Headliner Radio

Born in South Africa, Lucy Kruger relocated to Berlin to pursue her ambitions for her band, The Lost Boys, an indie art-pop outfit that is lavished with guitar feedback, violas, sparse arrangements, and haunting melodies. Releasing music since 2014, she chats to Headliner about new album Pale Bloom.

After a musical upbringing that was staunchly classical, Benjamin Wallfisch has married his Bach-influenced skillset with a love of music technology to become one of Hollywood’s go-to composers. After a huge breakthrough working on Blade Runner: 2049 alongside a certain Hans Zimmer, huge jobs kept rolling in, including Shazam!, It and It Chapter Two, Twisters, and Alien: Romulus. The composer discusses scoring Welcome to Derry and Predator Badlands, and pivoting from pursuing orchestral conducting to making music for movies.

Moody Joody’s new single, OOPS!, is the perfect soundtrack to your next wild night out – and next morning hangxiety. The Nashville trio discuss writing OOPS!, what to expect from their forthcoming debut album, alternative band names, and why the new record will shock people from their hometown.

South-East London based, award-winning, British-Nigerian singer-songwriter and musician Ego Ella May opens up on being an introvert in the music industry, forging a path as an independent artist, and delves into the making of her second album, Good Intentions.

German producer Nicolas Rebscher discusses producing and co-writing Louis Tomlinson’s no.1 album, How Did I Get Here?, including a behind the scene look at how hit singles, Lemonade and Imposter came together. He discusses making the record in Costa Rica, how the singer has carved out his own indie sonic identity after One Direction, why this is a lighter record than Tomlinson’s previous efforts, and how he used Steinberg’s Cubase to make the record.