Lionel Richie has been making music for fifty years. He has sold more than a hundred million albums, his hits too numerous to list, and he has endeared himself to younger generations as a judge on “American Idol.” He’s now the author of a memoir, “Truly.” Although the book has a lot of triumphs to cover, Richie doesn’t shy away from his failed marriages and the mistakes that led to the breakup of the Commodores, the band that launched him to stardom. “When I started out this book, I had some great stories I was gonna tell, keep it real surfacy—you know, no big deal,” Richie tells Hanif Abdurraqib. “I didn’t realize that it was going to take me on a journey of, It’s not this mountaintop and this mountaintop and this mountaintop. It was this mountaintop and then the valley. The book is about the valley. And . . . each time I went down in the valley it was painful because there were things in this book that I wanted to forget in life but what created the real substance of me was I had to face my insecurities.”
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A Conservative Professor on How to Fix Campus Culture
Robert P. George is not a passive observer of the proverbial culture wars; he’s been a very active participant. As a Catholic legal scholar and philosopher at Princeton University, he was an influential opponent of Roe v. Wade and same-sex marriage, receiving a Presidential medal from President George W. Bush. George decries the “decadence” of secular culture, and, in 2016, he co-wrote an op-ed declaring Donald Trump “manifestly unfit” to serve as President. Although George disagrees with the Administration’s tactics to change universities’ policies by punishment, he agrees with its contention that campuses have become hotbeds of leftism that stifle debate. He regards this not as a particular evil of the left but as “human nature”: “If conservatives had the kind of monopoly that liberals had,” George tells David Remnick, “I suspect we’d have the same situation, but just in reverse.” His recent book, “Seeking Truth and Speaking Truth: Law and Morality in Our Cultural Moment,” tries to chart a course back toward civil, functioning debate in a polarized society. “I encourage my students to take courses from people who disagree with me, like Cornel West and Peter Singer,” the latter of whom is a controversial philosopher of ethics. “Cornel and I teach together for this same reason. Peter invites his students to take my courses. That’s the way it should be.”
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Jimmy Kimmel and the Power of Public Pressure
The Political Scene’s Washington Roundtable—the staff writers Jane Mayer, Susan Glasser, and Evan Osnos—discuss how, in the wake of the reinstatement of Jimmy Kimmel’s show, public resistance has a chance to turn the tide against autocratic impulses in today’s politics. They are joined by Hardy Merriman, an expert on the history and practice of civil resistance, to discuss what kinds of coördinated actions—protests, boycotts, “buycotts,” strikes, and other nonviolent approaches—are most effective in a fight against democratic backsliding. “Acts of non-coöperation are very powerful,” Merriman, the former president of the International Center on Nonviolent Conflict, says. “Non-coöperation is very much about numbers. You don’t necessarily need people doing things that are high-risk. You just need large numbers of people doing them.”This segment originally aired on The Political Scene on September 26, 2025.
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Ezra Klein’s Big-Tent Vision of the Democratic Party
The author and podcaster Ezra Klein may be only forty-one years old, but he’s been part of the political-culture conversation for a long time. He was a blogger, then a Washington Post columnist and editor, a co-founder of Vox, and is now a writer and podcast host for the New York Times. He’s also the co-author of the recent best-selling book “Abundance”. Most recently, Klein has drawn the ire of progressives for a column he wrote about the assassination of Charlie Kirk, in which he praised the late conservative activist for practicing politics “the right way.” He’s also been making a case for how the Democrats can reëmerge from the political wilderness. But some of his other ideas have also invited their share of detractors. Klein tells David Remnick, “I try to take seriously questions that I don’t love. I don’t try to insist the world works the way I want it to work. I try to be honest with myself about the way it’s working.” In response to criticism that his recent work has indicated a rightward shift in his thinking, Klein says, “One thing I’ve been saying about the big tent of the Democratic Party is the theory of having a big tent doesn’t just mean moving to the right; it also means accepting in the left.”
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The Cartoonist Liana Finck Picks Three Favorite Children’s Books
Liana Finck is a cartoonist and an illustrator who has contributed to The New Yorker since 2015. She is the author of several books, including the graphic memoir “Passing for Human.” Like many of her forebears at the magazine, Finck has also published works for children, and her recent book, “Mixed Feelings,” explores the ways that emotions are often confusing—a truth for readers of any age. “Kids’ books were my first experience of art. They’re really why I do what I do,” she tells David Remnick. Finck discusses her time interning for Maira Kalman, and she shares three “deep cuts” from writers associated with The New Yorker: Kalman’s own “What Pete Ate from A to Z”; William Steig’s “C D B!”; and “Tell Me a Mitzi,” by Lore Segal, with illustrations by Harriet Pincus.