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Piano, finally

David Reidy
Piano, finally
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  • Episode 57 - Reading and Writing
    🎙 Episode 57 – Reading and WritingWelcome to Piano, Finally, a podcast about learning the piano—later in life and without the pressure. This week’s episode has been recorded a day early as I head off to the Opera House for another concert in the Sydney Symphony Orchestra’s subscription series—more on that next week.🎧 The latest episode of the Chopin Podcast focuses on the Polonaises, including one I hadn’t heard before: the Polonaise-Fantaisie, which has quickly become a favourite. Denis Zhdanov’s performance on YouTube is a good place to start—though the double flats in bar four suggest it’ll be a while before I try playing it.🎭 I also caught Prima Facie at Carriageworks this week—powerfully performed by Sof Forrest in a one-person show. A brilliant actor in a confronting work staged by Black Swan Theatre Company. If you see it advertised, make time—but check the content warnings.More on the production📺 YouTube Spotlight – James ShawcrossIf you’ve ever wondered what hidden pianos lurk in American thrift shops and antique stores, James Shawcross’s new channel is for you. He plays the pianos as he finds them—no tuning, no touch-ups—just character. His earlier channel, The Piano Forever, also has some lovely playing and thoughtful commentary from a younger James.📝 Essay – Reading and WritingThis week’s reflection connects two developing skills: improvising and musical literacy. Inspired by Devi’s suggestion, I’ve started experimenting with basic improvisation (hint: two low Cs go a long way). While I’m not composing yet, I’ve realised that music reading feels a lot like early language development—sounding out notes like syllables, slowly growing into musical fluency. If we’ve learned to write entire essays and emails, maybe staff notation isn't so impossible after all.🎹 Nord Stage 4 Review – SamplingWe wrap up the review of the Nord’s synthesiser section by looking at its sampling capabilities. You can trigger ambient sounds (like thunder and rain for Riders on the Storm), or load full sample libraries of other instruments. The Nord Sample Editor lets you build your own playable samples—imagine turning your mandolin into a Nord patch. Check out Nord’s tutorial here.🎼 ProgressStill working on Wild Chase by Wynn-Anne Rossi, now officially chosen as my piece for Devi’s September showcase (if I can get it there). Recorded on the Kawai NV10 with the Claire Fazioli f308 virtual piano.🎶 Sydney Symphony: Ravel and FallaSend me a text message.You can contact me: via email at [email protected]; this is probably the best option the show website, www.pianofinally.show Instagram and Threads @pianofinally and on YouTube all the podcast directories - list here's the RSS feed Some of the links to books and other items mentioned in the podcast are affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.
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  • Episode 56 - Leaving Evidence
    🎙 Episode 56 – Leaving EvidenceG’day, and welcome back to Piano, Finally, where each week I share the detours, lessons, and progress from learning piano later in life. This week’s episode was written from the foyer of the Bell Shakespeare Company’s theatre, ahead of a performance of Coriolanus—more on that at the end.🎭 Term’s over, holidays have begun, and with piano lessons on break too, I’m gearing up for more time at the keys. Devi’s set a new goal for next term: get off the page and start improvising. She’s also locked in the date for this year’s piano showcase—Saturday, 21 September.📺 YouTube Feature – Improvising Like the MastersA timely find: Tom Donald from the London Contemporary School of Piano improvises well-known melodies in the styles of Bach, Mozart, Chopin, Rachmaninov, Messiaen, and more. It’s not a polished performance video—he talks through what he’s doing and leaves the rough bits in. It’s thoughtful, human, and inspiring. Watch it here and also check out his companion video.LCSP Website📝 Essay – Leaving EvidenceThinking about history, The Rest Is History podcast, and how future historians figure out what happened… led me to wonder: how are we documenting our piano journeys? With modern phones, recording your playing is easier than ever—and worth doing. It helps you see progress, keeps motivation up, and creates a record of how far you’ve come. It doesn’t need to be public—YouTube and Instagram both offer private uploads—but it should exist. Leave yourself some evidence.The Rest Is History Live Tour🎹 Nord Stage 4 Review – The Synthesiser SectionThis week, I explore the Nord Stage 4’s synthesisers. With three independent synth engines—subtractive, FM, and sample-based—you can combine sounds in endless ways. I’m currently learning sound design through Syntorial, and the Nord keeps up beautifully. Waveform visualisation on the Stage 4’s second display has been a huge help. A full FM section review is coming soon.Want to try your own custom setups? Marc Larochelle of My Keys To Music has some brilliant ones, including a Riders on the Storm setup with thunderstorm samples. I’m working on it… but it’s not quite ready for public ears yet.🎼 ProgressJust one piece this week: Wild Chase by Wynn-Anne Rossi. I’m through the first eight bars and working on the next. It’s one of those pieces where both hands have to be involved from the start. Still too slow, but hey—“As fast as you can” is relative.Played on the Kawai NV10 with the Claire Fazioli f308 virtual piano by Native Instruments. Claire BundlSend me a text message.You can contact me: via email at [email protected]; this is probably the best option the show website, www.pianofinally.show Instagram and Threads @pianofinally and on YouTube all the podcast directories - list here's the RSS feed Some of the links to books and other items mentioned in the podcast are affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.
