The Political Scene | The New Yorker

The reporter Cora Engelbrecht joins Tyler Foggatt to discuss what life is like for the people of Iran as war unfolds. They talk about Engelbrecht’s reporting, which is based on dispatches from a dissident in Tehran who maintained contact during an internet blackout, and about how his account reveals some of the challenges of daily life under bombardment from the U.S. and Israel—and under a government that continues to police dissent. They also explore how the conflict has complicated the hopes of many Iranians who once saw foreign intervention as a path to liberation, and the growing fear that, whatever the outcome of the war, everyday citizens will continue to bear the cost.
This week’s reading:

“What the War Has Done to Iranians,” by Cora Engelbrecht

“A Former Prisoner of the Iranian Regime Watches Trump’s War,” by Jason Rezaian

“How Donald Trump May Have Sabotaged His Chances for a Deal with Iran,” by Isaac Chotiner

“The Distant Promise of Iran’s Would-Be King,” by Azadeh Moaveni

“Is Cuba Next?,” by Jon Lee Anderson

The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. 
Tune in to The Political Scene wherever you get your podcasts. 

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The staff writer Jon Lee Anderson has reported from Cuba for many years, and recently wrote about the deteriorating economic conditions on the island. His newest piece for the magazine dives into the potential outcomes of Donald Trump’s desire to pursue regime change. Anderson explores the economic impact of the United States blocking Venezuelan oil from reaching Cuba, which could be a death knell for the Communist government. Anderson and David Remnick discuss the current negotiations between the two countries, Marco Rubio’s strategy, and what cards the Cuban government might still hold. “They’re going to go into this,” Anderson suggests, “like maybe a canny poker player.”
Plus, the historian Ada Ferrer won the Pulitzer Prize for her 2022 book, “Cuba: An American History,” and she has one of the clearest views of the long and vexed relationship between the island and its giant neighbor. Ferrer left Cuba as an infant, coming to the United States with her mother in 1963 when Fidel Castro’s regime was arguably at its peak. David Remnick talks with Ferrer about the impact of U.S. sanctions, the economic collapse of Cuba, and what Donald Trump’s threat of a “takeover” means to the Cuban people and to Cuban Americans in the U.S.
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. 
Tune in to The Political Scene wherever you get your podcasts. 

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The Washington Roundtable is off today, and will be back next week. In the meantime, enjoy an episode of The New Yorker’s Critics at Large podcast about the FX series “Love Story,” which drops audiences into the lives of one of the most talked-about couples of the nineties: J.F.K., Jr., and the style icon Carolyn Bessette. The hosts Vinson Cunningham, Naomi Fry, and Alexandra Schwartz, who are staff writers and critics at The New Yorker, discuss how the show re-creates the look and fashion of the era in granular detail while reducing the relationship itself to a generic fairy tale. “Love Story” ’s focus on style underscores how much the Kennedy legacy lives in aesthetics, which risks obscuring some of the darker chapters of its history. “It does seem like we have ever more efficiently stripped the Kennedys and their image, and their style, from any notions of political power,” Cunningham says. “The look of something and the sort of moral thrust of something are not always one to one working in parallel.”
New episodes of “Critics at Large” drop every Thursday, wherever you get your podcasts.

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The New Yorker staff writer Gideon Lewis-Kraus joins Tyler Foggatt to discuss the escalating standoff between the A.I. company Anthropic and the Department of War. They consider recent reporting on the use of Claude—Anthropic’s family of large language models—in military operations in Venezuela and Iran, and how that news has pushed the company’s relationship with the Pentagon to a breaking point. They also explore how the tech industry is responding to the conflict between the Trump Administration and Anthropic, and the thorny question of whether A.I. should be subject to greater safeguards and more oversight than previous technological innovations.
This week’s reading:

“The Pentagon Went to War with Anthropic. What’s Really at Stake?,” by Gideon Lewis-Kraus

“Israel’s Gulf-State Gamble in the Iran War,” by Ruth Margalit

“The Iran War Is Another Reason to Quit Oil,” by Bill McKibben

“Trump’s Mass-Detention Campaign,” by Jonathan Blitzer

“How Should We Remember the Hippies?,” by Jay Caspian Kang

The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. 
Tune in to The Political Scene wherever you get your podcasts. 

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In the book “The Anxious Generation,” Jonathan Haidt, a social psychologist at New York University, argues that social-media platforms are detrimental to youths’ well-being, and that society needs to treat them as literally addictive. It has spent nearly a hundred weeks on the New York Times best-seller list, and has helped galvanize a movement seeking limits to social media in legislatures, in school districts, and in the courts. David Remnick speaks with Haidt about an Australian law to verify the age of social-media users, the first of its kind in the world, and about lawsuits in California that are aiming to pin liability for harms on social-media companies themselves. 
Further reading: 

“World Happiness Report 2026,” featuring a contribution from Jonathan Haidt and other researchers 

“Mountains of Evidence,” by Jonathan Haidt

The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. 
Tune in to The Political Scene wherever you get your podcasts. 

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