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Sync Music Matters Podcast

Jim Hustwit - Larp Music
Sync Music Matters Podcast
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  • 26 – How AI Is Reshaping the Music Industry – A Conversation with Jenn Miller
    In this episode of Sync Music Matters, I sit down with Jenn Anderson-Miller, a leading voice at the intersection of music, technology, and rights, to explore how How AI Is Reshaping the Music Industry from how music is made to how creators are protected. About Jenn Miller - How AI Is Reshaping the Music Industry Jenn Miller is the CEO and Co-Founder of Audiosocket, a forward-thinking music tech company revolutionising how music is licensed and used in media. With over 15 years of experience helping shape the music licensing landscape, Jenn is also the host of the insightful new series, Equitable Solutions for Creators in an AI Era. Jenn has participated in the DOJ Copyright Roundtable Sessions and recently moderated a SXSW panel on the future of music rights management. She brings a wealth of knowledge, passion, and real-world experience to the urgent conversation about How AI Is Reshaping the Music Industry. Traditional AI vs Generative AI: What’s the Difference? We begin by unpacking the difference between traditional AI, which powers tools like recommendation engines and music data analytics, and generative AI, which can now create entirely new compositions, lyrics, and even synthetic vocals. What does this mean for artists, composers, and rights holders. Will AI Replace Human Composers? Can generative AI replace human composers? That’s one of the key questions we explore. While AI is capable of generating music at scale, Jenn emphasises the emotion, humanity, and lived experience that only human creators bring - the very qualities that make music truly resonate. We also examine whether the rise of AI-generated content will push audiences to seek out more authentic, human connection through music and what that might mean for the future of music. Rights Management in the Age of AI A major focus of our conversation is the evolving world of music rights management. As AI tools become capable of generating content that mimics real artists or samples existing work, who owns the rights to AI-generated music? Jenn shares her expertise on the legal and ethical implications, the need for updated rights frameworks, and why protecting creators is more important than ever. Key Takeaways: AI will transform music workflows, but human creativity remains irreplaceable. Emotion and authenticity are the core of what makes music meaningful. The industry must modernize rights management systems to address AI’s impact. Advocacy and equitable solutions for creators are key to shaping a fair future. Interesting Article: Why AI Can’t Make Art (and Probably Never Will) https://lateralaction.com/articles/ai-cant-make-art/
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  • 25 – Jack Halama Interview – Scoring Disney’s Rivals + Making Bold Musical Choices
    Jack Halama Interview - In this episode of Sync Music Matters I'm talking to BAFTA nominated multi-instrumentalist, composer and producer Jack Halama. He’s written for numerous productions including Disney+ comedy/drama Rivals to Netflix series Who Is Erin Carter? He’s also written additional music for a host of major series including Marvel's Loki, and Star Wars spin off Obi Wan Kenobi.  Jack has a diverse background that straddles contemporary and classical education. Jack draws on eclectic range of influences blending guitars, synths and classical elements to create a unique style. Rivals has a very distinct musical identity and Jack talks about the importance of making bold musical choices in order to create that identity. He also wonders whether it's also the key to winning pitches. The importance of creating your own sounds and specifically recording instruments underwater. We nerd out on what plugins and synths he uses and also talk about the underwater recordings he made for Netflix' Who is Erin Carter - he literally recorded a guitar and cello underwater which makes for a unique sound palette. This Jack Halama Interview is available wherever you get your podcasts Jack Halama Website Jack Halama Instagram
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  • 24 – Doug Bryson Interview – Music for Mortimer and Whitehouse: Gone Fishing
    This week's episode of Sync Music Matters Doug Bryson Interview Doug -  edits and curates the music for the award winning TV series Mortimer and Whitehouse: Gone Fishing Doug Bryson Interview BAFTA nominated Doug Bryson is TV and Film editor who, in his own words, tells stories with pictures that you might see on the telly. He has cut shows such as Grand Designs and 24 Hours in Police Custody but is perhaps most recently known for his work on Mortimer & Whitehouse: Gone Fishing.  If you aren’t familiar with the show, it follows comedians and lifelong friends, Bob Mortimer and Paul Whitehouse as they embark on fishing adventures around the UK and share their personal and hilarious experiences of life. It’s a visual feast of picturesque landscapes paired with beautiful music which is lovingly curated by Doug.   We chat about the Chuck Berry track Mad Lad and how it was replaced because it became too expensive to licence, Bob Mortimer's musical input, Flotation Tanks and Star Wars. You can find Doug Bryon on Instagram - editordoug Doug Bryson's website
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  • 23 – Interview with Aaron May + David Ridley – Scoring Netflix’ Adolescence
    This episode of Sync Music Matters is an interview with Aaron May and David Ridley about scoring the Netflix series Adolescence and the power of collaboration Interview with Aaron May + David Ridley Aaron and David are the progressive composer duo responsible for scoring Netflix’ recent psychological crime drama Adolescence  Other credits include ITVs Malpractice and the 4x BAFTA nominated feature Boiling Point. Aaron and David met at Bristol Uni, where they were doing a Masters in Composition. They played in bands together before collaboratively scoring their first short in 2017.  Since then they’ve gone on to create bold, distinctive soundtracks blending contemporary classical and electronic elements . Their working practice puts an emphasis on experimentation and conversation, both with each other and their co-creatives in order to harness the power of collaboration. Website: Aaron May & David Ridley Instagram: aaron_and_david
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  • 22 – Interview with Ryan Dickinson – Finding a profession that fills you with joy
    Interview with Ryan Dickinson - Ryan Dickinson has spent the  last 10 years working within the advertising and video game industries as a creative director, music composer and sound designer. He’s worked for world renowned companies such as MassiveMusic, EA Games and Squeak E Clean. He has also worked on sonic branding, helping to craft award winning sound for brands such as Kathmandu, The Australian Open & Canva (winning gold & silver Transform Awards)   Ryan is the director of “made by ikigai” which is a full-service music & sound agency.  Ikigai is a Japanese term that blends two words: “iki” meaning “to live,” and “gai” meaning “reason”, which translates to “a reason to live.” It's a concept that encourages people to discover what truly matters to them and to live a life filled with purpose and joy. In this interview with Ryan Dickinson We discuss ikigai and finding a profession that fills you with purpose. Ryan talks about being a freelancer, the importance of making yourself stand out and how personal branding can be a key component. Ryan and I both made a major career shifts into music later in life so we also talk about pivoting and how to make it work. Ryan Dickinson website Ryan Dickinson on Instagram Jim Hustwit is the host of Sync Music Matters
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About Sync Music Matters Podcast

A podcast that explores the people and the process behind the most incredible music in TV, film and games. Jim Hustwit talks to TV and film composers, editors, directors and music supervisors about their personal journeys, recent projects and the music that has shaped them.
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