Caliber 9 From Outer Space

Creepy Spooky Month continues as we revisit that most terrifying of horror subgenres: the airborne threat of malevolent birds! OK, maybe it's not THE most terrifying horror trope, but that won't stop us watching films promising such dubious delights. Ted Bennett is in the house to check out the relatively yet-to-be-discovered Shaw Brothers gem that is Bloody Parrot (1981), directed by Hua Shan, and the epically derided made-for-TV sequel to Hitchcock's classic (and recently covered by us) work of avian existentialism, The Birds II: Land's End (1994), directed by Alan Smithee (otherwise known as, in this case at least, Rick Rosenthal) - that's right, a film so hated that even the director of Halloween: Resurrection saw fit to remove his name from it.

We don't think these films are really spoilable so we don't bother with Spoiler Territory this week!

Join our Patreon! As a member of our Mario Adorf Allstars tier you get access to hours of extra content including two audiocommentaries every month and other bonus episodes! Find it here.

Want to get in touch? You can reach us on caliber9fromouterspace@gmail.com

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

"Colouring of Pigeons" by The Knife

Hell is other people. Apartment living means being close to your neighbours - way too close, in some instances - leading to all sorts of psychological horrors and possible silliness. This week, Dallas Norvell stops by to discuss a couple of apartment horror stories like only the 1970's could turn out. First up: The Tenant (1976), directed by Roman Polanski, followed by The Sentinel (1977), directed by Michael Winner.

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for The Tenant by skipping ahead to the 1:31:32 mark, and for The Sentinel by skipping ahead to 2:20:57.

Want to get in touch? You can reach us on caliber9fromouterspace@gmail.com

Join our Patreon! As a member of our Mario Adorf Allstars tier you get access to hours of extra content including two audiocommentaries every month and other bonus episodes! Find it here.

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

"In This Room" by Ride

The days are cooling down, the leaves are changing colour, and the nights are drawing in. It must be Creepy Spooky Month! Bryan Davidson joins us for the first of a series of episodes all devoted to horror this October - and we start with ZOMBIES. Or at least, zombie adjacency. First up, we discuss Stewart Gordon's absolute cult classic, Re-Animator (1985), and follow that up with a jaunt into some woozy, Italian weirdness: Zeder (1982), directed by Pupi Avati.

If you haven't seen Re-Animator yet, you need to get your head checked thoroughly (possibly after removing it), so we haven't called out spoilers (although they're there!) , but we have called out Spoiler Territory for Zeder. Skip ahead to 2:30:49 to avoid spoilers for that one.

Join our Patreon! As a member of our Mario Adorf Allstars tier you get access to hours of extra content including two audiocommentaries every month and other bonus episodes! Find it here.

Want to get in touch? You can reach us on caliber9fromouterspace@gmail.com

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

"K Hole" by Ali Love

The fabulous Samm Deighan is back with us this week to delve into a couple of great, underseen French films - and also to tell us all about her new book on the work of that great master of cinema insanity, Andrzej Żuławski. Exciting! We kick off our double feature with Żuławski's frantic ode to mad French mobsters, L'Amour Braque (1985) and we follow that up with La Cérémonie (1995), directed by Claude Chabrol - a domestic thriller about class, shame and sociopathy that comes on like a television procedural but hits you like a gut punch when you least expect it. Oof!!!

L'Amour Braque is so dense and confusing that we'd probably recommend listening to this before you watch it - and spoilers are made up for by being properly prepped for its unique vibe - but Spoiler Territory was ESSENTIAL for La Cérémonie. Skip ahead to 1:58:34 to avoid spoilers for that one.

Join our Patreon! As a member of our Mario Adorf Allstars tier you get access to hours of extra content including two audiocommentaries every month and other bonus episodes! Find it here.

Buy Samm's new book here: Hysterical Excess and Inhuman Ecstasy: The Cinema of Andrzej Żuławski

Want to get in touch? You can reach us on caliber9fromouterspace@gmail.com

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

"Idiot Heart" by Sunset Rubdown

It's high culture vs low culture this week! Rob St Mary drops in to discuss the great Surrealist Luis Bunuel's final film, That Obscure Object of Desire (1977) before descending into the quasi-giallo, early 80's Canuxploitation slasher jam, Happy Birthday To Me (1981), directed by J. Lee Thompson. We may have planned a female duality theme, or we may have just thrown these two contrasting flicks together just for fun. We'll let you be the judge. Either way, they may be a mouthful but they sure are delicious!

That Obscure Object of Desire is probably obscure enough in its plot to be largely unspoilable at this point, but we do call out Spoiler Territory for Happy Birthday To Me. Skip ahead to 2:31:44 to avoid spoilers for that one.

Join our Patreon! As a member of our Mario Adorf Allstars tier you get access to hours of extra content including two audiocommentaries every month and other bonus episodes! Find it here.

Want to get in touch? You can reach us on caliber9fromouterspace@gmail.com

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

"Desire Lines" by Deerhunter