The Cello Sherpa Podcast

• "Euniquely Multi-Talented" - An Interview with Violinist Eunice Kim, Member of The Saint Paul Chamber Orchestra

  What if a great music career isn’t either–or but yes–and? The Cello Sherpa Podcast Host, Joel Dallow, sits down with violinist Eunice Kim to explore how a childhood steeped in sound turned into a life that balances the intimacy of chamber music, the rigor of orchestral work, and the freedom of solo projects. From a seven-year-old debut in Seoul to the charged Saturdays at the San Francisco Conservatory prep division and the whirlwind of Aspen Music Festival, Eunice learned early to juggle scope and to listen as intensely as she plays.That mindset prepared her for the Saint Paul Chamber Orchestra, a conductorless ensemble where every rehearsal is chamber music at scale. Eunice shares what it takes to thrive in that environment: crisp time management, shared leadership, and the courage to contribute without crowding the room. We talk through her unusual path into the SPCO—from recruitment play-ins to a recital-style audition heavy on chamber interaction—and why fit matters as much as chops. She pulls back the curtain on section size, rotating seats, balancing the hall’s acoustics, and how “wearing different hats” each week keeps her learning and inspired.Outside the orchestra, Eunice maps out a modern approach to projects, programming, and management. After formative years with Astral Artists, she connected with Jonathan Wentworth Associates by pairing thoughtful repertoire with authentic stage presence, then shaped a partnership that respects her SPCO home base. We dig into how programs get built, why presenters chase narrative and variety, and how collaborations—from piano sonatas to a violin–double bass duo—can open doors. Her advice to young players is frank and generous: stay curious, try things twice, understand how organizations work, advocate clearly, and protect your energy to avoid burnout.Subscribe for more conversations that demystify auditions, artist–manager relationships, and the real craft of making a sustainable, creative life in music. If this resonated, share it with a friend and leave a review to help others find the show.For more information on Eunice Kim: https://www.eunicekimviolin.com/You can also find Eunice on Instagram and Facebook: @eunipaloooozaIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

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• Lights, Camera, Cello - An Interview with Cellist Nick Canellakis, Faculty at the Curtis Institute of Music

  What if the thing that makes people laugh at your art is the same thing that makes them listen closer? That’s the tension—and the opportunity—at the heart of our conversation with cellist and filmmaker Nick Canellakis, whose viral sketches and serious performances are two sides of one craft. We dig into the roots: a musical family, early piano, and the moment the cello took hold. Then the parallel story: childhood home videos evolving into a full-fledged filmmaking habit, culminating in a Curtis holiday “skit night” that became a real short film. Nick walks us through his modern toolkit—single-camera iPhone shoots, simple mics, thoughtful coverage, and Adobe Premiere—to show how cinematic instincts can thrive without massive crews. The secret isn’t chasing trends; it’s writing what you know: the anxious, funny, fiercely devoted inner life of musicians.That creative momentum has reshaped his concertizing. Nick shares how a five-minute live sketch can prime an audience for Tchaikovsky or Dvorak without diluting the music’s weight. We talk about the Orlando Philharmonic collaboration, the balance between entertainment and excellence, and why he refuses to become “a comedian who plays cello.” The music leads, the comedy widens the door, and both raise the stakes for connection.We also explore his role on the Curtis Institute faculty and a fresh teaching model where students study with multiple mentors, including visits from artists like Gary Hoffman. It’s a system built for synthesis: different bowings, fingerings, and philosophies that invite players to own their choices and find their sound. Finally, Nick offers grounded advice for young musicians—swing bigger, don’t sell yourself short, and choose paths for love, not fear. If you’ve wondered how to blend passions without losing rigor, this one maps the territory.If this conversation moved you, follow the show, share it with a friend, and leave a quick review so more musicians and creators can find it. For more information on Nick Canellakis: https://www.nicholascanellakis.com/biographyYou can also find Nick Canellakis on Instagram and Facebook: @nick.canellakis_cellistIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

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• "Sacred Strings and Sweetgrass Things" - An Interview with Cellist Wilhelmina Smith, Soloist and Chamber Musician, and Composer Dawn Avery, Professor at Montgomery College

  A sacred plant, a living coastline, and a cello that sings in two voices—Sweetgrass brings them together with uncommon clarity. The Cello Sherpa Podcast Host, Joel Dallow, sits down with composer Dawn Avery and cellist Wilhelmina Smith to share how a pandemic idea turned into an immersive album where Mohawk language, indigenous song forms, and contemporary classical textures breathe the same air. Dawn traces her journey from conservatory training to a compositional practice grounded in Mohawk heritage, storytelling, and soundscapes that fold in blues, meditative space, and rock energy. Wilhelmina reflects on early breakthroughs at Curtis, a life-shaping stint in George Crumb’s experimental lab, and the chamber instincts that make her a natural collaborator. Together they unpack the title track’s symbolism—sweetgrass as strength and tenderness—and the craft behind multitracking cello lines that anticipate each other’s rubato, merging voice and instrument into a single, human pulse. We go inside key works, including We Enter Together and Decolonization, a gripping solo journey that threads a healing song, a women’s stomp dance, blues gestures, and a Hendrix-tinted national anthem to reframe what “American music” can hold. The conversation widens into a practical guide for making records today: funding with grants and community programs, choosing the right hall and producer, navigating label partnerships, owning your masters, and prioritizing digital releases when physical CDs gather dust. At heart, this is about why artists still record: to plant repertoire for younger players, to carry culture forward with respect, and to keep curiosity at the center of the craft. If you care about new music, indigenous voices, recording workflows, or the evolving music industry, this story offers both inspiration and a roadmap. Subscribe, share with a friend who loves the cello, and leave a review with the track that stayed with you.For more information on Wilhelmina Smith: https://www.wilhelminasmith.com/bio.htmlFor more information on Dawn Avery: https://www.dawnavery.com/You can also find Wilhelmina and Dawn on Instagram and Facebook: @dawnaveryartist @wscelloIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

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• "Tracks, Treasures, & Treble Clefs" - An Interview with Cellist and Franchomme Scholar, Louise Dubin

  The Cello Sherpa Podcast Host, Joel Dallow, interviews Cellist and Franchomme Scholar, Louise Dubin. She shares about her incredibly varied career as a freelancer, and her love of research, particularly on French compositions. Louise gives details about her experience recording her widely acclaimed album "The Franchomme Project" and her latest album "Passages." These albums reflect the culmination of her research in to discovering compositions that have never been recorded, and her drive to be the first one. She also shares about her experience working at Prussia Cove with Steven Isserlis, Ralph Kirshbaum, and William Pleeth. For more information on Louise: https://www.louise-dubin.com/You can also find Louise on Instagram and Facebook: @weezeedee Check out Louise Dubin's upcoming concert on 10/25 at 7pm, where she will be performing selections from her latest album, "Passages" and from "The Franchomme Project" https://bachtrack.com/venue/st-johns-in-the-village-churchIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

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• "Pablo 2.0: A Cello Legacy" - An Interview with Cellist Pablo Ferrández, International Soloist

  The Cello Sherpa Podcast Host, Joel Dallow, interviews Cellist, Pablo Ferrández. Pablo has been working all over the world as an international soloist. He shares about the experience of being born into a musical family and named after his father's idol, Pablo Casals. He also talks about what its been like to build an international career over the past decade, become a Sony recording artist, and he shares details about recording his latest album, "Moonlight Variations."For more information on Pablo: https://www.pabloferrandez.com/You can also find Pablo on Instagram: @pabloferrandez.cellist     and Youtube: @pabloferrandezIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

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