The Irish Times Books Podcast

Books Editor Martin Doyle talks to Darran Anderson about his memoir of growing up in Troubles-torn Derry, Inventory: A River, A City, A Family. They discuss the book's themes of family, history and memory, its inspiration found in the ideas of Georges Perec, and how it relates to his previous work, Imaginary Cities, an exploration of urban landscapes that never were, or that existed only on the page or on the screen.

Welcome to The Irish Times Books Podcast. In this latest episode, Martin Doyle talk to The Irish Times’s two regular crime fiction reviewers, Declan Burke and Declan Hughes, both acclaimed crime writers themselves, about their favourite crime fiction of 2019. So get your pen and paper ready to take note of some excellent suggestions for your crime reading pleasure.

On the eve of this weekend’s Echoes festival in Dalkey, celebrating Maeve Binchy and Irish writing, its programmer, author Henrietta McKervey, and Maeve’s widower, Gordon Snell, join me to talk about the thinking behind the festival and the many ways in which Maeve’s memory is being kept alive. The festival always has Maeve at its heart but each year it has a different theme. This year’s theme is Celebrating Community in Contemporary Writing in Ireland. Last year’s theme was “Maeve the quiet feminist”, a description she loved, says Gordon, as it was the first time anyone ever called her quiet. McKervey discusses the highlights of this weekend’s festival as well as her experience of being the first winner of the Maeve Binchy UCD travel scholarship, including a hair-raising vist to Fastnet lighthouse. Snell reveals how he loves to re-read his late wife’s work, which only confirms his admiration for her briliance as a storyteller: “her dialogue is so good it could be put straight on the stage”. He reminisces about their cameo roles in film adaptations of Maeve’s work, usually in a restaurant or at a bar drinking cocktails served by Stephen Rea, but also in an episode of Fair City. He also discusses how he manages to write without his former partner – Maeve once described them working together in their upstairs studio at their typewriters as like two pianists performing a duet. As our interview takes place inThe Irish Times office, talk inevitably turns to Maeve’s distinguished career as a journalist here. Snell reveals that his favourite article by her is I Was A Winter Sport, about a calamitous ski trip, while McKervey expresses admiration for Bincy’s versatility as a writer, shifting in shade from reporting sensitively on the Zeebrugge ferry disaster to writing wittily about the British royal family. Echoes runs from October 4th till 6th in Dalkey. For ddetails, visit the website

It has been some year for Danielle McLaughlin. On Thursday, she won the 2019 Sunday Times Audible Short Story Award, whose £30,000 (€33,500) prize money makes it the world’s richest for a short story. Last March, she was awarded the $165,000 (€150,000) Windham-Campbell Prize for fiction. The former solicitor from Co Cork, who only took up writing seriously 10 years ago at the age of 40 when illness forced her to stop practicing law, spoke to me for The Irish Times Books podcast from London the morning after her latest success. We talked about her winning story, A Partial List of the Saved, her debut collection, Dinosaurs on Other Planets, and the remarkable strength of the Irish short story tradition. Two of the other five writers on the shortlist were also Irish – Kevin Barry, a previous winner and like her a protégé of Declan Meade, publisher of the Stinging Fly, and Louise Kennedy – while Caoilinn Hughes, Wendy Erskine and Gerard McKeague made it six out of 18 on the longlist. She also discusses her forthcoming debut novel, Retrospective, which will be published by John Murray in 2021. “It began back in 2012 in a writing workshop given by Nuala O’Connor at Waterford Writers Weekend. I can still remember the chalky feel of the prompt – a piece of broken crockery – in my hand. It’s set between Cork city and west Cork and the main character is a fortysomething woman whose past intrudes on her personal and professional life at the worst possible time in the guise of her dead friend’s son and his father.”