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BRAINLAND

Ken Barrett
BRAINLAND
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  • OH FOR THE WINGS OF A DOVE: From choirboy to Operatic Maestro.
    In this specially extended episode of the podcast we speak with Jonathan Dove, one of the most performed contemporary opera/classical composers working today. He talks about his first steps in music, making up tunes on the piano well before taking formal lessons, his organ playing in church, often improvising, and the great contribution of London schools' music provision to his education. Jonathan tells us of his years he worked as an accompanist and arranger, particularly for operas, before focussing on composing in his late '20s. He shares aspects of his composition practice, including creating a mood or affective tone before adding tunes. There are diversions into Karl Marx's chaotic home life (the subject of a comic opera), Covid and the climate crisis, the latter a subject that has helped fuel several compositions, including his most recent community opera, 'Uprising'. We conclude by talking about the works currently on Jonathan's desk desk. An extraordinary look into a successful composer's mind and creative practice.Participants: Jonathan Dove, composer, https://www.jonathandove.com/Ken Barrett, visual artist, writer and retired neuropsychiatrist: http://www.kenbarrettstudio.co.ukAndy Platman, writer, musicophile, retired physician.Some of the pieces discussed:Uprising:https://www.jonathandove.com/news/new-community-opera-uprisingPinocchio:https://www.jonathandove.com/the-adventures-of-pinocchio.htmlTobias and the angel:https://www.jonathandove.com/tobias-and-the-angel.htmlMarx in London:https://www.jonathandove.com/marx-in-london.htmlGaia Theory:https://www.wisemusicclassical.com/work/68312/Gaia-Theory--Jonathan-Dove/'On the streets and iin the sky' string quartet: https://open.spotify.com/album/0yXaKLDTOx5BWvy6NbpKb3?si=O0Wgu3epScG0xVDMwTWx9AOpening and closing music: Prelude to the opera Brainland, composed by Stephen Brown. Brainland the opera website: www.brainlandtheopera.co.ukSketch by KB based on an image from Marshall Light Studio​. Hosted on Acast. See acast.com/privacy for more information.
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  • RE-ANIMATING FREUD: Sigmund at the movies
    In this podcast we talk about the way Freud has been depicted in the movies, particularly the 1962 John Houston film 'Freud: The Secret Passion'. Ian discusses Houston's complicated relationship with the star, Montgomery Clift, Sartre's early involvement with the script, the film's 'film noir' feel, Jerry Goldsmith's music, with a detour into avant garde composers work on horror films. Ian characteries the film as a big game movie about the unconscious and we go on to discuss the 2011 David Cronenberg film 'A Dangerous Method' about Freud's rift with Jung, and the struggle of Jung's patient and subsequent lover to forger her own career in psychoanalysis. This leads to the 2023 film Freud's last session that includes Freud's daughter Anna and is based on an imagined conversation with CS Lewis, which lead to a conversation about Atenborough's film about Lewis, 'Shadowlands. To conclude, we discuss three movies inspired by ideas from psychoanalysis, 'Secrets of the Soul' (Pabst, 1926), Spellbound (1945) and particularly 'Under Capricorm' (1948), the latter two from Hitchcock. Ian discusses Freud's unwillingness to advise on movies, before concluding with a consideration of Fellini's use of his dreams as a source of movies. Great conversation.Participants:Ian Christie, Professor of Film and Media History, Birckbeck, University of London. www.ianchristie.orgKen Barrett, visual artist, writer and retired neuropsychiatrist: http://www.kenbarrettstudio.co.ukThe movies:Freud: The Secret Passion(1962): https://www.imdb.com/title/tt0055998/A Dangerous Method(2011):https://www.imdb.com/title/tt1571222/Freud's Last Session (2023): https://www.imdb.com/title/tt20420628/?ref_=fn_all_ttl_1Under Capricorn (1948): https://www.imdb.com/title/tt0042004/?ref_=fn_all_ttl_1The Dali designed Spellbound dream sequence from 'Spelbound': https://www.youtube.com/watch?v=8ITPLLIcPSMGW Pabst's 'Secrets of the Soul' (1926): https://www.youtube.com/watch?v=aYoXy3bYD1kThe Italian movie podcast mentioned: 'Capolavoro!: https://open.acast.com/networks/6452b6516dd22500113dc7d2/shows/67ab6f20c6f97f89d80e2d26/episodes/681cbfbe5acb8b715f1b5b17Brainland the podcast website: https://shows.acast.com/brainlandOpening and closing music: Prelude to the opera Brainland, composed by Stephen Brown. Brainland the opera website: www.brainlandtheopera.co.ukSketch by KB. Hosted on Acast. See acast.com/privacy for more information.
