The Political Scene | The New Yorker

• Inside Trump’s Artless Takeover of the Kennedy Center

  The New Yorker staff writer Katy Waldman joins Tyler Foggatt to discuss how the Kennedy Center, the premier performing-arts hub in Washington, D.C., has been transformed under President Trump’s second term—and under his chaotic and unprecedented chairmanship of the organization. They talk about this year’s Kennedy Center Honors, which featured a group of honorees that reflect the President’s personal tastes, as well as the past year of mass firings, boycotts, and programming changes that have followed the Trump-led upheaval inside the institution. They also examine Trump’s relationship to arts and culture, and how the planned White House ballroom reflects the kind of cultural legacy he hopes to leave behind. This week’s reading: “How the Kennedy Center Has Been Transformed by Trumpism,” by Katy Waldman “The Trump Administration’s Chaos in the Caribbean,” by Jonathan Blitzer “How to Leave the U.S.A.,” by Atossa Araxia Abrahamian “The Weird Spectacle of the World Cup Draw,” by Louisa Thomas “Is the Supreme Court Unsure About Birthright Citizenship?,” by Amy Davidson Sorkin The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

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• Senator Adam Schiff on How the Trump Administration Targets Its Opponents

  As a California congressman, Adam Schiff was the lead manager during the first impeachment proceedings against Donald Trump. He later served on the January 6th committee. Trump has castigated him as “Shifty Schiff” and demanded that the Justice Department investigate him. In a conversation with David Remnick, Schiff discusses the current inquiry into his mortgage by federal authorities; the Supreme Court’s primary role in enabling this Administration; and why he thinks the rule of law in America is “hanging by a thread.” Unlike some Democrats, Schiff is not sanguine that the release of the Epstein files will damage Trump politically. “If there are ruinous things in the files . . . Bondi and company will make sure they never reach the public eye,” Schiff says. But also, “I think he’s almost impervious to dirt.” The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Tune in to The Political Scene wherever you get your podcasts.  Learn about your ad choices: dovetail.prx.org/ad-choices

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• America’s “Bad Emperor” Problem

  The Washington Roundtable discusses President Donald Trump’s health and the signs of his age-related decline: a noticeably reduced work schedule, fewer public appearances, and more rambling, profanity-laden outbursts. The panel examines how this undermines Trump’s self-styled image of strength and vigor, what lessons about aging Presidents can be drawn from the Biden and Reagan Administrations, and why America may be facing what scholars refer to as the “Bad Emperor” problem in Chinese history. “When strongmen get weak, watch out,” the staff writer Jane Mayer says. This week’s reading: “War Is Peace, the Dozing Don Edition,” by Susan B. Glasser “The Dishonorable Strikes on Venezuelan Boats,” by Ruth Marcus “Mikie Sherrill Intends to Move Fast,” by Gabriel Debenedetti “The Undermining of the C.D.C.,” by Dhruv Khullar “The Legal Consequences of Pete Hegseth’s ‘Kill Them All’ Order,” by Isaac Chotiner “In the Line of Fire,” by Benjamin Wallace-Wells “What Can Economists Agree on These Days? ” by John Cassidy  The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Tune in wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

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• Why Is Trump Targeting Venezuela?

  The New Yorker staff writer Jon Lee Anderson joins Tyler Foggatt to talk about the Trump Administration’s military strikes on alleged Venezuelan drug boats in the Caribbean. They discuss the questionable intelligence and rationale behind the operation, the legal concerns raised by Defense Secretary Pete Hegseth’s alleged order to leave no survivors in a September strike, and whether the attacks feels more performative than strategic. They also explore how Trump’s framing of the issue as a drug war intersects with his broader ambitions—from pressuring the Venezuelan President, Nicolás Maduro, to reasserting American dominance in the hemisphere—and how other Latin American countries may respond to further military action in the region.This week’s reading: “Can Trump’s Peace Initiative Stop the Congo’s Thirty-Year War?,” by Jon Lee Anderson “The Dishonorable Strikes on Venezuelan Boats,” by Ruth Marcus “The Legal Consequences of Pete Hegseth’s ‘Kill Them All’ Order,” by Isaac Chotiner “The Undermining of the C.D.C.,” by Dhruv Khullar “In the Line of Fire,” by Benjamin Wallace-Wells  The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.Tune in to The Political Scene wherever you get your podcasts.  Learn about your ad choices: dovetail.prx.org/ad-choices

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• Why Is Leaving MAGA So Difficult?

  Only thirty per cent of the American public identifies with the MAGA movement, according to a recent NBC poll, but that coalition remains intensely loyal to Donald Trump in the face of scandals and authoritarian measures. Defections seem rare and come with the risk of reprisal, even from the President himself. Rich Logis is trying to make them less rare with his advocacy organization, Leaving MAGA. The nonprofit’s  website features testimonials from former adherents, and offers advice for how friends and family can reconnect after ruptures over politics. Logis himself had been a true believer: he worked on Trump’s campaign, wrote articles, released a podcast, and called Democrats “the most dangerous group in the history of our Republic, foreign or domestic—more than Islamic supremacists, more than the Nazis.” He didn’t view MAGA as reactionary, but “very progressive and forward facing.” But somewhere along the way, Logis hung up his red hat. “Even today, talking about my past, the feelings are conjured—those feelings of being welcomed and feeling like you’re part of something, and the exhilaration that comes from that,” he tells the New Yorker Radio Hour’s Adam Howard. Logis emphasizes that leaving MAGA is difficult because, as much as it’s a political ideology, it’s also an identity that meets emotional needs. “I think that there’s a lot of trauma within the MAGA base, whether it’s political or economic. . . . I’m not qualified to make any kind of diagnosis. I’m not a therapist or a clinician, but there’s a lot of pain within MAGA. And I think that a better question [instead] of asking ‘What’s wrong with you?’ is ‘What happened to you?’” The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.  Learn about your ad choices: dovetail.prx.org/ad-choices

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