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UNSUNG - the Audiomovers Podcast

AUDIOMOVERS
UNSUNG - the Audiomovers Podcast
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  • Nile Rodgers: "My Only Thought Is: How Can I Make Your Song Better?" | UNSUNG
    For Episode 22 of the UNSUNG podcast Dom Dronska (General Manager, Audiomovers) & Matt Soczywko (Head of Marketing, Audiomovers) were joined by music legend Nile Rodgers at Abbey Road Studios in London.In this very special episode, Audiomovers' Chief Collaborator & Chair of the Advisory Board Nile Rodgers offers an incredible journey through his legendary career. Starting off with his work on Duran Duran's "The Reflex" in 1983 and getting back in the studio with them over 40 years later, he opens up about the challenges of dealing with record label pushback and the impact of the "Disco Sucks" movement, alongside the clever tactics he and Bernard Edwards used to navigate their first record deal. Nile shares his philosophy on collaborating with artists, crafting hit records, and how his experience with small budgets fostered his "one take" recording philosophy in his early days which inspired the writing of certain tracks. He discusses the unconventional method Chic used to break their first hit, "Dance, Dance, Dance," and dives into the technical side of his studio process, discussing his experience with digital and analog recording. He recounts fascinating stories from his diverse discography, including the iconic bassline of "Good Times" and his work on films like "Coming to America" and "Beverly Hills Cop III." The conversation also explores Nile's first experiences with Hip Hop alongside Blondie's Debbie Harry and Chris Stein, growing up in Alphabet City, and his early access to musical education. He also touches on his experiences working with legends like Sister Sledge, Diana Ross on "I'm Coming Out," and Carly Simon on "Why," as well as the story of almost working with Aretha Franklin. Finally, Nile closes on his enduring passion for making music better for others and his commitment to philanthropy through the We Are Family Foundation.➡️ Follow Nile on Instagram - https://www.instagram.com/nilerodgers➡️ Hear some of Nile’s work - https://open.spotify.com/playlist/37i9dQZF1DZ06evO24hDkk?si=aGNcI_SnRa6eP586ADWF4A➡️ Learn more about Audiomovers - https://audiomovers.com/?utm_source=YouTube&utm_medium=Content&utm_campaign=UNSUNG_Nile_RodgersTimecode0:00 - 0:34 Intro0:38 - 4:56 Working with Duran Duran and the Story of “The Reflex”4:56 - 6:28 Dealing with Pushback from Record Labels6:28 - 7:57 Staying in Touch with Artists While Moving from Project to Project7:57 - 10:36 The Bassline of “Good Times”10:36 - 11:20 How Working with Small Recording Budgets Made Nile So Efficient11:20 - 14:05 Digital Recording vs. Analog Recording14:05 - 15:25 Does Nile Prefer Recording Analog or Digital?15:25 - 22:27 Nile & Bernard’s First Record Deal22:27 - 23:38 The Impact of the “Disco Sucks” Movement23:38 - 23:53 How Nile Decides Whether He’ll Work with an Artist23:53 - 26:57 (Almost) Working with Aretha Franklin26:57 - 28:52 Wanting to Be a “Self-Contained Band”28:52 - 32:26 How to Get a Hit Record32:26 - 34:32 Working on Commercials to Pay the Rent and Meeting John Landis34:32 - 40:43 Working on “Coming to America” & “Beverly Hills Cop III”40:43 - 42:51 Eddie Murphy Story42:51 - 44:45 “Alphabet City” & the Beginnings of Hip Hop44:45 - 47:17 Nile’s First Experience of “Hip Hop” with Debbie Harry + Chris Stein47:17 - 52:36 Growing Up in Alphabet City + Nile’s Early Access to Musical Education52:36 - 55:44 Working with Sister Sledge55:44 - 58:00 Working on Diana Ross’ Album “Diana” (1980)58:00 - 1:04:00 The Story of “I’m Coming Out”1:04:00 - 1:04:40 Intermission1:04:40 - 1:12:34 The Story of “Why” by Carly Simon1:12:34 - 1:14:32 What Nile Cares About When Working on a Song1:14:52 - 1:15:26 EndUNSUNG is a podcast from Audiomovers. Our software LISTENTO is used on countless GRAMMY-winning records and Billboard 100 hits. Alongside LISTENTO, we have a whole suite of other groundbreaking pro audio software tools.Join us.#nilerodgers #podcast #music #musicproduction #audiomovers
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  • "A Producer Punched Me In The Face Mid-Session" - GRAMMY-winning Engineer Matt Sim | UNSUNG
    For Episode 21 of the UNSUNG podcast, Jocelin, Matt Soczywko & Igor Maxymenko were joined by GRAMMY-winning Mixing & Mastering Engineer Matt Sim at Qube East in London.Matt Sim is a GRAMMY-winning, multi-platinum & billboard charting mixing & mastering engineer. He has worked with a very eclectic list of global artists including: Aya Nakamura, Jackson Wang, Illenium, The Chainsmokers, Mark B, Milli and many more.After graduating from Berklee College of Music, Matt Sim moved to New York City, where he spent a decade as an in-house mixer at the legendary Hit Factory NYC studios. Currently, he serves as Warner Music Asia's in-house Dolby Atmos Music Mixer and is a pre-approved immersive mixer for Universal Music Group and Sony Music globally. With over 2,700 credits and more than 8 billion streams under his belt, he has firmly established himself as one of the most respected