Inside the Milky Way - A Look at Early Alternative Music

Years before the hit songs "True" and "Gold", the English band Spandau Ballet had formed in 1979 inspired by the local post-punk underground dance scene. By 1980, the band became the house band at London’s Blitz Club for the club clientele, known as the Blitz Kids, and became a key band in the burgeoning New Romantic scene. Starting with their 1980 debut single "To Cut a Long Story Short", a song that would reach No. 5 in the UK, Spandau Ballet would became one of the most successful groups of the New Romantic era and part of the second British invasion.  In early 1981 the band issued their debut album, Journeys to Glory, with music centered on the underground scene and the New Romantic movement. As the Blitz Club scene had faded, Spandau Ballet recorded and released their second album Diamond in 1982 album.The band chose to pursue a more pop-oriented sound leading to the 1983 International hit album, True, with the title track "True" and second single "Gold" becoming major hit singles.This episode will tell the story of Spandau Ballet and their music from the early years including the first two albums, all before "True", "Gold", and international success. 

Although the band Young Marble Giants created only one full length studio album, that one album from 1980, Colossal Youth, would be a post-punk tone setter.  This Welsh band formed in Cardiff in 1978 and was based around the vocals of  Alison Statton along with the minimalist instrumentation of brothers Philip and Stuart Moxham. The trio created a sound from post-punk's experimental tendencies in a very minimal and unique form. There was nobody else like this band from this time.Based on a couple of demo songs, Young Marble Giants was signed by Rough Trade Records and would create their debut Colossal Youth followed by two EP’s. After that, the members moved on to other projects. The band would reunite a few times over the years as new generations of indie artists would be influenced by the unique music of Young Marble Giants.This episode will discuss the band and their music during the early years, the debut album Colossal Youth, and the years and projects after the original run.

Soon after forming in London in 1977, The Psychedelic Furs would be part of the rising UK post-punk scene. However, they would not be just another post-punk band. Led by the Butler brothers of Richard, lead singer with his very distinctive vocal style, and bassist Tim, The Psychedelic Furs would start their career with a couple of excellent post-punk albums. Following their self-titled debut album in 1981 and the follow up album Talk Talk Talk a year later, the band would make a change in production and a slight change in sound. A string of hits in the 80's ensued beginning with the song "Love My Way" from their third album, Forever Now. The band would reach international recognition when in 1986, filmmaker John Hughes used their 1981 song for his film, Pretty in Pink.This podcast episode will tell the story of The Psychedelic Furs from formation and the early years through all eight of their studio albums with focus on the first four albums, which helped define the Furs.

The English band Catherine Wheel's 1992 debut album Ferment and the 1993 follow up album Chrome associated the group with the shoegaze music scene. As the band progressed over the years after their debut, the music would become heavier before shifting to a more textured sound crossing through genres with the ever changing landscape of alternative music in the 90’s. Catherine Wheel’s early attention and success started with the debut single , “Black Metallic” . They created another shoegaze anthem, "Crank", as the first single from the second album. It was during this early period over these two albums that Catherine Wheel incorporated shoegaze related elements of hazy and droning guitars, effects pedals, and somewhat buried vocals, along with some grunge and on the debut album, neo-psychedelia.The band, fronted by lead singer and guitarist Rob Dickinson, would end their run in 2000 after five full length studio albums and years of US college radio success.On this episode, we will explore the career of Catherine Wheel and their music with a little more focus on the first two albums.

The Sugarcubes were an Icelandic alternative band that formed in 1986, and by the time the band ended in 1992 they had become Iceland's biggest music group. During this short career, The Sugarcubes were a complex post-punk, dream pop, experimental, indie dance rock band. Their music was a upbeat blend of psychedelic sounds, punk energy, pop-driven melodies, angular guitar riffs, and tribal rhythms. They combined this with unique storytelling and quirky, surreal lyrics characterized by the distinctive and ethereal vocals of their lead singer, Björk. Björk had began her music career at the age of 11, but it would The Sugarcubes years where she gained world wide recognition. This would lead to her internationally successful solo career that followed as she became the bestselling Icelandic musician of all time, and an influential pioneer in electronic and experimental music.The episode tells the story of Björk’s early years through the band Kukl, the forming of The Sugarcubes, their signature song “Birthday” and the 1988 international hit debut album, Life's Too Good, and the music over the next two albums before The Sugarcubes ended in 1992.