Hollywood Obsessed

In Part Two of my conversation with Sarah Douglas—the unforgettable Ursa from “Superman: The Movie” and “Superman II”—we dive deeper into the legacy of the film and the people behind it. Sarah reflects on Christopher Reeve, both as Superman and as a real-life hero, sharing thoughtful insights into his dedication and intensity, along with the surprising realization that she never truly knew him off-camera. She also opens up about working with legends like Marlon Brando and Gene Hackman, offering candid, often funny memories that reveal the very different dynamics she had with each.

She takes listeners behind the scenes of the “Superman” films—from long hours in the makeup chair to the physical demands of those iconic flying sequences, and the toll they sometimes took. The conversation then shifts to her move into American television, where she made a memorable splash on “Falcon Crest,” fully embracing her “bad girl” persona during the golden age of primetime soaps. Along the way, she shares great stories from that era, including a fun Hollywood moment with Kathleen Turner, and how it led to more fan-favorite roles like “V: The Final Battle.”

From there, Sarah reflects on her film work in “Conan the Destroyer” with Arnold Schwarzenegger and “The Return of Swamp Thing” with Louis Jourdan, sharing entertaining behind-the-scenes stories while also discussing the realities of typecasting and her desire to expand beyond villain roles. She closes with thoughts on her later career, including “A Christmas Prince,” and reflects on legacy, gratitude, and her lasting connection with fans. It’s a candid, funny, and heartfelt conversation that delivers even more than you expect—and a perfect follow-up to Part One.

SARAH DOUGLAS

When you hear the name Sarah Douglas, most people immediately think of her unforgettable turn as Ursa in Superman: The Movie and Superman II—a role that launched her onto the international stage. From Stratford-upon-Avon to Hollywood, she built a dynamic career across film and television, with standout appearances in Conan the Destroyer alongside Arnold Schwarzenegger, The Return of Swamp Thing, and hit series like V: The Final Battle, Stargate SG-1, Babylon 5, Remington Steele, and Magnum, P.I.. Her voice work further showcases her range, with credits in Batman, Green Lantern, and Doctor Who.

Raised in a theatrical environment, Douglas trained at the prestigious Rose Bruford College and performed with the National Youth Theatre before making her film debut in The Final Programme. She quickly gained recognition on British television, earning a leading role in The Brute, before breaking into cult cinema with The People That Time Forgot. That performance led to her casting as Ursa after an intense audition process, beginning a three-year journey on the Superman films that included global promotion and cemented her place in cinematic history.

After Superman II, Douglas relocated to the United States—what was meant to be a short stay turned into a thriving Hollywood career. She became a familiar face during the golden age of primetime soaps with Falcon Crest, alongside contemporaries like Dallas and Dynasty, and continued to build a strong presence in film and sci-fi television. In the years since, she has expanded into character-driven roles and voice acting, while continuing to connect with new audiences through projects like A Christmas Prince and appearances in Supergirl—proving her enduring appeal across generations.

Sarah Douglas Website – https://sarah-douglas.com 
 
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In Part One of my conversation with Sarah Douglas, the unforgettable star of “Superman: The Movie” and “Superman II,” we finally connect thanks to her co-star Jeff East (he played “Young Clark Kent”) —and it’s clear right away this was worth the wait. Sarah reflects on the enduring legacy of “Superman,” amazed that nearly 50 years later it still resonates with audiences. She also shares her early journey in England, where acting was always the goal, and how she built a career from the ground up without ever considering a fallback plan.

She revisits her early work, including “Space: 1999,” “Return of the Saint,” and her film debut in “The Final Programme,” before diving into “The People That Time Forgot”—one of her favorite projects. From filming on volcanic islands in the Canary Islands to working alongside Doug McClure and David Prowse, she shares vivid, funny behind-the-scenes stories—including a playful debate about whether her look inspired Princess Leia.

She then takes us inside her breakout role as Ursa, recounting the chaotic audition process, beating out hundreds of actresses, and ultimately catching the attention of director Richard Donner. From daring flying tests to stepping into a massive production with little preparation, Sarah’s stories only get better as she reflects on working with legends like Marlon Brando, Terrence Stamp, and Jack O'Halloran. She also looks back on the global publicity whirlwind, her friendships with Margot Kidder and Valerie Perrine—noting this conversation was recorded months before Perrine’s passing in March 2026—and the lasting impact of Ursa on fans worldwide. It’s a lively mix of humor, nostalgia, and insight that will leave you ready for Part Two.

