Pantheon - Podcasts for Music Lovers

We reviewed Blow By Blow by Jeff Beck last year and thought it was great (Ep 222) so we figured we'd also review Wired as it turns 50. And while Jeff did bring back producer George Martine (uh, The Beatles) he did choose to bring in some new blood. Most notably, he retained Jan Hammer - famous to the boys for creating the Miami Vice theme - and a jazz/new age legend in his own right. Wilbur Bascomb provides the bass (he's a real allstar on this record though Hammer does fill in on a couple of songs), Narada Michael Walden writes some songs and lays down the beat with Max Middleton returning on the keys to provide the foundation for Jeff and Jan to do their thing.

Hearing these two playing off of each other can be intense and I wouldn't call this a rock record but more of a jazz fusion experiment. Led Boots is a heavy starter and while Jeff is happy to let others shine, he standouts extraordinarily on Charles Mingus' Goodbye Pork Pie Hat. Jan Hammer write Blue Wind starts the second side with some funk (provided mostly by Hammer on various machines) and the bluesy, jazzy jams make this record a showcase for getting talent in a room and letting them do their thing.

There are no vocals on this album which makes it so surprising that it went platinum in the US. Jeff Beck never chased big fame or success, he chased tone and talent to play alongside. He willingly shares the spotlight and adds his flourishes when asked to but despite the name on the cover, it's very much a jazzy collaboration between some real pros. And he didn't think he could top it - he didn't make another studio album until 1980.

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This week Tom & Zeus put the fatigue aside and give the reasons why they still love KISS.

After last week's fatigue episode, the guys wanted to remember why KISS still matters to them and why they still love the band.

So Tom & Zeus created a Top Ten list why this still love KISS. A honest discussion with 100 percent authenticity!

So put on your footy pajamas because this week SIOL is getting positive!

Well... to some extent.

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Danny Meyers and Ilan Fong each bring five open format remixes they think every DJ should hear. Ten total picks, all club‑tested and high energy. Part of the What’s HOT in the Strip Clubs podcast network.

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Old school is in session as JayQuan, author of the coffee table book, RUN-DMC and Raising Hell: 40 Years, joins the podcast. 

As we learn JayQuan's story, we receive an education on the origins of hip-hop. Artists from the Cold Crush Brothers to William Waring to The Mizell Brothers were essential to the sound of Run-DMC, as were the beats of Take Me To The Mardi Gras by Bob James and Walk This Way by Aerosmith. 

It's no wonder JayQuan is the curator for the National Hip-Hop Museum in Washington DC, as well as a consultant for The Hip-Hop Museum in the Bronx. 

So let's start Raising Hell, and learn from the masters.

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Hosts Jesse Jackson and Sylvan Groth are joined by songwriter and touring musician Dave Keller to discuss John Hiatt's "Old Days." Dave shares stories of his own influences and mentors and life as a touring musician. After we break down the lyrics and rate this song from "Same Old Man" stay tuned for a bonus song from Dave Keller's newest album. Be sure to also check out his website for more music and information about his upcoming tour dates. www.davekeller.com

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