The 'overwhelm' - noun, not verb - has been around 'since at least 1596', AL Kennedy discovers.She looks at the reasons why the word is making a comeback - and she has some advice for those who also feel lost in 'the overwhelm.'Producer: Adele Armstrong
Sound: Peter Bosher
Production coordinator: Gemma Ashman
Editor: Richard Fenton-Smith
--------
10:29
On Hyperbole
Remember the days, Howard Jacobson implores us, when we got on fine with 'very'? Today, Howard argues, 'very’ is not ‘very’ enough for the times we live in.' In its place, 'incredible' and other supersized words, spreading 'verbal chaos.' Howard reflects on the dangers of over-inflated language, 'where words prance about without their clothes, shouting obscenities.'Producer: Adele Armstrong
Sound: Peter Bosher
Production coordinator: Gemma Ashman
Editor: Richard Fenton-Smith
--------
10:23
Trump, Washington and America First
As Donald Trump prepares to re-enter the White House, Mark Damazer reflects on America's leadership in the world. Eavesdropping on a focus group recently, Mark tells us that the country's leadership was seen as 'a burden and a luxury - and a luxury they wanted to do without.' 'There was a time when large chunks of the world were grateful for American involvement...but gratitude is now more thinly expressed', he says. 'And Donald Trump well understands that.'In this new world order, Mark argues, 'we have our work cut out to find a response.' Producer: Adele Armstrong
Sound: Peter Bosher
Production coordinator: Liam Morrey
Editor: Richard Fenton-Smith
--------
10:53
On a Gloomy Moment
In deepest, darkest January, Adam Gopnik muses on light and dark. Adam reminds us that - from the natural world of the ghost moth to the politics of today's America - although we live in a 'gloomy moment' we can 'adjust our eyes to the gloom.''Every little bit of light we make,' writes Adam, 'in every decent thing we do and every indecency we refuse to accept, illuminates some small corner of our universe. Even at night, after all, we still see light. The stars shine, too.' Producer: Adele Armstrong
Sound: Peter Bosher
Production coordinator: Gemma Ashman
Editor: Richard Fenton-Smith
--------
10:35
The Best I Can Do
Sara Wheeler explains why every week for several decades - despite knowing nothing about art - she has called in to London’s National Gallery to look at the same two paintings. 'This habit of mine,' writes Sara, 'started by accident when I moved to London forty years ago' when she first set eyes on Botticelli's 'Portrait of a Young Man' and van Eyck's 'Portrait of a Man.' 'I have come to realise,' says Sara, the extraordinary power of 'familiarity, close contact and regular attention'. Producer: Adele Armstrong
Sound: Peter Bosher
Production coordinator: Gemma Ashman
Editor: Richard Fenton-Smith
Ireland