Pantheon - Podcasts for Music Lovers

Uriah Heep founder and guitarist Mick Box joins Metal Mayhem
ROC to discuss The Magician's Farewell tour, the band's remarkable
50-plus-year legacy, and why Uriah Heep isn't quite ready to say goodbye. He
also reflects on the challenges of modern touring, the band's enduring
chemistry, and what's still ahead.

Mick shares the surprising story behind Rush's first show
with Neil Peart, hints at an upcoming memoir that may take more than one
volume, recalls unforgettable moments with Gene Simmons, T. Rex, and Lee, and
explains why new music remains part of Uriah Heep's future. Plus, hear how one
prison performance became one of the band's most unforgettable shows.

https://www.metalmayhemroc.com
https://www.uriah-heep.com

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ABOUT TYLER BATES:

American composer, musician and producer best known for his work on film scores such as “Deadpool 2”, “Guardians of the Galaxy”, and the “John Wick” franchise among others. His range has made him a leading force in cinematic sound design. TV series' credits include “Californication”, “The Punisher”, and many more, plus collaborations with iconic artists such as Marilyn Manson, Evanescence, Jerry Cantrell, Mastodon, Bush, and In This Moment. With a career spanning over three decades, he has significantly influenced the sound of contemporary cinema and modern media.

ABOUT THE PODCAST:

Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & Live

ABOUT THE HOSTS:

All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall.
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In 1969, Creedence Clearwater Revival accomplished the unthinkable: releasing three career-defining albums in a single year. At the heart of this creative explosion was "Green River," a track that reached #2 on the charts and perfectly encapsulated the band’s "swamp rock" aesthetic. Let’s dive deep into the mastermind of John Fogerty, revealing how he his Rickenbacker and a solid-state Kustom amp to create the raw guitar tone that created an indelible riff. We also look at the locked-in rhythm section of Stu Cook and Doug Clifford and the driving force that Fogerty famously dubbed "chooglin’."

Words & Music by John Fogerty Copyright 1969 Jondora Music
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By 1986, REM were veterans of the college rock scene, had recorded in London and gotten songs into the charts. For their 4th album, Life's Rich Pageant, they took a step forward in stretching not only what they could do musically but voicing social, political and environmental concerns through their lyrics. We don't find it to be totally in your face (as opposed to say, U2) but more subliminal as their lyrics can sometimes be nebulous or at least not straight forward and not about rock cliches like hot rods and chicks (not that there's anything wrong with hot rods and chicks if you know what I'm saying out there boys - Ian Astbury, The Cult).

They may sneak in stories about a polluted river in Cuyahoga or regret the rise and fall of a revolutionary in Central America (The Flowers of Guatemala) or even the effects of acid rain damaging our environment (Fall On Me). But they do it with upbeat riffs and guitar runs from Peter Buck with lead singer Michael Stipe delivering the message while bassist Mike Mills provides the counterpoint lyrics to not only tell the story but give REM their signature sound. The driving beat provided by Bill Berry make songs like I Believe an all out rocker you can jump around and shout along to.

And they experiment with things like banjos on Swan Swan H and middle eastern sounds on Underneath The Bunker (not quite an instrumental). This album went gold and is the predecessor to Document which would be their first platinum record thanks to The One I Love & It's The End Of The World As We Know It (And I Feel Fine). Superman, a cover by the 60's psychedelic band Clique, helped them get in the charts and draw some interest beyond college campuses and college radio. That interest would build to Document which would lead to a $40 million record contract from Warner Brothers and put them on a steeper trajectory to pop superstardom.

REM fans are often divided between those who knew and loved them in 80s before they hit it big and those who came to know them thanks to the big record company, expensive videos and pop stylings. For me, the IRS records of the 80s will always be the real REM and Life's Rich Pageant is a great moment in time for them. They've learned the ropes, made some good records and are not complacent - they moved forward believing in themselves, each other and their convictions which would eventually bring them all the success in the world.

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This week Tom & Zeus welcome back former KISS guitarist & Shout It Out Loudcast Hall Of Famer, Bruce Kulick to discuss the 30th Anniversary of KISS MTV Unplugged.

KISS is celebrating the 30th Anniversary of KISS MTV Unplugged and Shout It Out Loudcast has the legendary Bruce Kulick to talk all about it. Bruce shares his personal stories and thoughts, some of which has never been heard before.

Bruce also discusses his recent health scare, KISS & Pophouse and what he has planned in the future musically and more.

An amazing conversation with the man who is synonymous with the word CLASS to the KISS Armey, Bruce Kulick!

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⁠Raise Your Glasses Book⁠



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