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  • Episode 55 - Play Like No One Is Listening
    🎙 Episode 55 – Play Like No One Is ListeningG’day and welcome back to Piano, Finally, where an old bloke keeps learning the piano, one step (and one podcast) at a time.This week’s script was written in the foyer of Carriageworks ahead of Aphrodite, a world premiere chamber opera by Nico Muhly. The venue, with its industrial charm and bold programming, is perfect for discovering new voices—and maybe a future Taylor Swift. More on the opera at the end of the episode.🎭 Aphrodite at Carriageworks🎸 Friday’s school carnival featured the annual Battle of the Bands—loud, fun, and featuring some talented Year 8 students. I only caught one band in between dunk tank duties, but it was great to see so many students skipping the rides and cheering on their friends.🎧 This episode sounds a little different again—thanks to a second Rode NT1 mic that lets me speak and play at the same time. We’ll see how it goes.📺 YouTube Spotlight – Zarty – MusicDiscovered via algorithm magic, Zarty’s video “STOP PLEASE 21 Classical Accompaniments that are not Alberti Bass” was a revelation. Zarty breaks down alternatives to the classic Alberti pattern, showing each one in isolation and in Mozart context. His clear explanations and clean presentation make it easy to understand how accompaniment shapes the feel of a piece. Highly recommended for anyone struggling with left-hand patterns (like me on a bad day).📝 Essay – Play Like No One Is ListeningInspired by that old quote about dancing, I reflect this week on playing the piano as if no one is listening—even when they are. As hobbyist pianists, we’re lucky. No exams, no assessments, just the joy of learning and sharing music. Whether it's sneaking in a few bars during a music class cover or trying out the school grand piano after hours, I’ve learned that playing publicly—even informally—can be liberating and fun when there’s no pressure. Don’t wait for perfection. Share the music.🎹 Nord Stage 4 Review – The OrgansWe continue our Nord Stage 4 deep dive with the organ section. With two independent organs, full drawbar control, and models like the Hammond B3, Vox Continental, Farfisa, and two pipe organs, there’s plenty to explore. You can blend layers, apply vibrato and chorus, and even use pitch bend and sustain creatively. Nord Stage 4 Overview🎼 Progress & Piano TalkThis week’s practice includes four pieces I’ve been maintaining, now played using a new virtual instrument—Claire by Native Instruments, sampling the legendary Fazioli f308. It’s not the $400k real thing, but it’s close enough through headphones. Claire BundleUntil next week, play like no one is listSend me a text message.You can contact me: via email at [email protected]; this is probably the best option the show website, www.pianofinally.show Instagram and Threads @pianofinally and on YouTube all the podcast directories - list here's the RSS feed Some of the links to books and other items mentioned in the podcast are affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.
