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London Writers' Salon

Parul Bavishi, Matthew Trinetti
London Writers' Salon
Latest episode

201 episodes

  • London Writers' Salon

    #200: Louise Dean — How to Finish a Novel, Why Most Writers Stall at 30,000 Words, and Why Storytelling Beats Beautiful Sentences, plus founding Novelry

    28/06/2026 | 39 mins.
    Award-winning novelist and founder of The Novelry Louise Dean on what separates storytelling from beautiful prose, planning a novel without killing the joy, and how to edit your own first draft.

    We discuss

    Why learning to craft perfect sentences can quietly delay your path to publication.

    How a single shift from style to storytelling turns a promising writer into a published one.

    What treating each chapter like a short story does to the terror of a blank novel.

    The reason every novel is a moral journey (and why you have to throw rocks at your hero).

    A one-page planning method that steers a draft without smothering the joy of writing it.

    The one question every writer should be able to answer about their reader.

    Why your main character should never be a thinly veiled version of yourself.

    When you can’t afford an editor, how to run a developmental edit on your own work.

    What to do in the month after finishing a first draft

    A five-part structure built for the long moral journey of a novel, and why three acts fall short.

    Resources & Links

    📄 Interview Transcript

    The Great Gatsby

    The Novelry

    The Novelry Blog

    Louise’s books

    The Novelry Contact — hello@thenovelry.com

    About Louise Dean

    Louise Dean is a British author, born in Hastings, who read History at Cambridge University. An award-winning novelist, she is the winner of the Betty Trask Prize and Le Prince Maurice Prize, and was longlisted for the Booker Prize. Her novels have been published internationally. The Wall Street Journal described Louise Dean as one of the world’s top five most under-rated authors. Louise is the founder of the creative writing school The Novelry.

    About The Novelry

    Founded by award-winning author Louise Dean, The Novelry is the only writing school where bestselling authors and Big Five editors guide you every step of the way.

    For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.
    For free writing sessions, join free Writers’ Hours: writershour.com.
    *
    FOLLOW LONDON WRITERS’ SALON
    Twitter: twitter.com/​​WritersSalon
    Instagram: instagram.com/londonwriterssalon
    Facebook: facebook.com/LondonWritersSalon
    If you’re enjoying this show, please rate and review this show!
  • London Writers' Salon

    #199: Katie da Cunha Lewin — How Space Shapes Creative Work, the Myth of the Perfect Writing Room, Building Creative Rituals, and Writing in Imperfect Conditions

    20/06/2026 | 1h 4 mins.
    Writer Katie da Cunha Lewin on how physical spaces shape creative work, why the perfect writing room is a myth, and the rituals and routines that sustain a writing life.

    We discuss

    Why the perfect writing space is largely a myth (and why that can set you free).

    How physical environments quietly shape creative practice and identity.

    What our fascination with visiting writers' houses reveals.

    The cultural baggage around “the writer's room,” and who it quietly excludes.

    The way motherhood compresses time and forces a new kind of creative discipline.

    A concept of psychological distance between domestic life and creative work.

    When creative rituals help (and when writers thrive without them).

    How to begin designing a writing space that actually works for you.

    What it takes to find the story inside a work of nonfiction.

    Why putting yourself on the page makes nonfiction stronger.

    Resources & Links

    📄Interview Transcript

    Breakfast at Tiffany's (1961)

    Murder She Wrote (1984-1996)

    Underworld by Don DeLillo

    White Noise by Don DeLillo

    The Fitzcarraldo Editions Essay Prize

    A Room of One's Own by Virginia Woolf

    Lives of Houses Edited by Kate Kennedy and Hermione Lee

    Downhill All The Way, An Autobiography of the Years 1919 To 1939 By Leonard Woolf

    The British Library

    My Work by Olga Ravn

    The Accidentals by Guadalupe Nettel, Translated by Rosalind Harvey

    Amber Medland

    The Years by Annie Ernaux

    The Society of Authors

    About Katie da Cunha Lewin

    Katie da Cunha Lewin’s writing has appeared in leading publications such as The Times Literary Supplement, The White Review, Financial Times, Los Angeles Review of Books, and Prospect. She is the editor (with Kiron Ward) of Don DeLillo: Contemporary Critical Perspectives. Her book, The Writer’s Room: The Hidden Worlds That Shape the Books We Love, is out now.

