Cosmophonia

From the alien dolphins in "Hitchhiker's Guide to the Galaxy" (so long and thanks for all the fish) to the whale on the cover of the They Might be Giants album "Apollo 18," there are numerous examples of cosmic-dwelling cetaceans in science fiction and other space imaginings. Even more interestingly, these space whales' cosmic nature is often tied to their musical nature. In this episode, we ponder why this may be, and touch on some of our favorite space-whale-music examples. While we leave the details of several whale-themed musical works for other episodes (see references below), we consider instead the affordances and potential pitfalls of hearing whale vocalizations as music.   References  Roger Payne, Songs of the Humpback Whale  Roger Payne National Geographic flexidisc  Alan Hovhaness, “And God Created Great Whales”  George Crumb, “Vox Balaenae”  Star Trek: The Voyage Home Fantasia 2000  Respighi “Pines of Rome” recording was by Pierre Monteaux and the Orchestre National de France, available at IMSLPAlien Listening

On Monday, April 8, a total solar eclipse will sweep across much of North America, within view of millions of people. Most excitingly, the path of totality is coming by Bloomington, Indiana, current home of Cosmophonia! Your hosts have been involved in several music-space events in town, including our very own recital, where we have programmed a number of excellent on-topic pieces. The piece we discuss on this episode is the proverbial one that got away - Stuart Saunders Smith's "The Narrow Path" for two vibraphone players and one orchestral bells (or glockenspiel) player. While our conversation occasionally strays off the "narrow path," we keep coming back to why this piece is a compelling reminder of eclipses and space more generally, including issues of alignment and the twinkly sounds of metallophones.    Our eclipse recital will be on Sunday, April 7 at 8pm eastern time. It will be livestreamed, so you can view from anywhere!   References Stuart Saunders Smith, "The Narrow Path" Charles Ives, "The Unanswered Question" John Cage, "Atlas Eclipticalis" Music break was "Birds" from Featuring Birds by Quasi  

Probably the most well-known piece of space themed classical music is Gustav Holst's The Planets. In this episode, we focus on the last movement of the suite, "Neptune," discussing how the timbre and harmony create its signature icy, watery,  mysterious soundscape. The suite was completed in 1918, but while selected movements were performed several times in the following years, it did not receive its full premiere with the "Neptune" movement until 1920. Despite the movement being an unusual choice for a finale, it was and still is extremely effective. We also discuss how the astrological inspiration for the suite led Holst to order the movements in the way that he did.   References Alan Leo, "The Art of Synthesis" Raymond Head, "Astrology and Modernism in 'The Planets'"

In this new series, Uncharted Cosmophony, we choose a random, previously unknown to us album that seems to have some spacey elements, listen to it, and then talk about it. This time we chose the 1973 record "Intergalactic Trot" by Stardrive with Robert Mason. The album prominently shows off the capabilities of an early multi-voiced synthesizer, backed by a full band, but unlike ambient "space" music is energetic and driven. Our conversation moves in interesting directions, including how the blending of technology and pastoral musical topics can be used to depict an alien landscape.    References Pastoral music John Adams, Short Ride in a Fast Machine For more on the use of the pastoral to represent space, see Rebecca Leydon, "The Post-War Pastoral in Space-Age-Bachelor-Pad Music" Boss music - music in video games that accompanies the battle with the final, or otherwise major enemy