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  • Episode 54 - Under Pressure
    🎙 Episode 54 – Under PressureWelcome to Episode 54 of Piano, Finally, the podcast of one old bloke making his way—note by note—through learning the piano.It’s been a big week at school with the Creative and Performing Arts Showcase on Wednesday and a packed end-of-term schedule coming up, featuring the walkathon, carnival, and Battle of the Bands (yes, I’ll be in the dunk tank again). The week also brought a tech upgrade with a new Mackie Big Knob Studio+ audio interface—so if the show sounds a bit different, that’s why. A review of it is on the way.🎧 Video Feature – Best Piano VSTs of 2025This week’s recommended video comes from Stu Harrison at Merriam Music, who reviews five top-tier piano VSTs: Keyscape, CFX Garritan, Addictive Keys, Pianoteq 8, and Claire. If you’re building out a virtual piano rig or just want to know what’s new, this is a thorough and insightful look. I’ve even added one of them to my own setup—hint: Mi piacciono i pianoforti italiani.📝 Essay – Under PressureThe Showcase performances sparked a reflection on pressure in music. While student performers juggle nerves, grading systems, and the looming ATAR, adult learners like me have the luxury of learning purely for enjoyment. No exams, no deadlines, just curiosity and flexibility. That freedom—especially to take detours like learning synthesis and adding stage keyboards—has been a huge part of the fun. I’m still debating whether to join the September recital, but if I do, I’ll choose something that keeps it enjoyable rather than stressful.🎹 Gear Review – The Nord Stage 4 PianosWe start a new review series on the Nord Stage 4 by looking at its piano section. Unlike traditional keyboards, the NS4 includes both modelled and sampled pianos (the latter via the synth engine). With limited memory, you have to choose your sounds carefully—but Nord makes it easy to load and swap models. I explore the grand, upright, electric, clavinet, and digital categories, including gems like the Velvet Grand, Amber Upright, and even a DX7. The Nord Sound Library offers many more. If you’re interested in purchasing the Stage 4 locally, here’s a link to Turramurra Music.A standout feature? Layering. Up to seven sounds can be blended—say, an acoustic and electric piano—to create rich textures like those used by Elton John. Add in dynamic compensation, touch adjustments, and even pitch bending, and you’ve got a remarkably flexible performance tool.🎼 ProgressThis week’s practice focused on tricky passages from two pieces: Der Vogelfänger bin ich ja (Mozart) and Wild Chase(Wynn-Anne Rossi). Recorded using the Kawai NV10 and Pianoteq 8 with the New York Steinway D in Classical mode.Send me a text message.You can contact me: via email at [email protected]; this is probably the best option the show website, www.pianofinally.show Instagram and Threads @pianofinally and on YouTube all the podcast directories - list here's the RSS feed Some of the links to books and other items mentioned in the podcast are affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.
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  • Episode 53 - A Community
    Episode 53 – A CommunityG’day and welcome to Episode 53 of Piano, finally, the podcast of a bloke getting around to learning the piano… finally.This week finds me writing from the foyer of the Joan Sutherland Performing Arts Centre in Penrith, not the Opera House this time. I was waiting for Shake & Stir’s touring production of 1984, and I have to say, it was an impressive adaptation—just five actors and some clever use of video screens. Highly recommended if it’s heading your way:👉 Tour info👉 The Joan🎹 YouTube Recommendation: My Keys To MusicIf Nord keyboards are your thing—or you want them to be—Marc Larochelle’s channel My Keys To Music is a goldmine. Whether he’s breaking down sound design, comparing Nord models, or just playing the Doctor Who theme from an overhead angle, it’s all very watchable and informative. He even explores AI tools for separating tracks into stems—something I plan to try during the holidays.Courses, deeper dives, and downloadable patches are all on his website, and there’s bonus material via his Patreon. Just don’t sign up via the iOS app—Apple takes a cut. Use the web version instead.🎥 My Keys To Music on YouTube🎶 Essay: A CommunityMy performance of Someone Like You isn’t happening after all, but another chance looms—a recital at the end of Term 3. I’m undecided. Is performing worthwhile? Definitely. Music communicates, and someone needs to do the performing. Whether you’re a pro with the Sydney Symphony or a volunteer in a Christmas variety show, performance builds community between players and listeners. Maybe that’s reason enough.🎛️ Gear Talk: Nord Stage 4 – OverviewI’ve finally got my hands on the Nord Stage 4 (88-key version), and this review will be spread over a few episodes. This keyboard is a beast—three instrument sections (organ, piano, synth), full effects, layering, aftertouch, triple sensors, 512-program capacity, and serious versatility. It’s 130cm long and nearly 20kg, so more “transportable” than portable, but you’d only need this one keyboard for most gigs.🛒 Nord Stage 4 official page🛍️ Turramurra Music – AU retailer🛒 Sweetwater – US retailer🎭 Coming Up: The Creative and Performing Arts Showcase is on Wednesday, and I’m looking forward to being impressed by our young artists.🎵 Progress update: Still aiming for September recital readiness. Current contenders include:Fritz Spinder – CanonDaniel Gottlob Türk – BagatelleAndrew Cragg – Afternoon Snooze, Blackout BluesThese were recorded using the Kawai NV10 and Pianoteq 8 with the New York Steinway D model.Until next time—may your piano stay in tune and yoSend me a text message.You can contact me: via email at [email protected]; this is probably the best option the show website, www.pianofinally.show Instagram and Threads @pianofinally and on YouTube all the podcast directories - list here's the RSS feed Some of the links to books and other items mentioned in the podcast are affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.
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About Piano, finally

Piano Finally is a podcast by an old bloke who is learning the piano, finally. I cover the process of learning the piano and music theory as an adult learner. I also review piano books, hardware and other materials from an adult learner's perspective.
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