SARAH DOUGLAS

When you hear the name Sarah Douglas, most people immediately think of her unforgettable turn as Ursa in Superman: The Movie and Superman II—a role that launched her onto the international stage. From Stratford-upon-Avon to Hollywood, she built a dynamic career across film and television, with standout appearances in Conan the Destroyer alongside Arnold Schwarzenegger, The Return of Swamp Thing, and hit series like V: The Final Battle, Stargate SG-1, Babylon 5, Remington Steele, and Magnum, P.I.. Her voice work further showcases her range, with credits in Batman, Green Lantern, and Doctor Who.

Raised in a theatrical environment, Douglas trained at the prestigious Rose Bruford College and performed with the National Youth Theatre before making her film debut in The Final Programme. She quickly gained recognition on British television, earning a leading role in The Brute, before breaking into cult cinema with The People That Time Forgot. That performance led to her casting as Ursa after an intense audition process, beginning a three-year journey on the Superman films that included global promotion and cemented her place in cinematic history.

After Superman II, Douglas relocated to the United States—what was meant to be a short stay turned into a thriving Hollywood career. She became a familiar face during the golden age of primetime soaps with Falcon Crest, alongside contemporaries like Dallas and Dynasty, and continued to build a strong presence in film and sci-fi television. In the years since, she has expanded into character-driven roles and voice acting, while continuing to connect with new audiences through projects like A Christmas Prince and appearances in Supergirl—proving her enduring appeal across generations.

Sarah Douglas Website – https://sarah-douglas.com 
 
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In Part Two of Tony Miros’ fascinating conversation with trailblazing director, producer, and writer Susan Seidelman, the story behind “Desperately Seeking Susan” takes center stage. Susan reveals how Madonna first entered her orbit as an unknown downtown artist—and how, during filming, she transformed into an international superstar almost overnight. From a casual screen test on the streets of New York to the sudden frenzy surrounding the production just weeks later, Susan shares surprising behind-the-scenes moments that helped turn the film into a cultural phenomenon. Along the way, she reflects on casting decisions, iconic fashion choices drawn from Madonna’s own closet, and the unpredictable twists that shaped the movie’s legacy.

Susan also offers entertaining stories about working with extraordinary talent across her career, including John Malkovich, Meryl Streep, and Jerry Lewis, revealing why comedy can be even more challenging than drama. She discusses her passion for casting actors in unexpected ways and recalls unforgettable “pinch-me” moments on set. The conversation also touches on the changing nature of fame, the complexities of revisiting beloved characters years later, and her role in shaping key casting and creative decisions during the early days of “Sex and the City”.

The episode concludes with insights into Susan’s later films, including “Boynton Beach Club” and “The Hot Flashes,” and how personal experiences influenced her storytelling. With candid reflections on creative risk-taking, evolving industry trends, and the serendipity that often shapes great careers, this episode delivers an entertaining look at the stories behind some of her most memorable work.

SUSAN SEIDELMAN
Susan Seidelman is an acclaimed filmmaker whose work helped define the spirit of independent cinema in the 1980s and beyond. A graduate of NYU’s Tisch School of the Arts Graduate Film Program, she first gained international recognition when her debut feature “Smithereens” became the first American independent film accepted into the Official Competition at the Cannes Film Festival. The film went on to win major festival honors and is now preserved in the prestigious Criterion Collection.

Her breakthrough hit “Desperately Seeking Susan” (1985), starring Madonna & Rosanna Arquette, was both a critical and commercial success, premiering at Cannes, earning a César nomination for Best Foreign Film, and later being named among the BBC’s 100 greatest films of all time. The movie also helped launch the careers of Aidan Quinn, Laurie Metcalf, and John Turturro. Siedelman went on to direct a wide range of notable projects including “Making Mr. Right” starring John Malkovich; “Cookie,” written by Nora Ephron; “She-Devil,” featuring Meryl Streep in her first comedic screen role; “Gaudi Afternoon;” and “The Dutch Master,” which earned an Academy Award nomination for Best Live Action Short Film.

