New Books in Women's History

Colonial Caregivers: Ayahs and the Gendered History of Race and Caste in British India (Cambridge UP, 2025) offers a compelling cultural and social history of ayahs (nannies/maids), by exploring domestic intimacy and exploitation in colonial South Asia. Working for British imperial families from the mid-1700s to the mid-1900s, South Asian ayahs, as Chakraborty shows, not only provided domestic labor, but also provided important moral labor for the British Empire. The desexualized racialized ayah archetype upheld British imperial whiteness and sexual purity, and later Indian elite 'upper' caste domestic modernity. Chakraborty argues that the pervasive cultural sentimentalization of the ayah morally legitimized British colonialism, while obscuring the vulnerabilities of caregivers in real-life. Using an archive of petitions and letters from ayahs, fairytales they told to British children, court cases, and vernacular sources, Chakraborty foregrounds the precarious lives, voices, and perspectives of these women. By placing care labor at the center of colonial history, the book decolonizes the history of South Asia and the British Empire.Satya Shikha Chakraborty is an Associate Professor of History at The College of New Jersey.Saumya Dadoo is a PhD Candidate at MESAAS, Columbia University
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The #MeToo revelations put a twenty-first-century stamp on the age-old story of women’s mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women’s stories, past and present, that have come to light.The collection begins with essays on the interplay between reality and imagination in narratives and representations of women’s experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media’s stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women’s stories. Essays in the final section address the combination of inequality and resistance that defines women’s experiences in Hollywood.

Editor of book:

Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, Amer­ican television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, in­cluding, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.”

Bio note of host

Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here
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The Inattention Economy: How Women of Color Built the Internet (U Minnesota Press, 2026) by Dr. Lisa Nakamura challenges the widespread myth that the internet was born from the labor of a handful of white male entrepreneurs, recovering the uncredited and unpaid contributions of women of color. Focusing on three key inflection points in computing—the microchip era of the 1960s and ’70s, the rise of social media in the 2000s, and A.I.-fueled virtual reality in the 2020s—Dr. Nakamura illuminates these women’s instrumental roles in building new technologies and making them coherent to users.

From the Navajo women who manufactured the first semiconductor circuits in New Mexico to Tila Tequila, the queer Vietnamese American refugee who became the first true internet influencer in the MySpace age, to Black virtual reality creators, Dr. Nakamura highlights how women’s gendered and racialized identities have uniquely positioned them to mediate the development and proliferation of new technologies. She exposes how these women have been structurally excluded from racial capitalism’s benefits while their labor is considered as exploitable and inexhaustible as that of machines. Confronting this injustice, she focuses our attention on their work, which undergirds and makes possible the platforms ingrained in our daily lives.

Arguing for both recognition and material compensation for these women’s labor, The Inattention Economy is a powerful counterhistory of Silicon Valley and a persuasive call to imagine a different kind of internet.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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In this intimate, yet simultaneously anthropological, exploration of the life of her maternal grandmother Pankajam (1911–2007), Kalpana Karunakaran achieves the remarkable: capturing the singularity of an exceptional woman, even as it situates her in a social universe shaped by the conventions of Tamil Brahmin orthodoxy. Through A Woman of No Consequence: Memory, Letters and Resistance in Madras (Context, 2026) Karunakaran conveys with clarity how the ‘utterly ordinary’ life of a ‘woman of no consequence’ (as Pankajam writes of herself), lived out largely within the confines of family and kin, was quite far from ordinary. The book draws extensively upon letters, glimpses of Pankajam’s life narrated through her thinly-disguised semi-autobiographical short stories that allowed her to ‘say the unsayable’ about love, intimacy and conjugality, and her autobiography, which she began writing in 1949 and kept writing till her last piece in 1995. What comes together is a riveting portrait of heartbreak and violence, yearning and delight, a housewife’s quest for intellectual growth and her talent for friendships across cultures and continents. In the final reckoning, A Woman of No Consequence is about the chequered trajectories of a newly-born nation as seen through the lens of its daughters—restless women forcing home and nation to reckon with their stubborn striving for self-actualisation.
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Hitler and My Mother-in-Law (OR Books, 2025) is a riveting memoir that explores the intersection of truth—both familial and political—through the colorful and complex life of the author's mother-in-law.

In a time like our own of intense propaganda and manipulation, the only WWII female correspondent who covered both theaters of war, Pat Hartwell identified Hitler from a pile of ashes for the US military, and the troops awarded her with a million-dollar painting from Hitler's study. Really?

She was the only woman in the CBS news room, assistant to the head of the Office of War Information, VP of one of the largest public relations companies in the world, third in command of UNICEF where she convinced Matisse to provide artwork for free, editor of her own Arizona newspaper where she hustled naïve art on the side, and eventually head of the Hawai’ian arts council, a state of extremely complex political and social stakeholders, where she left a legacy of preventing art fraud. Her story is a fascinating journey through history, art, and deception.

The memoir delves into the art of invention and the shapeshifting of memory and truth, interwoven with humorous yet profound moments. It examines the comical Soviet efforts to conceal Hitler's death, McCarthy's investigations, and the author's own struggle to compete with both her mother and her mother-in-law. Threaded throughout are insights into organizations that malign the word "mother" and, of course, plenty of mother-in-law jokes.

With meticulous research and a unique perspective, Hitler and My Mother-in-Law challenges the boundaries of narrative honesty, offering a powerful exploration of propaganda, identity, and the personal reckoning that defines the art of memoir. It's a gripping mix of history, family, humor, and a biting reflection on the politics of truth—past and present.

New Books in Women’s History Podcast

Jane Scimeca, Professor of History at Brookdale Community College

www.janescimeca.com

@janescimeca.bsky.social
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