Pantheon - Podcasts for Music Lovers

What was it like to hear The Mamas and the Papas sing “California Dreamin’” before the world knew who they were? To stand onstage at the Monterey Pop Festival as Jimi Hendrix set his guitar on fire? Or to be part of the free-spirited, anything-goes atmosphere of Los Angeles in 1967?

On this episode of My Rock Moment, photographer Jerry “Dok” de Wilde joins me to talk about his book, In Case You Missed It, and the extraordinary people, places, and moments he captured along the way.

Jerry takes us inside The Farm, the legendary Hollywood Hills gathering place that evolved into a hub for artists, musicians, and counterculture figures. He shares the story of meeting The Mamas and the Papas just before they recorded their first album, and hearing them perform “California Dreamin’” in a living room, and noting that they had something special.

We revisit the 1967 Monterey Pop Festival, where Jerry helped build the stage before finding himself with a camera and a front-row view of rock history, including Hendrix’s unforgettable guitar-burning performance, and Otis Redding and Ravi Shankar’s legendary performances. He also recalls the mood of the LA Love-In at Elysian Park, where people came together to share music, food, and a sense of togetherness.

And there’s an eerie story involving Jim Morrison, and his reaction to receiving his anagram “Mr. Mojo Risin'" that would later become part of The Doors’ "L.A. Woman."

Links to Jerry de Wilde and 'In Case You Missed It':

https://www.jerrydewilde.com

https://www.instagram.com/officialjerrydewilde

https://acp.lapl.org/book/in-case-you-missed-it

⁠ICYMI on Amazon⁠

Songs in this episode:

California Dreamin' - The Mamas & the Papas

Creeque Alley - The Mamas & the Papas

Monterey - Eric Brudon & The Animals

Light My Fire - The Doors

Respect - Otis Redding

For more information on My Rock Moment, visit www.myrockmoment.com

Follow us for photos and news of upcoming episodes at: https://www.instagram.com/la_woman_rocks
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EPYSODE 92: I Want Candy by The Strangeloves.

Guest: Jerry Goldstein.

Additional commentary by The Psychedelic Wizard, Uncle Herff.

This week it's fuzz guitars, pounding rhythms, and one of the most irresistible hooks of the 1960s as we explore I Want Candy, the electrifying debut album by The Strangeloves. Best known for the immortal title track, the band blended raw garage rock energy, rhythm & blues swagger, and clever studio craftsmanship into a sound that helped shape the future of rock music. But there’s much more to I Want Candy than its iconic hit single. Best of all, this epysode features exclusive commentary from Jerry Goldstein (aka "Giles Strange"), who shares firsthand stories about creating the album and the surprising legacy of one of the most influential garage rock records of the 1960s.

I hope you dig I Want Candy as much as I do.

- Farmer John

===CONNECT & SUPPORT===

Transport yourself into the realm of grooviness by supporting us on Patreon for as little as $2/month using this link -->

patreon.com/FarmerJohnMusic

Follow Vinyl Relics on Instagram, TikTok, Facebook, X and BlueSky.

Email me @ ⁠farmerjohnmusic@gmail.com⁠

===LINKS===

Richard Gottehrer interview from Cover Story, 2012:

⁠https://www.youtube.com/watch?v=sgNdEKDjdZo⁠



Richard Gottehrer interview from SESAC visionary awards, 2014:

⁠https://www.youtube.com/watch?v=kO2l6f4C0k4⁠



===THE MUSIC===

Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured.

*denotes track is not available on Spotify.

https://open.spotify.com/playlist/7BUILI7wmQnLMePsHLeNPI?si=2f0ae59bb2ed4aec

IKE WHITE "Antoinette"

BERNADETTE PETERS “Charm Bracelet”

*THE KITTENS “Letter to Donna”

*BOB & JERRY “We’re The Guys (Who Drive Your Baby Wild)”

THE JIVE FIVE “What Time Is It?”