mixers in Asia.In this episode, Matt takes us through his journey, from his musical beginnings and early studio experiences in New York, including landing the gig at The Hit Factory, to how his unique mentality shaped his hustle and desire to become a mix engineer. He discusses his approach to mixing for diverse clients, adapting to different genres, and the nuances of mixing for cultural preferences. Matt also shares insights into his creative process, including whether his classical background comes in handy, his thoughts on production, and the skill of providing effective client feedback. A significant part of the conversation focuses on Dolby Atmos, covering his setup, delivering Atmos mixes, the future of the format for consumers, and how he utilizes Audiomovers. Wrapping up with Matt's reflections on career highlights, working with artists like Big Sean and invaluable advice for aspiring engineers.➡️ Follow Matt on Instagram - https://www.instagram.com/mix_by_matt_sim/➡️ Check out some of Matt’s work - https://mixbymattsim.com/ ➡️ Learn more about Audiomovers - https://audiomovers.com/?utm_source=YouTube&utm_medium=Content&utm_campaign=UNSUNG_Matt_SimUNSUNG is a weekly podcast from Audiomovers that honors the real stories and the truth behind the music that shapes our lives - by music obsessives, for music obsessives. Each week, we explore the untold stories and creative processes behind the music we love, from a cast of globally acclaimed record producers, studio engineers, songwriters, and composers.Join us.Audiomovers is part of the Abbey Road REDD family and our software LISTENTO is used by over 90% of recording sessions at the studio, as well as on countless GRAMMY-winning records and Billboard 100 hits. Alongside LISTENTO, Audiomovers creates a suite of groundbreaking pro audio software tools designed to help music makers collaborate.#mattsim #podcast #production #mixing #engineering #atmos
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  • "K-Pop Isn't A Genre It's Their Culture, It's Everything" Production Duo LDN Noise | UNSUNG
    For Episode 20 of the UNSUNG podcast, Jocelin and Matt were joined by British songwriting & production duo LDN Noise at Abbey Road Studios.Comprising Greg Bonnick and Hayden Chapman, the two met via a mutual friend, originally producing garage and UK electronic genres popular at the time. After digital downloads started to displace revenue generated from physical sales of vinyl and CDs, Greg's dance music label began to struggle financially. He pivoted out of making niche UK genres like Garage and 2-step and started studying songwriting and looking into producing more commercial music with Hayden. They had a string of early successes working on music for UK chart-toppers like Cheryl Cole, Sugababes, and Tinie Tempah, while also working on more underground acts/genres like Skepta and Grime.Then, around 2012, the UK music scene started to run thin on the ground; there weren't many acts to pitch songs for. The boys had landed a big track with Chris Brown that same year but struggled to get much music placed until their songwriter friend Andrew Jackson introduced them to a brand-new genre emerging from South Korea called K-pop. Returning from LA frustrated after a big writing trip, they decided to double down on this brand-new genre and quickly found success in K-pop, finding their broad musical taste and diverse musical ability a perfect fit for the multi-genre twists and turns found in K-pop's DNA.Today, LDN Noise has written songs and produced music for some of the biggest acts in K-pop and the world, including: Chris Brown, Nick Jonas, Red Velvet, Exo, NCT Dream, NCT 127, Skepta, Enhypen, Twice, and many, many more.In this episode, the boys discuss how they typically work together, how they met, their early productions, their transition into songwriting, and the commercial evolution of UK Rap in the 2010s, Grime's second wave, the highs and lows of various musical genres, the impact of diverse musical experiences, their success in K-pop, covering its defining features, the potential dark sides of the scene, and the importance of work ethic and talent in the music industry, how they initially got into K-pop, what inspires them when writing in the genre, how they developed the skillset to produce its many diverse styles, their preferred DAW, the different sound characteristics of DAWs, the plugins they regularly use. They wrap up with a quick-fire round, what's next for LDN Noise, and some invaluable advice for aspiring music makers.➡️ Follow LDN Noise on Instagram - https://www.instagram.com/ldnnoise➡️ Listen to some of LDN Noise's work - https://open.spotify.com/playlist/0Gb68yqL6OxyHECuQJJAhr?si=jmZmFSFYSPu2vUJWPfw-4Q➡️ Learn more about Audiomovers - https://audiomovers.com/?utm_source=YouTube&utm_medium=Content&utm_campaign=UNSUNG_LDN_NoiseUNSUNG is a weekly podcast from Audiomovers that honors the real stories and the truth behind the music that shapes our lives - by music obsessives, for music obsessives. Each week, we explore the untold stories and creative processes behind the music we love, from a cast of globally acclaimed record producers, studio engineers, songwriters, and composers.Join us.Audiomovers is part of the Abbey Road REDD family and our software LISTENTO is used by over 90% of recording sessions at the studio, as well as on countless GRAMMY-winning records and Billboard 100 hits. Alongside LISTENTO, Audiomovers creates a suite of groundbreaking pro audio software tools designed to help music makers collaborate.#LDNNoise #podcast #K-POP #musicproduction #songwriting #audiomovers #unsung
