The Crit

Phil Garnham, executive creative director of Monotype Studio, joins the podcast to discuss the changing landscape of type design, the joys of creating typography for broadcasting companies, and the difficulties of releasing typefaces into the world to have a life of their own.

Phil's picks for his crit were:
Best design: FS Emeric
Worst design: FS Lola, a typeface used for Sainsbury’s and Greggs
Most successful design: Designing logos for broadcast companies such as ITV and Channel 4
Most impactful feedback: Look at a typeface or logo with fresh eyes by flipping it on its side or upside down
Dream design: Rebranding TG Jones (formerly known as WHSmith’s)

The Crit
Graphics: Leonhard Rothmoser

Music: Yuri Suzuki and Team Suzuki
This episode of The Crit was recorded at KEF Music Gallery, London
Hosted on Acast. See acast.com/privacy for more information.

Johanna Gibbons, founder of landscape architecture practice J&L Gibbons and the current keeper of the Faculty of Royal Designers, joins the podcast to discuss the pluriverse, the entanglements of community and landscape, and the potential for education through ecology.

Johanna's picks for her crit were:
Best design: Dalston Eastern Curve Garden as part of Making Space in Dalston or Urban Nature Project, Natural History Museum
Worst design: Edward Square
Most successful design: Urban Nature Project, Natural History Museum
Most impactful feedback: A difficult community meeting as part of Making Space in Dalston
Dream design: An extentsion of her Schiehallion Seed to Tree Project

The Crit
Graphics: Leonhard Rothmoser

Music: Yuri Suzuki and Team Suzuki
This episode of The Crit was recorded at KEF Music Gallery, London
Hosted on Acast. See acast.com/privacy for more information.

James Melia, founder and creative director of London-based design agency Blond, joins the podcast for a conversation about packaging, brand names, and greater attention towards design in medical tech.

James's picks for his crit were:
Best design: Fussy refillable deodorant
Worst design: A desk he designed for his final project at university
Most successful design: An upcoming packaging design for a US brand
Most impactful feedback: His colleague Dana Salmanzadeh asking why James is the only person in the studio who pitches and presents projects to clients
Dream design: A catheter

The Crit
Graphics: Leonhard Rothmoser

Music: Yuri Suzuki and Team Suzuki
This episode of The Crit was recorded at KEF Music Gallery, London
Hosted on Acast. See acast.com/privacy for more information.

Designer and researcher Liliana Ovalle visits the studio to discuss exploring different making cultures, learning the limitations of working with craft processes, and her dream of making altars for the home.

Liliana’s picks for her crit were:
Best design: Sinkhole Vessels
Worst design: Encuentros bar set
Most successful design: Fragment of a Staircase
Most impactful feedback: Curator Jennifer Dunlop Fletcher saying she creates designs that look playful but are actually quite serious, similar to the work of designer Shiro Kuramata

The Crit
Graphics: Leonhard Rothmoser

Music: Yuri Suzuki and Team Suzuki
This episode of The Crit was recorded at KEF Music Gallery, London
Hosted on Acast. See acast.com/privacy for more information.

Jon Marshall, industrial designer and partner at Pentagram, visits the studio to discuss the importance of trusting the process, the experience of moving from a designer to a creative director role, and the pleasures of seemingly intractable design problems.

Jon's picks for his crit were:
Best design: Honda. A Great Journey
Worst design: Exhibition design for UNIQLO
Most successful design: Yoto
Most impactful feedback: Daniel Weil telling him to trust the process (and all feedback from his wife)
Dream design: A range of cookware inspired by Richard Sapper’s La Cintura di Orione for Alessi

The Crit
Graphics: Leonhard Rothmoser

Music: Yuri Suzuki and Team Suzuki
This episode of The Crit was recorded at KEF Music Gallery, London
Hosted on Acast. See acast.com/privacy for more information.