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Memoir Snob

Charlie Bleecker
Memoir Snob
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  • Episode 59: Joanna Rakoff
    A conversation with the author of My Salinger Year.How many characters do you really need? Make a list. Every character needs to be fully-fleshed, each with their own motivations. In order to make them real, you need to find them interesting, complicated. You need to be curious. Then, you need to write from a place of love and cold-bloodedness at the same time. “If you really want to write something great, if you’re really aiming at greatness, at things truly working, not at just like getting something out there, you have to be okay with letting some time pass. … You ultimately know what you want to do. You know what your book is, even if you don’t think you do, you do, and you just have to do be patient with yourself.”Book proposals are difficult to write (it took her two years to write her most recent book proposal). It’s not something to write on your own; it’s something you tackle with an agent. You should not consider hiring a publicist until you sell your book to a publisher. Favorite writing conferences:Bread Loaf Writers’ ConferenceSewaneeAWP ConferenceUnbound Festival Newburyport Literary Festival Nantucket Literary FestivalBook recommendations:Fairyland by Alysia AbbottPoser by Claire DedererWild by Cheryl StrayedWhen Skateboards Will Be Free by Saiid SayrafiezadehThe Mothercode by Ruthy AckermanPermission by Elissa AltmanAll You Can Ever Know by Nicole ChungAll of Donna Tartt’s novelsThe Girls from Corona del Mar by Rufi ThorpeFaith by Jennifer HaighWrite Through It by Kate McKean
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  • Episode 58: Virginia DeLuca
    A conversation with the author of If You Must Go, I Wish You Triplets:-When you include your thoughts that are unkind, immature, or that you’re embarrassed to admit, it’s funny and relatable. “In the bedroom, I grab two boxes and throw in Perry's shirts, belts, ties, underwear, shorts, and pants, and dump them in the garage. Hopefully, they'll mildew.”-Sometimes you need an outside perspective to title your book. You, as the writer, are too close to it. Fresh eyes on the manuscript could see something you don’t. Virginia used a company called Title Doctor.-When you’re writing a scene about your younger self, think of how that version of you is different from your current self. In Virginia’s case, she used to curse a lot and avoided direct confrontation with her mother, so in the scene, she cursed (only once; otherwise it would have been distracting), and when he mother asked her questions she responded in other ways: shrugging off the jacket she didn’t want, and cursing in her mind, wondering where her ride was. -Endings are hard! According to Virginia, “It’s hard to sign out.” She wrote an Epilogue five years later, and ended with dialogue—a conversation with her ex-husband. Originally, the exchange was supposed to be at the beginning of the book. Late in the writing process, she moved it to the end. -Virginia published her book through Apprentice House Press, the nation’s first and largest entirely student-managed book publisher. They don’t require an agent. University presses are a great way to publish your book if you don’t self-publish or go through a traditional publisher. -Write fan letters to your favorite writers! Virginia wrote a fan letter to Abigail Thomas. She wrote that it was her first fan letter, told her how much she loved her writing, and that she had had a small writing success. Abigail responded immediately and said no writing success is small, and asked Virginia to share the link for the article she had published. Later, Virginia asked her to write a blurb. Abigail read her manuscript and wrote a blurb that said, “I’ve never quite felt this way before with any other book.” -Virginia’s advice, when I asked about publishing my first book, was to get into a writers group. You need a few people to read your writing and see how everything is landing.
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  • Episode 57: Kate Gies
    A conversation with the author of It Must Be Beautiful To Be Finished.-The key to writing about someone you love who you’ve also been hurt by, is to write with empathy. Think about their perspective and their experience and be generous and loving when you do. -Be wary of the please-feel-bad-for-me voice-Analogies should be both fresh and accurate-Metaphors written as standalone chapters, without any reference to how they relate to your story, are a powerful way to trust the reader and not hit them over the head with they're meaning. -The most important person in getting her book published was her agent.-Three memoirs that have inspired her writing.
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  • Episode 56: Amy Wilson
    A conversation with the author of Happy To Help: Adventures of a People Pleaser.LINKSBooks:Happy To HelpWhen Did I Get Like This?Essay:Why I Didn't Want A Girl (originally titled: A Daughter At Last)Podcast:What Fresh Hell? References:Mom 2.0 ConferenceBooked Author seriesZibby Retreat (Santa Barbara)
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  • Episode 55: Happy To Help by Amy Wilson
    Here’s what I learned from Happy To Help: Adventures of a People Pleaser by Amy Wilson:Include your fantasies. It’s especially funny if you can incorporate four levels in the build up to the punchline:First: set the scene—what’s about to happenSecond: set the stakes—why is this a big dealThird: fantasy/a positive hypothetical of what’s to comeFourth: Dialogue/action of what actually transpiredWrite a short and snappy analogy that has pronouns and alliteration: “It was like hiring Kidz Bop for a bachelor party.”Include proper nouns. Proper nouns that are personal to you make the writing more compelling, specific, and yes, even funny: “I used to make fun of my husband for letting his perception of a good night's sleep be ruined by what his Whoop told him.”
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About Memoir Snob

Charlie reads memoirs and talks about what she learned, so she can write her own.
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