    For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.
    For free writing sessions, join free Writers’ Hours: writershour.com.
    *
    FOLLOW LONDON WRITERS’ SALON
    Twitter: twitter.com/​​WritersSalon
    Instagram: instagram.com/londonwriterssalon
    Facebook: facebook.com/LondonWritersSalon
    If you’re enjoying this show, please rate and review this show!
  • London Writers' Salon

    #198: Mastering Young Adult Fiction — Krystal Sutherland (House of Hollow), Joanna Nadin (90+ Books for Kids & Teens), Moira Buffini (Songlight) on Finding Your Writing Home, Knowing Your Audience, Why Stories Matter to the Young | Compilation

    13/06/2026 | 48 mins.
    YA masters Krystal Sutherland (The Invocations), Joanna Nadin (author of 90+ books for children and adults) and Moira Buffini (Songlight) on hooking teen readers from the very first page, plotting methods that tame a whole novel, and why stories matter so much to young people.

    You'll learn

    What sparks the magic system of a supernatural thriller.

    What it means to find your writing home, and how to know when you've arrived.

    Why readers decide within the first ten pages, and how visceral detail keeps them hooked.

    A pantser's case for careful plotting when you're juggling multiple points of view.

    The most common mistake adults make when writing for young readers.

    What screenwriters know about tight writing, and what teen TV can teach you about voice.

    Why treating writing as a job, not a calling, makes rejection survivable.

    Whether writers should think about their audience.

    How writing toward a feeling, not a plan, creates cliffhangers you don't see coming.

    Episode Links

    #105: Krystal Sutherland

    #61: Joanna Nadin

    #179: Moira Buffini

    About the Guests

    Krystal Sutherland is the New York Times and indie bestselling author of House of Hollow, A Semi-Definitive List of Worst Nightmares and Our Chemical Hearts, which was adapted into a film by Amazon Studios. Her books have been published in more than twenty countries and nominated for the Carnegie Medal and YA Book Prize, among others. Her latest YA novel, The Invocations — the centerpiece of this conversation — won the 2025 Prime Minister's Literary Award for young adult literature. Originally from Australia, she has lived on four continents and currently calls London home.

    Joanna Nadin has written more than 90 books for children and adults, including the Rachel Riley series, the Penny Dreadful series, and the Sunday Times bestselling Worst Class in the World series. She holds a doctorate in adolescent identity and YA literature and is an Associate Professor in Creative Writing at the University of Bristol. Her books have garnered a number of prizes including the Fantastic Book Award and the Surrey Book Award, and she has been shortlisted for the Roald Dahl Funny Prize, the Booktrust Best Book Award, the Telegraph Sports Book of the Year, the Hearst Big Book Awards, and Queen of Teen. She has been nominated six times for the CILIP Carnegie Medal, including for Everybody Hurts and for Joe All Alone, which was made into a BAFTA-winning and Emmy-nominated BBC drama series.

    Moira Buffini is an Olivier Award–winning UK playwright and BAFTA-nominated screenwriter, writing many plays for the National Theatre and the West End. Films include Tamara Drewe, Jane Eyre, Byzantium, and The Dig. She cocreated and was showrunner of Hulu's Harlots. Her YA debut Songlight — the first in The Torch Trilogy — won the 2025 YA Book Prize, and its sequel Torchfire is out now. She lives in London.

    For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.
    For free writing sessions, join free Writers’ Hours: writershour.com.
    *
    FOLLOW LONDON WRITERS’ SALON
    Twitter: twitter.com/​​WritersSalon
    Instagram: instagram.com/londonwriterssalon
    Facebook: facebook.com/LondonWritersSalon
    If you’re enjoying this show, please rate and review this show!
  • London Writers' Salon

    #197: Chris Pavone — Writing the Modern Thriller, Sustaining Tension Over Action, and Defining Success on Your Own Terms

    07/06/2026 | 1h 8 mins.
    Edgar Award–winning novelist Chris Pavone on creating tension that never lets up, editing a book to make it bigger rather than just better, and turning a single apartment building into a portrait of a whole city.

    We discuss

    Why every book has to be one clear thing before it can be anything else.

    How two decades of editing other people’s books prepares you to write your own.

