Low-Noise

What does it mean to make music that feels both rooted in the past and quietly expansive at the same time? In this episode, we step into the world of Jonathan Wilson, a songwriter, producer, and sonic architect whose work draws from Laurel Canyon tradition while reaching into something more immersive and textural. This is music shaped as much in the studio as it is in the song itself, layered, detailed, and deeply attentive to sound and space. Not just compositions, but environments.

I do hope that you enjoy this episode.

Mathew Woodall

https://www.facebook.com/share/1F15mx4ea3/

https://buymeacoffee.com/lownoise

Why buy me a coffee?

Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).

Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.

What does it mean to compose music that feels both ancient and futuristic at the same time?

In this episode, we drift into the haunting, textural world of Jóhann Jóhannsson, a composer whose work dissolves the boundaries between classical form, ambient sound, and cinematic atmosphere.
This is not background music. It’s a space to inhabit. Tune in, slow down, and listen closely.

I do hope that you enjoy this episode.

Mathew Woodall

https://www.facebook.com/share/1F15mx4ea3/

https://buymeacoffee.com/lownoise

Why buy me a coffee?

Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).

Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.

What happens when a pop album stops behaving like a collection of songs and starts operating like a system?

In this episode, we explore Slave to the Rhythm, the 1985 collaboration between Grace Jones and Trevor Horn that blurs the line between pop, performance art, and studio experiment. Built from fragments, repetitions, and reconfigurations of a single track, the album feels less like a record and more like a hall of mirrors, where identity, authorship, and control begin to dissolve.

I do hope that you enjoy this episode.

Mathew Woodall

https://www.facebook.com/share/1F15mx4ea3/

https://buymeacoffee.com/lownoise

Why buy me a coffee?

Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).

Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.

Can an album feel like a place?

Pacific Ocean Blue drifts somewhere between coastline and confession. In this episode of Low Noise, we consider its sound, its mood, and the quiet ambition behind one of the most distinctive records to emerge from the The Beach Boys orbit.

I do hope that you enjoy this episode.

Mathew Woodall

https://www.facebook.com/share/1F15mx4ea3/

https://buymeacoffee.com/lownoise

Why buy me a coffee?

Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).

Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.

Why did everyone suddenly know the name ‘Sharona’ in 1979?

In this episode, we explore My Sharona by The Knack, a hit that exploded onto the airwaves and became impossible to escape. We explore what made it so compelling, how it captured the moment, and what it tells us about the anatomy of a perfect pop single.

I do hope that you enjoy this episode.

Mathew Woodall

https://www.facebook.com/share/1F15mx4ea3/

https://buymeacoffee.com/lownoise

Why buy me a coffee?

Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).

Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.