Girls In Low Places

Katie is back from Nashville and emotionally, physically and spiritually… not quite recovered.
Hear everything that went down — from Miranda to Luke, Kacey to Ella and Tucker — plus the Nashville stories she can finally tell.
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Katie is in Nashville and is SAT with comedian Heather McMahan to tackle the big issues facing country music today: cowboy smut, lumbersexuals and the things that are giving us an absolutely not.
Heather reveals which country men could get it, the Western trends that need to be stopped immediately (mullets and suspiciously dyed moustaches, we’re looking at you).
The girls also get into why women made Heather fall in love with country music, the pure theatre of country storytelling, Luke Bryan’s right to climb a tree, Yellowstone men, Nashville party buses and why sometimes we need to stop taking country music quite so seriously.
Plus, Heather goes through Katie’s Nashville dating apps, talks marriage, almond mums, internet trolls and the pressure of always being the funny girl — and opens up about losing her dad and building her career during one of the darkest periods of her life.
Come for the country music. Stay for Heather. And get on her cruise which is having a country themed day next year girls. Go to her website for tickets.
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Katie has ARRIVED in Nashville and sits down with music journalist and Her Country author Marissa Moss to ask a pretty big question: why does country music still seem capable of championing only one woman at a time?
From Lainey Wilson and Ella Langley to Kacey Musgraves, Megan Moroney and the women who seem to disappear from the spotlight while the men get to stay there, Marissa breaks down the double standards that still run through country music — from radio and festival lineups to awards, interviews and the pressure on female artists to never say or do the wrong thing.
They get into why women are constantly pitted against each other, why the girls often have to work twice as hard on stage, why female artists can become more guarded as their careers grow, and what fans can actually do to help change things.
Somewhere along the way, we investigate the entire contents of Gavin Adcock’s pockets, plot Katie’s future celebrity feud, discuss Tucker Wetmore smut and discover that serious journalism and absolute nonsense can, in fact, coexist.
Two things can be true, as Kelsea once said.
📚 Marissa’s book Her Country is available to buy now in the UK and on Amazon in the US.
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Ingrid Andress joins all of us Girls In Low Places for a conversation about what happens when your worst fear actually happens — and you realise life carries on.
Ingrid opens up about her national anthem performance, checking herself into rehab afterwards, dealing with public humiliation and eventually finding freedom in no longer being able to control what everybody thinks of her.
We also get into the realities of being a woman in your thirties: running from commitment, questioning marriage, dating when your career consumes your life, knowing when you’re simply not compatible and accepting the parts of yourself you’re not interested in changing.
Plus: More Hearts Than Mine, why she’ll never date another musician, religion in the South, cult documentaries, learning to use a chainsaw and the exhausting reality of being an independent woman.
UGH we love her.
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For a very special bonus episode, Girls In Low Places took over The Duke of Highgate in London to host Riley Green’s That’s Just Me album listening party on behalf of his label, Big Machine.
With a room full of GILPers, we got an early listen to tracks from the new album and talked exes, situationships, commitment issues, whiskey and whether understanding why Riley acts the way he does gives us a whole new perspective on the album.
There’s also pin the moustache on Riley Green, signed prizes, audience confessions, karaoke and an unexpectedly starring role from our sound guy, Grim.
A proper GILP night out — and your chance to come inside the room with us.
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