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The Late Set

Nate Chinen, Josh Jackson
The Late Set
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  • Satchmo at Home, with Ricky Riccardi
    Louis Armstrong belonged to the world. But for more than half of his illustrious career, he made his home in Corona, Queens — where we recently paid a visit to the Louis Armstrong House Museum. There we sat down with Ricky Riccardi — the museum's Director of Research Collections, and a celebrated Armstrong biographer — to discuss Satchmo's life and career.
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    1:17:09
  • Best Jazz of 2025 (So Far)
    We’ve reached the midpoint of 2025, and listened our way through well over a hundred albums. In this episode, we’re sharing half a dozen of our favorites.
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    37:05
  • Into the Amazon, with Amaro Freitas
    Pianist-composer Amaro Freitas creates music with a vivid sense of place. His native Brazil pulses through his most recent album, Y'Y, which mixes jazz with Afro-Brazilian and indigenous music, and the sounds of the Amazon. Freitas discusses this and more with Josh Jackson, in a deeply searching conversation recorded backstage at New York's Winter Jazzfest earlier this year.
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    44:13
  • New Pinnacle, with Brandee Younger
    The spiritual and the sensual find common cause in the music of harpist Brandee Younger. Before a recent show at Solar Myth, she sat down with The Late Set to talk about her instrument, her cohort, and her third Impulse! release, Gadabout Season, which finds her in exceptional form.
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    1:01:38
  • Run the Song, with Ben Ratliff
    "Running and listening can illuminate each other,” argues critic Ben Ratliff in a new book, Run the Song: Writing About Running About Listening. He recently sat down to talk about the book, its back story and his listening practice with friend and colleague Nate Chinen at Solar Myth.
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    1:00:16

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About The Late Set

Jazz is a conversation — and that’s what The Late Set is all about. Nate Chinen and Josh Jackson convene every two weeks for straight talk and in-depth interviews with featured guests. Just like a hang at the end of the gig, in the back of the club, it’s direct, unfiltered and illuminating, revealing the music and its culture in a deeper light.
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