Inside the Milky Way - A Look at Early Alternative Music

The Australian band Severed Heads was a pioneering electronic and experimental artist, and one that is very underappreciated from the early alternative era. As one of the pioneering Australian alternative music acts, their music was part industrial, synth pop, electronic, dance, and ambient as well as experimental bringing in found sounds, tape loops, samples, and noise.
The original two members, Richard Fielding and and Andrew Wright, formed the band in the late 70’s as Mr. and Mrs. No Smoking Sign.  Tom Ellard joined in 1979 and soon after the band renamed themselves Severed Heads. By mid-1981, both founding members had departed leaving Ellard to continue the band.
As Severed Heads moved through the 80’s behind Ellard, their sound evolved from the early avant-garde to more accessible electronic body music (EBM) style with  synth hooks and pop structures taking on both an industrial and dance-oriented approach.
In 1983, the band released their fourth studio album, Since the Accident, followed with the single "Dead Eyes Opened ", a critically acclaimed song that would become a dance club classic.  
Beyond the music, Severed Heads were also early pioneers of incorporating video, computer graphics, and digital technology into their performances and releases. In all, the band has 23 studio albums as well a number other releases including a number of video albums over a very prolific career as one of the longest running Australian post-punk era bands.
Our podcast will tell the story of the pioneering Severed Heads, well beyond "Dead Eyes Opened"!

The Afghan Whigs earned a cult following during the early 90's with their music that mixed the Motown sound and R&B with indie and alternative rock. 
Formed in Cincinnati, Ohio in 1986, The Afghan Whigs were led by singer-songwriter Greg Dulli whose songs presented vivid stories of broken relationships, obsession, guilt and toxic masculinity.  
The music was full of emotional anguish and the lyrics were introspective, dark, and mature behind Dulli's intense and  gravelly vocals. The band's signature sound was a fusing of the passionate vocals with melodic guitars, gritty alternative rock of the grunge era, and soul and funk influences. 
It was all of this that separated the band from their peers in the early 90’s, and resulted in The Afghan Whigs as being one of the most critically acclaimed alternative bands of the 1990s.
Their work was best represented on 1992's album, Congregation, where the band found their signature sound, and the critically acclaimed cinematic masterpiece from 1993, Gentlemen, which is considered a landmark, unapologetic breakup album.
In this episode we will discuss the early years of the band with a focus on their two classic albums, Congregation and Gentlemen.

After being part of Buzzcocks, Howard Devoto left that group in 1977 to start a new band, known as Magazine. He launched this new venture in Manchester, England when he enlisted a young guitarist to join, named John McGeoch. 
Magazine would debut with the song “Shot By Both Sides”, followed by their debut album, Real Life. This classic and critically acclaimed album is considered by many as the first post-punk album. 
As one of the first post-punk bands, Magazine built off the energy of punk while adding various complex musical elements along with darker lyrics. With McGeoch, who would become one of the greatest guitarists of the alternative music era, Magazine would release three albums before McGeoch's departure in 1980.
Magazine would release another studio album before breaking up in 1981. The band would reform under in 2009 and release their fifth and final studio album in October 2011, before the band ended.
This episode will tell the story of the band including the first three albums with the late John McGeoch, and beyond with the albums that followed. We will also discuss the impact John McGeoch had on music before his passing at the age of 48 in 2004.

After the release of their debut single, The B-52's quickly became known for their campy, high-energy party music with surreal lyrics and distinct retro 1960s fashion. This quirky group blended surf rock, punk, '60s pop, vintage soul, low-budget sci-fi and dance music, along with kitsch culture.
That debut single was the cult hit “Rock Lobster”, which was followed by the classic self-titled debut album in 1979. Along with other early songs such as "Private Idaho," and "Legal Tender", The B-52's crossed over from the underground to the mainstream becoming one of the pioneers of new wave. 
Formed in Athens, Georgia in 1976 by Fred Schneider, Kate Pierson, Cindy Wilson, Ricky Wilson, and Keith Strickland, the band developed trademark sounds including a call-and-response singing style along with harmonic vocals; angular guitar riffs and unusual guitar tunings; and keyboard driven instrumentation. 
The B-52's are considered one of the more influential early alternative bands having toured for decades, inspiring others with their unique music and style. 
This episode will tell the story and tales of the band from their formation through the early days and albums of through the early 1980’s.

The Smiths defined UK indie rock on their way to becoming one of the pioneers of indie music and one of the most influential bands of not just of the early alternative music era, but of the history of rock music. 
After The Smiths formed in 1982, The Smiths would reject the synth-pop and new wave dominated UK music scene, focusing on guitar-based rock.  
The key to The Smiths was the songwriting collaboration between lead singer Morrissey, with his unique vocal and lyrical approach, and guitarist Johnny Marr, with his jangly guitar style, as they created a new direction of alternative music defined as jangle pop.
Over their short career of four studio albums, The Smiths achieved major commercial success while remaining on the independent record label, Rough Trade Records, before the team of Morrissey and Marr would break up in 1987.
This episode will tell the story of the early years and formation of The Smiths with a focus on their self-titled debut album of 1984 and the non-album singles from this same time period.