    The offhand note from a legendary editor that quietly transformed a debut, and why the vaguest feedback can be the most useful.

    What it means to edit a book to make it bigger, not just to make it less bad.

    Why tension, not speed, is what truly keeps a reader turning pages.

    A counterintuitive case for telling readers what’s coming on page one, then making them wait for it.

    How to keep generating questions and withholding answers without ever feeling coy.

    The one-page document worth months of tinkering before a single chapter gets written.

    What turns a story set in a city into a genuine portrait of that city.

    When to separate your hopes from your expectations, and what success can actually look like for a working novelist.

    Resources & Links

    Chris Pavone’s Website

    Chris’ Newsletter

    The Doorman

    Ernest Hemingway

    Doubleday Publishing

    John Grisham

    The Expats

    Pat Conroy

    Jamaica Kincaid

    Knopf Publishing

    Adele Parks

    To Kill a Mockingbird by Harper Lee

    James Bond Films

    The Great Gatsby by F. Scott Fitzgerald

    Invisible Man by Ralph Ellison

    The Bonfire of the Vanities by Tom Wolfe

    Jack Reacher by Lee Child

    About Chris Pavone

    Chris Pavone is the New York Times bestselling author of The Doorman, Two Nights in Lisbon, The Paris Diversion, The Travelers, The Accident, and The Expats, winner of the Edgar and Anthony Awards for best first novel. He was a book editor for nearly two decades and lives in New York City with his family.

    For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.
    For free writing sessions, join free Writers’ Hours: writershour.com.
    *
    FOLLOW LONDON WRITERS’ SALON
    Twitter: twitter.com/​​WritersSalon
    Instagram: instagram.com/londonwriterssalon
    Facebook: facebook.com/LondonWritersSalon
    If you’re enjoying this show, please rate and review this show!
  • London Writers' Salon

    #196: Missouri Williams — Writing Strange and Ambitious Fiction, Doubt as a Generative Force, and Why Idleness Is Essential to Creativity

    30/05/2026 | 51 mins.
    Award-winning novelist Missouri Williams on writing strange and ambitious fiction, treating doubt as a generative force, and why idleness is essential to creative work.

    We discuss

    How a destabilising illness and a new language can reshape a writer’s whole relationship to words.

    Why style isn’t something you construct so much as a way of seeing you’re partly stuck with.

    The case for drafting without thinking about the end result and keeping the stakes low.

    What an image you can’t stop returning to can reveal about the book you need to write.

    When idleness and empty, unproductive time become the most essential part of the work.

    How doubt can function as a generative engine rather than a block.

    A method for layering instability into a narrator who sounds completely in control.

    What a chorus can do on the page that a single narrator can’t.

    Why being placed outside your depth, where everything has to be relearned, can sharpen a writer.

    The difference between doubting your work and doubting your right to do it at all.

    Resources & Links

    📑 Interview Transcript

    Missouri’s Instagram

    Sisters of Mercy’s song, “Flood II”

    The Vivisectors

    King Lear with Sheep

    The Doloriad

    Missouri’s Agent John Ash

    Samuel Beckett

    Ágota Kristóf

    2023 Winner of Republic of Consciousness Foundation

    “Form Is Back”

    Meditations by René Descartes

    Dead Ink publisher

    The Faerie Queene by Edmund Spenser

    The Republic by Plato

    About Missouri Williams

    Missouri Williams is the author of The Doloriad, which won the 2023 Republic of Consciousness Prize, was shortlisted for the VCU Cabell First Novelist Award, and named a best book of 2022 by Vulture. Her work has also appeared in The Nation, The Baffler, The Believer, Granta, and The Drift. Her newest book is The Vivisectors.

    For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.
    For free writing sessions, join free Writers’ Hours: writershour.com.
    *
    FOLLOW LONDON WRITERS’ SALON
    Twitter: twitter.com/​​WritersSalon
    Instagram: instagram.com/londonwriterssalon
    Facebook: facebook.com/LondonWritersSalon
    If you’re enjoying this show, please rate and review this show!
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About London Writers' Salon
A deep dive into the habits, mindsets, tools, craft secrets and creative practices bestselling writers use to write novels, plays, poetry, and articles. Hosted by the co-founders of the London Writers' Salon, Matt & Parul.
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