Lesche: Ancient Greece, New Ideas

• Wedding Poetics in Early Greek Literature

  Andromache Karanika joins me in the Lesche to discuss how we can detect traces of wedding poetics in early Greek literature, especially poetry (hexamter and lyric). Andromache is the author of Wedding, Gender, and Performance in Ancient Greek Poetry (OUP 2024).Primary textsIliad, esp. the Teikhoskopeia (Book 3) and the Deception of Zeus (Book 14)Odyssey, esp. the start of Book 6Homeric Hymn to DemeterSappho 21 (virginity poem), 44 (Wedding of Hector and Andromache)Pollux 9, on the "tortoise game"The ballad of the 'bride who suffered misfortune' (της νύφης που κακοτύχησε/κακοπάθησε, Modern Greek folk song)Also mentionedM. Alexiou, The Ritual Lament in Greek Tradition (2nd ed. Rowman and Littlefield 2002 [1st ed. 1975]).A. Lardinois and L. McClure, eds., Making Silence Speak: Women's Voices in Greek Literature and Society (Princeton 2001).J.H. Oakley and R. Sinos, The Wedding in Ancient Athens (Ann Arbor 1993).  R. Seaford, 1987. 'The tragic wedding', JHS 107: 106-30. About our guestAndromache Karanika is Professor of Classics at the University of California, Irvine. She is the author of Voices at Work: Women, Performance and Labor in Ancient Greece (Johns Hopkins University Press, 2014) and Wedding, Gender, and Performance in Ancient Greece (Oxford University Press), and co-editor of Emotional Trauma in Greece and Rome: Representations and Reactions (2020). She served as editor of TAPA (2018-2021) and President of CAMWS (2023-2024).________________________________Thanks for joining us in the Lesche!Podcast art: Daniel BlancoTheme music: "The Song of Seikilos," recomposed by Eftychia Christodoulou using SibeliusThis podcast is made possible with the generous support of Brown University’s Department of Classical Studies and the John Nicholas Brown Center for Advanced Study. Instagram: @leschepodcastEmail: [email protected] a book using this form

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• The Cambridge Greek Lexicon

  James Diggle joins me in the Lesche to discuss the 2021 Cambridge Greek Lexicon (2 vols.) of which he was editor-and-chief. We discuss why it was time for this sort of thing (and why it took 24 years to complete), how to use it, and why it improves on LSJ ... plus, how the team approached translating some of the naughtier words. Some links'Liddell and Scott' poem by Thomas Hardy (1843)Cambridge Greek Lexicon project page, where you'll also find a video of the Faculty of Classics' publication celebration.Alison Flood's review in The Guardian: English dictionary of ancient Greek ‘spares no blushes’ with fresh look at crudity Peter Jones' review in The Spectator: The Cambridge Greek Lexicon is an eye-opener for classical scholars About our guestJames Diggle, CBE, FBA, is Professor Emeritus of Greek and Latin at the University of Cambridge and a Fellow of Queens' College, where he was Director of Studies in Classics for over forty years. His publications include The Phaethon of Euripides (Cambridge, 1970), Flauii Cresconii Corippi Iohannidos Libri VIII (joint editor, Cambridge, 1970), Euripidis Fabulae (Oxford Classical Text, 3 vols., 1981–1994), Studies on the Text of Euripides (1981), The Textual Tradition of Euripides' Orestes (1991), Euripidea: Collected Essays (1994), Tragicorum Graecorum Fragmenta Selecta (1998), Theophrastus, Characters (Cambridge 'Orange' 2004; 'Green and Yellow' 22). He was University Orator at Cambridge for eleven years and has published a selection of his speeches (Cambridge Orations 1982–1993 (Cambridge, 1994)). He is also joint editor of The Classical Papers of A. E. Housman (Cambridge, 1972), joint author of Odysseus Unbound: The Search for Homer's Ithaca (Cambridge, 2005), and Editor-in-Chief of The Cambridge Greek Lexicon (Cambridge, 2021). He is a Fellow of the British Academy and a Corresponding Member of the Academy of Athens.   ________________________________Thanks for joining us in the Lesche!Podcast art: Daniel BlancoTheme music: "The Song of Seikilos," recomposed by Eftychia Christodoulou using SibeliusThis podcast is made possible with the generous support of Brown University’s Department of Classical Studies and the John Nicholas Brown Center for Advanced Study. Instagram: @leschepodcastEmail: [email protected] a book using this form

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• The Longue Durée of the Greek Polis

