The Book Review

• 50 Years After ‘Jaws’ Terrified Filmgoers, a Reporter Looks Back

  Steven Spielberg’s movie “Jaws” hit theaters 50 years ago this month, in June 1975, and became a phenomenon almost instantly. In some ways that was no surprise: The Peter Benchley novel it was based on, also called “Jaws,” had been a huge best seller the year before, and the public was primed for a fun summer scare. Brian Raftery — the author of “Best. Movie. Year. Ever: How 1999 Blew Up the Big Screen” — wrote about “Jaws” for the Book Review last year in honor of the novel’s 50th anniversary, and this week he visits the podcast to talk about the book, the movie adaptation and the era of blockbuster thrillers.“If you’ve seen ‘Jaws,’ you could probably guess what the opening chapter of the book is,” he tells Gilbert Cruz (who has indeed seen “Jaws,” dozens of times). “It’s this shark attack, where this shark at night just devours this young female swimmer. The writing is really fun. It’s really gnarly, and it’s one of those amazing opening chapters where the book is moving as fast as the shark. After you read that first chapter, you are just completely pulled in.”We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

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• S.A. Cosby on Writing Southern Crime Fiction

  In S.A. Cosby’s latest thriller, “King of Ashes,” a successful and fast-living financial adviser is called suddenly back to the small Virginia hometown he fled, where his family runs the local crematory and his father is in a coma stemming from a car crash that may not be as accidental as it seems.Cosby himself is from a small Virginia town, and on this week’s podcast he discusses the allure of homecoming, the tricky emotional terrain of complicated families and the reason he keeps revisiting the rural South in his fiction.“Once manufacturing moved out of these places, these rural places, there was nothing left to replace it. But crime — crime is America’s great secret industry. It’s our great secret empire. And when the legitimate businesses leave, crime steps in the fold. Nature abhors a vacuum, so crime steps in to fill that place. And I wanted to talk about cities like that." Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

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• Book Club: Let's Talk About 'The Safekeep'

  MJ Franklin, who hosts the Book Review podcast’s monthly book club, says that whenever someone asks him, “What should I read next?,” Yael van der Wouden’s “The Safekeep” has become his go-to recommendation. So he was particularly excited to discuss the novel on this week’s episode.Set in the Netherlands in 1961, “The Safekeep” is one of those books it’s best not to know too much about, as part of its delight is discovering its secrets unspoiled. As the reviewer for The New York Times coyly wrote in her piece about the book, which was shortlisted for the Booker Prize in 2024: “What a quietly remarkable book. I’m afraid I can’t tell you too much about it.”Here are some other books discussed in this week’s episode:“The Torqued Man,” by Peter Mann“The Little Stranger,” by Sarah Waters“Mice 1961,” by Stacey Levine“The New Life,” by Tom Crewe Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

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• 'Fun Home' Author Alison Bechdel on Her New Graphic Novel

  Alison Bechdel rose to fame as the creator of a long-running alt-weekly comic strip before jumping to an even wider audience by way of her celebrated graphic memoirs “Fun Home” and “Are You My Mother?” Her new book, “Spent,” is a graphic novel — but it was originally meant to be another memoir, as Bechdel tells Gilbert Cruz on this week’s podcast.“Over the years that I turned myself from being a comic strip writer into a memoirist, I got very sort of self-righteous about memoir as a genre,” Bechdel says. “I just thought, why would you bother making anything up? Life is incredible. It’s all right there. It’s served up on a platter every day. Write about that. My friends who are fiction writers would say, You’re able to tell a deeper kind of truth with fiction, don’t you think? And I would agree with them, but secretly I would think, no, you can’t. You’ve got to tell the actual truth. But that does get really tiresome. It gets tiring." Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

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