction, growing up around editing through his father, Chuck Workman, and building a career through independently financed documentaries.
He cites films like American Movie (Chris Smith), Man on Wire (James Marsh), The Raft (Marcus Lindeen), and The Act of Killing (Joshua Oppenheimer) as inspirations for playful, form-bending nonfiction. The conversation also explores self-distribution, theatrical strategy, and why filmmakers should stop waiting for perfect conditions and just go make the thing.

What Movies Are You Watching?
This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. 
If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off. 
Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.
Visit revivalhub.com to see what's playing this week. 
Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. 
Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature

Support the show

Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Gille Klabin discusses Weekend at the End of the World, his follow-up to The Wave, and the deliberate choice to build a second feature that didn’t require waiting for studio permission. Shot in 12 days on a sub-$300K budget, the film was designed around creative, logistical, and financial control. Gille reflects on the lessons he learned from The Wave’s release, where traditional distribution left him frustrated by opaque marketing spends and limited transparency, and how that experience reshaped his approach to ownership, equity, and rollout strategy the second time around.
Gille discusses the current indie landscape not as a lament, but as a tactical puzzle, and breaks down the realities of aggregators versus distributors, the economics of digital-first releases, and why he chose to prioritize transparency and direct recoupment over a conventional deal. Drawing comparisons to films like Shaun of the Dead, Tucker & Dale vs. Evil, and The Cabin in the Woods, he discusses the balance of tone, heart, and genre - and how surprise and emotional whiplash can be a strategic storytelling tool.
He also outlines a 50/50 equity split between investors and cast/crew, a flat-rate pay structure on set, and a belief that if independent filmmakers want a more just system, they have to build it at their own scale first. The conversation closes on preparation, resilience, and the long game: make the movie you can actually control, learn the business as deeply as the craft, and let your specific weirdness become the thing that carries you forward.

What Movies Are You Watching?
This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. 
If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off. 
Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.
Visit revivalhub.com to see what's playing this week. 
Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. 
Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature

Support the show

Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature