On this week’s episode, Sonny, Peter, and Alyssa discuss the Ellison family’s (literal) trump card in its pursuit of Warner Bros.-Discovery. Then they review A House of Dynamite, Kathryn Bigelow’s star-studded nuclear panic movie for Netflix. Sweet dreams, kiddos! Make sure to swing by movieaisle.substack.com for our bonus episode on this genius and harrowing feature piece on a niche internet subculture that … well, you’re just going to need to read about them. It’s a trip. You are definitely going to want to watch that episode on Thursday. Sonny makes some faces. Buy some merch! Our Dashery store is “lit.” And if you enjoyed this episode, share it with a friend!
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48:37
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48:37
'After the Hunt's' Pointed Provocations
A few housekeeping items: This episode is the first main episode that is available to our subscribers before anyone else.
We have merch! Just a couple items right now, more to come, hopefully. You can see the Dashery store here. Alyssa’s wearing the shirt on the show today! It looks like a movie ticket! Because movies! BUY ONE TODAY.
OK, the episode itself. We discussed AMC finally granting Netflix some space in their multiplexes. Is this glasnost between the world’s biggest streamer and the world’s biggest theater chain? What comes after?
Then we discussed After the Hunt, Luca Guadagnino’s post-MeToo cinematic provocation … albeit one with a purpose. This movie’s getting hammered by critics but … not by us. Probably because it’s a good conversation starter and we love having conversations!
If you enjoyed this episode, please share it with a friend! Evangelizing the show is the best way to help it grow and make sure it continues!
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1:01:08
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1:01:08
Revisiting the Original 'Tron' (Or, 'What the eff, Alyssa?')
This is a tease of the bonus episodes on Thursdays! They have video too over at the Substack! MovieAisle.substack.com. Go sign up!
On this week’s special bonus episode, you get video, you get audio, you get it all. You get everything. (I’m still tinkering with the Riverside video editing software but … it’s pretty good? Just need to figure out how to incorporate clips and the such. Maybe next week you’ll get the intro and outro music the audio episodes have.)
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4:21
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4:21
Why 'Tron: Ares' Is a Boring Mess
On this week’s episode, Sonny, Peter, and Alyssa said goodbye to Diane Keaton, a key part of one of all of their favorite movies, The Godfather. Then they reviewed Tron: Ares, a music video in search of a purpose. Make sure you swing by movieaisle.substack.com on Thursday for our bonus episode.
If you enjoyed this episode, share it with a friend. And if you have a problem with the sound quality, let Sonny know in the comments! He’s tweaking some stuff. Playing with Audition’s presets and the such.
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47:50
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47:50
Dwayne Johnson's 'Smashing Machine'
Before we get to the episode, a quick note: we are spinning off Across the Movie Aisle into its own separate thing; it will no longer be part of the Bulwark network of shows, but it will still exist on Substack at movieaisle.substack.com. If you listen via Apple, nothing much will change for the moment; if you listen via Substack there may be a few changes for you. But we’ll cover that next week in our first episode at the new spot. —SB
On this week’s episode, Sonny, Peter, and Alyssa look at the perilous state of film and television production in Los Angeles. Is Hollywood’s time as the undisputed king of film production at an end? What does that mean for the people who make a living out there? And what does it mean for the idea of an American film industry? Then they review The Smashing Machine, Dwayne Johnson and Benny Safdie’s award season play. Is this the movie The Rock needs to regain some credibility as an actor? Or does it miss the mark?
Here’s the elevator pitch: It’s “Left, Right, and Center” meets “Siskel and Ebert.” Three friends from different ideological perspectives discuss the movies and controversies (or nontroversies!) swirling around them.
Bulwark+ members enjoy weekly bonus episodes: https://atma.thebulwark.com/
Ireland