  John Ma joins me in the Lesche to discuss the longue durée of the Greek polis. John is the author of the new, monumental, and much anticipated book Polis: A New History of the Ancient Greek City-State from the Early Iron Age to the End of Antiquity (Princeton 2024). Happy Holidays!About our guestJohn Ma was born in New York of Chinese parents. He grew up in Geneva, where he studied Greek and Latin at school and outside school. He went on to study Classics, then ancient history at Oxford. He has taught ancient history in Classics Departments at Princeton, Oxford, and Columbia. Ma is deeply interested in studying Greek history, especially in the Hellenistic period, using documentary and material sources.Ancient textsArchaic poetryAristotle, PoliticsXenophon, HellenicaAnd many more...Also mentionedToo many to list! But I'll note: Josiah Ober, Mass and Elite in Democratic Athens: Rhetoric, Ideology, and the Power of the People (Princeton 1989).Mogens Herman Hansen and Thomas Heine Nelson, An Inventory of Archaic and Classical Greek Poleis (Oxford 2004).Mogens Herman Hansen, Polis: An Introduction to the Ancient Greek City-State (OUP 2006)The Polis Inventory App________________________________Thanks for joining us in the Lesche!Podcast art: Daniel BlancoTheme music: "The Song of Seikilos," recomposed by Eftychia Christodoulou using SibeliusThis podcast is made possible with the generous support of Brown University’s Department of Classical Studies and the John Nicholas Brown Center for Advanced Study. Instagram: @leschepodcastEmail: [email protected] a book using this form

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• SPECIAL: Pasolini's THE RETURN, with Homerist Barbara Graziosi

  (Spoiler alert! This episode is jam-packed with plot spoilers for THE RETURN.) Homeric scholar Barbara Graziosi joins me in the Lesche to discuss Umberto Pasolini's THE RETURN, a film dramatization of the second half of the Odyssey starring Ralph Fiennes as Odysseus and Juliette Binoche as Penelope.About our guestBarbara Graziosi is Department Chair and Professor of Classical Studies at Princeton, holding the C. Ewing Chair of ancient Greek. Graziosi attended Oxford University (Corpus Christi College B.A. and MSt in Classics) and Cambridge University (Ph.D. in Classics) and taught at Oxford, Reading, and Durham before joining the faculty at Princeton in 2018. She also held various visiting positions in Italy. She has written widely on ancient Greek literature (especially Homer) and its reception, as well as more autobiographical pieces on how we make ancient literature our own. Her latest books are Homer (OUP 2018) and Classics, Love, Revolution: The Legacies of Luigi Settembrini, with Andrea Capra (OUP 2024).Ancient textsHomer's Iliad and OdysseyAlso mentionedEmily Wilson's discussions of the murder of the "disloyal" enslaved women in Odysseus' household -- and the sexual politics of translation. See, e.g., Wilson's New Yorker article: "A translator's reckoning with the female characters of the Odyssey" (Dec. 18, 2017).________________________________Thanks for joining us in the Lesche!Podcast art: Daniel BlancoTheme music: "The Song of Seikilos," recomposed by Eftychia Christodoulou using SibeliusThis podcast is made possible with the generous support of Brown University’s Department of Classical Studies and the John Nicholas Brown Center for Advanced Study. Instagram: @leschepodcastEmail: [email protected] a book using this form

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• (Imperial) Greek Epic

  Emma Greensmith and Tim Whitmarsh join me in the Lesche to discuss how Imperial Greek epic fits into our understanding of Ancient Greek epic as a whole. Emma has just edited the Cambridge Companion to Ancient Greek Epic, and she was also a member of the research project Greek Epic of the Roman Empire: A Cultural History, which Tim directed. About our guestsEmma Greensmith is Associate Professor of Classical Languages and Literature at the University of Oxford and Fellow of St John’s College.  She is the editor of Omnibus and an associate editor for the Yearbook of Ancient Greek Epic. She specialises in imperial Greek literature, particularly epic poetics and religious culture. Her 2020 book, The Resurrection of Homer in Imperial Greek Epic, offers a new reading of the role of epic and the reception of Homer in the Graeco-Roman world. She has written many articles on ancient Greek literature and has co-edited a volume on ‘Writing Homer Under Rome’ (2022). She works on several public engagement initiatives with the charity Classics for All, and recently filmed a documentary on Homer’s Odyssey and its cultural legacy.Tim Whitmarsh FBA is Regius Professor of Greek at the University of Cambridge, and Fellow of Trinity College. A specialist in the literature, culture and religion of ancient Greece, he is the author of 10 books, including Battling the Gods: Atheism in the Ancient World (Knopf 2015), and over 100 academic articles. He has contributed to newspapers such as The Guardian, the Times Literary Supplement and the London Review of Books, and to BBC radio and TV. Ancient textsHomer's Iliad and OdysseyTriphiodorus, Sack of TroyQuintus of Smyrna, PosthomericaAnon., Vision of DorotheusNonnus, DionysiacaEudocia, Homeric CentonesColluthus, Abduction of HelenAlso mentionedJasper Griffin, "Greek Epic," in the Cambridge Companion to the Epic (Cambridge 2010). ________________________________Thanks for joining us in the Lesche!Podcast art: Daniel BlancoTheme music: "The Song of Seikilos," recomposed by Eftychia Christodoulou using SibeliusThis podcast is made possible with the generous support of Brown University’s Department of Classical Studies and the John Nicholas Brown Center for Advanced Study. Instagram: @leschepodcastEmail: [email protected] a book using this form

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