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  • NEUROCINEMATIC EXPLORATIONS: Cinema creators in the act of creation.
    Finnish film director Pia Tikka began studying the psychology and later the neuroscience of film making 25 years ago and is currently studying the experience and process of cinematographers and film editors.she talks about how writings of Soviet film maker and theorist Sergei Eisenstein has been particularly influential, particularly following his later interactions with neuropsychologist Luria, Gestalt psychologists and developmental psychologist Vigotsky. Pia talks about her concept of 'enactive cinema' and describes her current five year project studying cinematographers and film editors using microphenomenological and other methods. We also talk about the importance of narrative and the way stories work on us. After the main podcast I asked pia to talk about a contemporary multimedia art project invovling multi screen projection modified by psychophysical readings taken from the viewer, followed by a little more discussion of Eisenstein so stay listening for that...Participants: Pia Tikka, Research Professor, CINEMATIC MINDS, Baltic Film, Media, Arts and Communication School (BFM) Centre of Excellence in Media Innovation and Digital Culture (MEDIT) Tallinn University, Estonia.Ken Barrett, visual artist, writer and retired neuropsychiatrist: http://www.kenbarrettstudio.co.ukTo learn more about microphenomenolgy: https://www.microphenomenology.com/homeOpening and closing music: Prelude to the opera Brainland, composed by Stephen Brown. Brainland the opera website: www.brainlandtheopera.co.ukSketch by KB. Hosted on Acast. See acast.com/privacy for more information.
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  • WHILE THE MUSIC LASTS: Life, loss and musicology.
    In this podcast, Emily talks about how she came to write 'While the music lasts', her very personal account of her response to the death of her father, one of the key inspirations for her career choice. Her book documents how for several months after his death she avoided music as it made her angry and how eventually her musicologist training helped her navigate that period. This included an in depth look at the musical Boulanger sisters, the younger of whom died at 24. Emily talks about her father and their relationship and how going through his overloaded music stand (he was a guitarist) and creating the Spotify playlist that accompanies the book, was another way to adjust to his absence and bring him to mind. We briefly detour into grief dogs and the male bias over centuries of classical music and music academia before talking about Emily's trip to Cadiz, a journey her father suggested making with her, a week before he died. She made the trip alone and stayed a friend who was also grieving - a postive conclusion to her story..Participants: Emily MacGregor, musicologist and cultural historian, broadcaster; Research Fellow in Music, King's College London; Classical music Editor-at-large, Faber andd Faber. https://emilymacgregor.co.uk/Ken Barrett, visual artist, writer and retired neuropsychiatrist: http://www.kenbarrettstudio.co.ukEmily's book: https://www.welbooks.co.uk/shop/p/while-the-music-lasts-a-memoir-of-music-grief-and-joy-by-emily-macgregorEmily's playlist: https://open.spotify.com/playlist/3FV5NJxh2jgQ9JcgYt4pqG?si=4c710734a5e14446Opening and closing music: Prelude to the opera Brainland, composed by Stephen Brown. Brainland the opera website: www.brainlandtheopera.co.ukSketch by KB. Hosted on Acast. See acast.com/privacy for more information.
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  • RE-ANIMATING FREUD: The Neuropsychoanalyst can see you now...
    Mark Solms is a clinical neuropsychologist, neuroscientist and psychoanalyst. In this wide-ranging conversation Marks talks about his career path and the influence of a brain injury in family member when Mark was a child. Mark talks about Freud's pre-psychoanalytic work as a neuroscientist and neurologist and his own ongoing retranslation of Freud's neuroscientific writing. We discuss Mark's discovery of the brain lesions that supress dreams (not those relating to REM sleep) and how this lead to his interest in the affective rather than cognitive nature of consciousness. We discuss the work of Panksepp and Damasio and Mark outlines the computational neuroscience model and the way Karl Friston is applying this before mapping all this on Freud's original model of mind.Participants: Mark Solms, Professor, Department of Neuropsychology, University of Capetown, SA. https://neuroscience.uct.ac.za/contacts/mark-solmsKen Barrett, visual artist, writer and retired neuropsychiatrist: http://www.kenbarrettstudio.co.ukMark's book 'The Hidden Spring': https://profilebooks.com/work/the-hidden-spring/Opening and closing music: Prelude to the opera Brainland, composed by Stephen Brown. Brainland the opera website: www.brainlandtheopera.co.ukSketch by KB. Hosted on Acast. See acast.com/privacy for more information.
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About BRAINLAND

Brainland the podcast navigates the boundary between neuroscience, the arts and humanities with the occasional wander off piste. It began as a neuro-historical exploration of the background to the Brainland the opera but quickly spread its wings. A Brainland Collective production. Hosted on Acast. See acast.com/privacy for more information.
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