Pink Floyd, Syd Barrett & the Grief Behind Wish You Were Here
Syd Barrett was the genius who founded Pink Floyd… and the friend they lost long before he was gone.Fifty years after Wish You Were Here, the album still feels like a monument to grief, guilt, and a band trying to understand the collapse of someone they loved. This is the story of Syd, Pink Floyd, and the masterpiece shaped by trauma.In this episode of The Last Mixed Tape, we dive into how the loss of their original songwriter haunted the band, from The Piper at the Gates of Dawn, to the breakdown that shook the group, to the themes of madness explored on The Dark Side of the Moon, and finally to the emotional creation of Wish You Were Here.
--------
21:37
--------
21:37
Kneecap’s ‘No Comment’: The Final Word
Kneecap have returned with “No Comment” their latest music statement since the terrorism charge against Mo Chara was thrown out earlier this year.This episode breaks down why this song is hitting so hard, how it ties back to the case, and why “no comment” has become a form of cultural defiance.In this show, I explore:• how Kneecap use satire and Irish identity as political resistance• how the legal case collided with their art• why “No Comment” is more than a song — it’s a repossession• Mo Chara’s courtroom words and how they echo through the track• why younger audiences in Ireland and the UK are responding so stronglyThis is the final word on the case, the song, and the cultural moment Kneecap just created.
--------
15:48
--------
15:48
Charli XCX, John Cale & the Gothic Reinvention of ‘House’
Charli XCX has entered her darkest era yet. With “House,” her new collaboration with The Velvet Underground legend John Cale for Emerald Fennell’s upcoming Wuthering Heights (2026), Charli steps into a world of gothic romance, decaying architecture, and emotional brutality, a complete reinvention from her Brat era.In this deep-dive, The Last Mixed Tape explores Charli’s career-defining pivot after Brat to the haunting production choices and Cale’s iconic narration, this episode unpacks why “House” is quickly becoming one of the most important songs of her career.
--------
16:20
--------
16:20
Ghost Town: Then & Now – From The Specials to Lankum
Four decades after The Specials captured Britain’s collapse, Irish folk collective Lankum have reimagined Ghost Town transforming it into a haunting reflection of modern Ireland.In this episode of The Last Mixed Tape, we trace Ghost Town’s journey from 1981’s Two-Tone rebellion to today’s Dublin exploring how music becomes a document of its time, from racial tension and working-class despair in Thatcher’s Britain to housing crises and far-right unrest in Ireland today.
--------
20:01
--------
20:01
Rosalía “Berghain”: When Pain Becomes Art
In Berghain, Rosalía turns heartbreak into ritual. Set against the cultural backdrop of Berlin’s legendary club and her Catalan roots, this episode of The Last Mixed Tape examines how she translates loss into performance using sound, body, and movement to reclaim freedom.We look at how Berghain continues the evolution of Motomami, blending vulnerability with power, and how collaborators like Björk and Yves Tumor expand its emotional and symbolic depth. Through grief, Rosalía reinvents herself and in doing so, redefines what pop music can be.
Ireland