On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss Denis Villeneuve’s new gig: director, Bond director. Is he the man for the job? And who should he bring on as his James Bond. What does James Bond even mean in the modern world? Then they review F1: The Movie, Apple’s first big theatrical hit. Make sure to swing by Bulwark+ on Thursday for a bonus episode on the New York Times’s top 100 movies since 2000. And if you enjoyed this episode, please share it with a friend!
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The Ultimate Danny Boyle Movie Draft
In this bonus episode, Sonny, Alyssa, and Peter draft their favorite Danny Boyle films—from 28 Days Later to Slumdog Millionaire, Sunshine to Steve Jobs. But the real star of the show? Boyle’s new film 28 Years Later. The crew breaks down why it might be one of the best movies of the year—and how it redefines the legacy sequel.
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Danny Boyle Says He Shouldn’t Have Made Slumdog. Should He?
Danny Boyle says he couldn’t — and shouldn’t — make Slumdog Millionaire today. Sonny Bunch, Alyssa Rosenberg, and Peter Suderman dive into the cultural appropriation debate, the limits of identity in art, and how this all relates to Boyle’s latest film, 28 Years Later. They also tackle how these same culture-war battles are reshaping YA fiction, Hollywood, and who gets to tell which stories.
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The Romantic Comedy Is Solved
In this bonus episode of Across the Movie Aisle, Sonny Bunch, Alyssa Rosenberg, and Peter Suderman debate the state of the romantic comedy. Is When Harry Met Sally the unbeatable blueprint for the entire genre? Why have rom-coms fallen off—and are they finally making a comeback?
They break down everything from Ephron classics and screwball oldies to Judd Apatow bros and modern rom-cons.
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Does 'Materialists' Work?
In this episode of Across the Movie Aisle, host Sonny Bunch is joined by Alyssa Rosenberg and Peter Suderman to unpack the outrage over indie film platform MUBI’s investment ties and whether ethical boycotts are even coherent in modern capitalism. Then they dig into Celine Song’s latest film Materialists, a rom-com that tries to be profound—but might just be pretty nonsense.
Here’s the elevator pitch: It’s “Left, Right, and Center” meets “Siskel and Ebert.” Three friends from different ideological perspectives discuss the movies and controversies (or nontroversies!) swirling around them.
Bulwark+ members enjoy weekly bonus episodes: https://atma.thebulwark.com/
Ireland