JERRY BUTLER “Giving Up On Love”

THE ANGELS “Till”

THE ANGELS “My Boyfriend’s Back”

*THE STRANGE LOVES “Love, Love (That’s All I Want From You)”

THE STRANGELOVES "Cara-Lin"

THE STRANGELOVES "No Jive"

THE DAVE CLARK FIVE “Glad All Over”

*THE VIBRATIONS “My Girl Sloopy”

THE McCOYS “Hang On Sloopy”

THE McCOYS “Sorrow”

THE STRANGELOVES "Hang On Sloopy"

THE STRANGELOVES "New Orleans"

THE STRANGELOVES "Sendin' My Love"

THE STRANGELOVES "I Want Candy"

THE STRANGELOVES "Night-Time"

THE STRANGELOVES "(Roll On) Mississippi"

THE STRANGELOVES "Satisfaction"

THE STRANGELOVES "Rhythm Of Love"

THE STRANGELOVES "It's About My Baby"

BILLY JOEL "Just The Way You Are"

THE STRANGELOVES "Just The Way You Are"

ERIC BURDON & WAR “Spill The Wine”

WAR “Low Rider”

BRIAN POOLE & THE TREMELOES “I Want Candy”

THE COUNT BISHOPS “I Want Candy”

BOW WOW WOW “I Want Candy”

*CANDY GIRLS “I Want Candy”

AARON CARTER “I Want Candy”

MELANIE C. “I Want Candy”

??MYSTERY ARTIST?? Tune into the next epysode to find out...

*NEWPORT ELECTRIC "The Ways And The Means"

^^ That's my band. This is shameless self-promotion!! That specific track will be released in Jan 2027. Check out all our music here:

https://open.spotify.com/artist/5y6kGmYnS4SWvqAfijhDdp?si=lKSF2mqvRR6PZkFahWta8w
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Host Jesse Jackson welcomes listeners to a B-side episode of Set Listing Bruce featuring returning Springsteen fans Carrie and Nancy to talk about Brandi Carlile. Jesse shares his “Road to Damascus” moment after seeing Carlile in Fort Worth, and Carrie and Nancy recount how they discovered her music, including Carrie’s entry point through The Highwomen and Nancy’s first show in Nashville during a stormy night that included Wynonna Judd’s first public appearance after her mother’s death. They discuss Carlile’s charisma, humor, gratitude, political courage, faith, and her Bruce-like relationship with fans, plus the deep bond and shared business arrangement with bandmates Tim and Phil Hanseroth. The conversation covers soundcheck fundraisers, favorite and “chased” songs, The Highwomen, and album recommendations, ending with Jesse’s reflections on community and artists who match great art with admirable character.

00:00 Patreon Thanks

01:29 Episode Setup

02:47 Meet Nancy and Carrie

04:35 Carrie Finds Brandi

06:36 Nancy’s First Show Magic

10:14 Fort Worth Lightning Moment

14:30 Stage Presence Like Bruce

21:47 Band Loyalty and The Twins

28:44 Courage and Activism

31:20 Faith and Inclusivity

35:49 Authenticity and Banter

36:44 Tram Trouble Story

37:24 How Many Shows Seen

38:03 Chasing Simple Man

40:01 Soundcheck Tickets Explained

41:45 Nancy’s Song Request

43:47 Highwomen Love and Loss

47:40 Livestream Moments and Lyrics

50:43 Final Thoughts and Next Time

53:35 Listener Recommendations

55:09 Closing Blessing and Tattoo Plans
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On the 155th Episode Of Dorm Damage With Tom & Zeus, the guys discuss the Alice Cooper concert Zeus saw with the host of Busted Open Radio on Sirius XM and Shout It Out Loudcast Hall Of Famer, Dave LaGreca!

Zeus was invited by Dave LaGreca to go see Alice Cooper at the Big E in West Springfield, Massachusetts which is a multi-state fair.

So tune in to hear about Zeus and Dave's Alice Cooper experience and all the surreal surroundings at the most unique concert venue you could imagine!