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  • “A Good Score is Usually All About Happy Accidents” Film & TV Composer Raphaëlle Thibaut | UNSUNG
    For Episode 19 of the UNSUNG podcast, MixedByJocelin‬ and ‪Mirek Stiles were joined by Composer, Pianist & Producer Raphaëlle Thibaut at Kensaltown East studios in New York.Raphaëlle is a composer, pianist & producer recently nominated as a Breakthrough Composer of the Year by the International Film Music Critics Association in 2025.Enrolled in piano lessons from age 4, she spent the first 15 years of her life studying music, adoring the work of composers such as Ennio Morricone, Jerry Goldsmith, and Francois de Roubaix. After graduating from the Music Conservatory of Lille, France, in 2002, she went on to land a marketing position with Google. She left this role in 2015 after a life-changing experience at Abbey Road Studios, quitting her job the next day to immediately pursue her lifelong passion for music and film scoring.Raphaëlle's first "I've Arrived" moment came in 2021 when she scored the Emmy Award-winning Disney+/National Geographic nature docuseries "Secrets of the Whales," produced by James Cameron. Since then, she's scored "Sea Lions of the Galapagos" (2025) for Disney+, co-composed "Heart of Invictus" (2023) for Netflix, "Timeless Heroes: Indiana Jones & Harrison Ford" (2023) for Disney+, "Introducing, Selma Blair," 2021 for Discovery+ and "Mama’s Boy" (2022) for HBO, among many, many more.In this episode, Raphaëlle discusses doing her first session at Abbey Road's Studio 2, visiting Abbey Road for the first time, and making the decision to leave her corporate job at Google to pursue music full-time. She recounts how she met Mirek, her journey learning the ropes of production and composition, and her first "I've Arrived" moment in the industry. The conversation then delves into pitching herself as a composer, the distinctions between writing music for trailers versus film scores, and her transition from one to the other. Raphaëlle also covers composing for advertisements, music libraries, and short films, as well as the challenge of composers being pigeonholed into specific genres. She shares her process for starting musical ideas, how she challenges classical rules, and the importance of defining a unique sonic world. Further topics include writing music for television series, her favorite plugins, how she organizes her sounds, and her outlook for the next five years. The episode concludes with a look back at her childhood fascination with film music.➡️ Follow Raphaëlle on Instagram - https://www.instagram.com/raphaellethibaut/➡️ Check out some of Raphaëlle's work - https://www.raphaellethibaut.com/➡️ Learn more about Audiomovers - https://audiomovers.com/?utm_source=YouTube&utm_medium=Content&utm_campaign=UNSUNG_Raphaelle_ThibautTimecode0:00 - 0:53 Intro0:53 - 1:37 Raphaëlle’s first session at Abbey Road1:37 - 3:15 Raphaëlle’s first time at Abbey Road3:15 - 6:13 Leaving the corporate world to pursue music full-time6:13 - 7:39 How Mirek & Raphaëlle met7:39 - 14:23 Learning the ropes of production/composition14:23 - 18:40 Raphaëlle’s first “I’ve Arrived” moment18:40 - 22:49 Pitching yourself as a composer to the industry22:49 - 26:48 Writing music for trailers vs. scores for film26:48 - 28:12 Transitioning from trailer music to composing for film28:12 - 30:51 Writing music for advertisements & music libraries30:51 - 33:54 Composing for short films33:54 - 34:57 Composers being pigeonholed in a genre34:57 - 36:47 How Raphaëlle starts musical ideas36:47 - 39:29 Challenging the rules of a classical background39:29 - 44:04 The importance of a defining a unique sonic world44:04 - 45:13 Writing music for Television series45:13 - 48:39 Raphaëlle’s favorite plugins48:39 - 51:55 How does Raphaëlle organize her sounds51:55 - 54:48 What does the next 5 years look like for Raphaëlle?54:48 - 57:04 Raphaëlle’s childhood fascination with film music57:04 - 57:54 Outro#raphaellethibaut #podcast #composer #Disney+ #Netflix #HBOMax #filmscoring #production
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About UNSUNG - the Audiomovers Podcast

UNSUNG is a weekly show exploring the untold stories and creative processes behind the music we love, from a cast of globally acclaimed record producers, studio engineers, songwriters and composers. UNSUNG honours the real stories, and the truth behind the music that shapes our lives. It's a podcast by music obsessives, for music obsessives. Join us. UNSUNG is made by Audiomovers - part of the Abbey Road REDD family - and used by over 90% of recording sessions at the studio. It is the creator of a suite of groundbreaking pro audio software tools designed to help music makers collaborate.
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