A Kick Up The Arts with Nicola Meighan

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I’m hearing from two brilliant women, and minds, who’ve joined forces to explore a wild - and under-documented, and misunderstood - chapter in Scottish history… 
In their superb new novella, This Door of the Seas, best-selling writer Val McDermid has teamed up with Geographer Royal for Scotland Jo Sharp - they’re partners in crime, and partners in life - as they trace the journey and tale of the Darien venture… 
It saw more than 2000 Scots sail into the unknown at the end of the seventeenth century, toward a horizon of hope and prosperity - but the challenges of Darien’s jungle-coastline, at the junction of North and South America, transpired to offer anything but that. 
It would eventually upturn the future of Scotland, bankrupting an already impoverished nation, and propelling it towards political union with England… 
This Door of the Seas is the latest in Birlinn’s excellent Darkland Tales, in which some of Scotland’s best-loved writers re-imagine stories from Scottish history, myth and legend through a contemporary lens - Val and I chatted about her Queen Macbeth Darkland Tale on a previous episode of A Kick Up The Arts…
Val and Jo’s book is written as a series of letters home from expedition scientist Dr James Wallace - as addressed to his wife Eliza and to Sir Robert Sibbald, the very first Geographer Royal - and as uncovered by his ancestor, Beth Wallace, in the Spring of 2026...
Val and Jo came through to Bridge of Allan to tell me all about it...

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As we charge headlong into a month of madness at the Edinburgh Festivals, I’m joined by Scottish theatre revolutionaries Grid Iron to chat about their Fringe adaptation of Andrew O’Hagan’s Mayflies; and about their 30 years - and counting - of bringing brilliant drama to our stages, and beyond…
When Andrew launched Mayflies back in 2020, the novel’s tale of friendship, masculinity, youth, getting older and mortality - played out to a glorious 80s indie soundtrack - floored so many of us; as did Andrea Gibb’s TV adaptation, with Tony Curran and Martin Compston in the starring roles, as Tully, and Jimmy - aka Noodles…
We meet them as young men in Ayrshire, and then again in later life, faced with a devastating diagnosis - and an impossible choice…
As well as raising the roof in venues with shows like June Carter Cash - in cahoots with the National Theatre of Scotland - Grid Iron’s world-renowned site-specific theatre has included underground promenade trips like The Bloody Chamber, while their earlier reflection on young men, friendship and 1980s Ayrshire - Decky Does A Bronco - started life in a Paisley park… 
Mayflies is being staged in a converted warehouse, Brown’s of Leith - as adapted and directed by Ben Harrison, produced by Jude Doherty, and soundtracked by the legendary DPJ, aka David Paul Jones. 
I caught up with Ben, and Jude, to reflect on Mayflies, and three decades of Grid Iron…

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I’m in conversation with one of our most thrilling writers, and humans, Michael Pedersen, live from the wonderful Bookmonger in Bearsden… 
Michael’s the Edinburgh makar, and a veritable cultural livewire, whose glorious poetry collections include The Cat Prince and Oyster. His prose calling card, Boy Friends, was published to huge acclaim in 2022, and the paperback edition of his utterly magical debut novel, Muckle Flugga, is out now.
It’s stunning and tender, it’s a beacon of hope, it’s brimming with love, and life, and nature;  it’s kindled by friendship, coddled in knitwear, rooted in landscape, charged by starlight. 
Just before we get to the chat - and thanks so much if you joined us in the lovely audience - I’m back with The Bookmonger in conversation with the brilliant Damian Barr about The Two Roberts, although we’re breaking out of the bookshop and holding that at Glasgow’s Royal College in St Vincent Street, on September 25th…
Before that, Michael’s at Edinburgh International Book Festival with various former A Kick Up The Arts guests and wonders, including Gordon Buchanan and Hollie McNish - I’ll put a link to all the dates online… 
And I’ll be at EIBF too, hosting various parties in The Spiegeltent - come for A Kick Up The Arts with live music and conversation from Kathryn Joseph, Kirstin Innes and Lomond Campbell - that’s on August 25th (tickets here), and I’m also variously in conversation with The Beta Band’s Steve Mason, Val McDermid, Justin Currie, and Grant McPhee across the week - I’ll tell you more about that soon…
For now though - to the Bookmonger, and Michael, and Muckle Flugga…

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I’m back in my Stirling local, the Golden Lion, for a whistle-stop tour of this year’s programme for Bloody Scotland International Crime Writing Festival, which launched a couple of days ago, and which runs from September 18th to 20th.
After Thursday’s big announcements, and a conversation I chaired with the always-entertaining JD Kirk, I sat down with this year’s Bloody Scotland guest programmer, Denise Mina, festival director Bob McDevitt and best-selling author and board member Craig Robertson - along with two of the brilliant writers shortlisted for this year’s prestigious debut prize - Linda Duncan McLaughlin, for Original Sins - and May Rinaldi, for Liar Thief…
We had a blether about this year’s line-up, which as ever includes unmissable book events, along with site-specific theatre, karaoke, courtroom drama, and incredible guests - along with new-writing initiatives like Crime in the Spotlight and Pitch Perfect, and the announcement of the gilded debut prize, and the McIlvanney Prize for crime fiction book of the year… 
I’m a McIlvanney Prize judge again, and we’ll chat more about all that soon enough, but for now, here’s a sense of what to expect if you come to this year’s Bloody Scotland in September… Which you totally should…

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The last 30-odd years of Scottish culture would look, and sound, wildly different - and woefully less thrilling - without musician and songwriter Emma Pollock - co-founder of the Delgados, and the Chemikal Underground label (whose bands included Arab Strap, Mogwai, bis) - and Chem19 Studios, which has welcomed Deacon Blue, Calvin Harris and Franz Ferdinand over the years.
Emma's also an incredible solo artist, and we caught up at her kitchen table in Glasgow, to chat about her outstanding latest album, Begging The Night To Take Hold… Or rather, we tried to - but we ended up reflecting on the ritualism of coffee, science and magic, broken songs and silhouettes - and getting by one day at a time. 
We sang the praises of female and non-binary collective, Hen Hoose, too - which stars Emma among myriad other musical wonders. They're live at Edinburgh Queen's Hall this Thursday, May 28th - and I'll be onstage in conversation with them as well. There's also a screening of a film by Zoe Patterson Macinnes about the making of their fantastic album, The Twelve…
Emma is the most warm, welcoming, insightful guest, and it was a pleasure to chat to her, as always. And also - if you're on the lookout for a song that fuses visual art legends the Glasgow Girls and Madonna's Dear Jessie, then - guess what - we've got you covered...