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The early years of rock and roll are remembered (among many other artists) for the hip thrusts of Elvis, the guitar styles and lyricism of Chuck Berry, the
song craft of Buddy Holly, the vocal blend of The Platters and the
extroversion of Little Richard. Doo wop, rockabilly, rhythm and blues
were getting kids excited (and their parents despondent) about
popular music. One pair of brothers had joined the rock and roll
fray, but saw themselves more as country artists....and despite their
youth were already music industry veterans.

Welcome to episode 197 of Love That Album.

Don and Phil Everly had been part of their parents' radio shows since they were very youngkids. They would do two shows a day – one before heading off to school – and got to be seriously good at vocal harmony blends. Much
is made of natural sibling harmonies, but the Everlys just had a very
long time to work on them before recording their first sides for
Cadence Records. Success came, the 60s came, they got a million
dollar contract to record for Warner Brothers, and.....their early
adulation disappeared. It could have been the time they went away to
join the marines that made their fans move onto the next thing. It
could have been that the legal issues with their manager that
prevented them from using the best songwriters for them in Boudleaux
and Felice Bryant. It could just be that music progressed and
stylistically, they didn't. Musical pioneers of the 50s,more often
than not, didn't maintain their star power in the next decade.

By the mid 60s the brothers made some stylistic acquiescence to the music of the day – a couple of good albums didn't see a return to their popular days at Cadence. In 1968, Warners staff producer (and huge Everlys fan) Lenny Waronker produced their final studio LP for the label, Roots. It features a mix of songs that straddle the old and the new. It has country, it
has a little psychedelia, it has a healthy respect for songcraft and
arrangement. There's the famous Everly harmony blend, of course, but
they also sing as individuals. It's a wonderful album that deserves
to have the reputation of The Flying Burrito Brothers' “Gilded
Palace of Sin” or The Byrds' “Sweetheart of the Rodeo” - not
least because those bands (amongst so many of the British invasion)
were huge Everlys fans.

I've assembled an all star line-up for this episode of LTA. I'm rejoined by show regular (and Bondi Cigar head honcho), Shane Pacey. Also stepping up to the mic are Brett Vargo (one half of the Only Three Lads' podcast –
think about that) and my twin brother Farmer John (host of Vinyl
Relics podcast). All three of these gents are eloquent and wise in
this discussion about the wider career of The Everly Brothers, and
the ideas behind the creation of Roots. This is not an echo chamber –
we have some strong disagreements about the work of the Everlys, but
in keeping with 21st century internet culture, we bully the unpopular
opinions into submission. I truly loved recording this episode and
hope to welcome this combination of gents back to the show in the new
year.

Tune in, turn on and stop by the Vinyl Relics podcast with Farmer John and Uncle Herff for all the best under-the-radar 60s and 70s music discussion going – really, VR is more of an audio documentary. Tune in and get educated.

“Baby Boy” Brett is joined by his wonderful co-host Uncle Gregg every week to speak to musicians not only about their own work, but about the music they love. Their focus is the “classic” era of alternative music (70s
to 90s) but they go all over the place. Third lads have included
Robyn Hitchcock, Peter Holsapple and Chris Stamey of the dB's, Lisa
Kekaula and Bob Vennum of The Bellrays, and tons of other incredible
musicians – all doing lists of their favourites pertaining to the
week's topic.

VR and O3L are part of the Pantheon Podcast Network.

If you haven't tuned into episode 194 of LTA yet, download and hear Shane talk about his brilliant album of this year “Cross Of The Heart”, then get a
hold of the album at
https://shanepacey1.bandcamp.com/album/cross-of-the-heart

It's worth mentioning that I'm now 3 episodes away from episode 200....it will be the traditional favourite musical discoveries. Feel free to write in
with your selections....

If you enjoy the show, please consider giving us a favourable review on whatever podcast platform you listen on and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune
in. I don't care who listens.....

You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group
at http://www.facebook.com/groups/lovethatalbum

Love That Album is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com
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