Seidelman also directed the pilot & early episodes of HBO’s groundbreaking series “Sex and the City,” helping shape the look and tone of the cultural phenomenon, and earned two Emmy nominations for the Showtime film “A Cooler Climate” starring Sally Field and Judy Davis. Her later films include “Boynton Beach Club,” “Musical Chairs,” and “The Hot Flashes,” starring Brooke Shields, Daryl Hannah, Wanda Sykes, and Eric Roberts. She recently published her memoir, “Desperately Seeking Something: A Memoir About Movies, Mothers, and Material Girls,” a candid and engaging reflection on her trailblazing four-decade career.

To Purchase Susan’s Book - https://tinyurl.com/bde58bj8 
 
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Trailblazing director, producer, & writer Susan Seidelman, best known for directing Madonna in her breakout role in “Desperately Seeking Susan,” joins Tony Miros for a lively conversation celebrating the film’s 40th anniversary. They revisit the slightly magical New York City that helped shape the movie’s unforgettable vibe & recall the surreal experience of watching an unknown young singer suddenly become a global superstar almost overnight. From the iconic music to the unexpected twists behind the scenes, Susan reveals how a series of serendipitous moments helped create a true cultural classic.

Susan also pulls back the curtain on what a director really does, describing the role as much like a conductor guiding an orchestra. She shares insight into the creative journey from pre-production planning & rehearsals to the intricate editing process that ultimately brings a film to life. Along the way, she reflects on collaborations with remarkable talent and explains why the ever-evolving creative process continues to inspire her more than four decades into her career.

The conversation also explores how Hollywood has changed since Susan’s indie breakthrough “Smithereens,” from the traditional studio system to today’s streaming-driven landscape. She discusses the evolution of TV storytelling, including her role in shaping the visual style of “Sex and the City,” and opens up about writing her candid memoir “Desperately Seeking Something.” Filled with behind-the-scenes stories, career reflections, and “pinch-me” moments—including her unforgettable trip to Cannes—the episode offers a fun, insightful look at one of independent film’s most influential voices.

SUSAN SEIDELMAN
Susan Seidelman is an acclaimed filmmaker whose work helped define the spirit of American independent cinema in the 1980s and beyond. A graduate of NYU’s Tisch School of the Arts Graduate Film Program, she first gained international recognition when her debut feature “Smithereens”  became the first American independent film accepted into the Official Competition at the Cannes Film Festival. The film went on to win major festival honors and is now preserved in the prestigious Criterion Collection.

Her breakthrough hit “Desperately Seeking Susan” (1985), starring Madonna & Rosanna Arquette, was both a critical and commercial success, premiering at Cannes, earning a César nomination for Best Foreign Film, and later being named among the BBC’s 100 greatest films of all time. The movie also helped launch the careers of Aidan Quinn, Laurie Metcalf, and John Turturro. Seidelman went on to direct a wide range of notable projects including “Making Mr. Right” starring John Malkovich; “Cookie,” written by Nora Ephron and starring Peter Falk, Dianne Wiest, and Jerry Lewis; “She-Devil,” featuring Meryl Streep in her first comedic screen role; “Gaudi Afternoon;” and “The Dutch Master,” which earned an Oscar nomination for Best Live Action Short Film.

Seidelman also directed the pilot & early episodes of HBO’s groundbreaking series “Sex and the City,” helping shape the look and tone of the cultural phenomenon, and earned two Emmy noms for the Showtime film “A Cooler Climate” starring Sally Field & Judy Davis. Her later films include “Boynton Beach Club,” “Musical Chairs,” and “The Hot Flashes,” starring Brooke Shields, Wanda Sykes, and Eric Roberts. She recently published her memoir, “Desperately Seeking Something: A Memoir About Movies, Mothers, and Material Girls,” a candid & engaging reflection on her trailblazing four-decade career.

To Purchase Susan’s Book - https://tinyurl.com/bde58bj8 
 
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Music by⁠⁠ ⁠QubeSounds⁠⁠⁠ from ⁠⁠Pixabay⁠⁠⁠

Part Two of Tony Miros’ unforgettable conversation with Emmy Award–winning actor Gary Frank begins with the unforgettable night he won his Emmy for “Family.” He also shares stories of working with extraordinary talents like Elizabeth Ashley and Hollywood legend Henry Fonda, who guest-starred on “Family” in an episode directed by legendary actress Joanne Woodward.

Gary reflects on the deep bonds he formed with his co-stars, including James Broderick, and shares touching memories of the show’s creative team and the challenges that ultimately led to the series ending after five celebrated seasons. He offers fascinating behind-the-scenes insights and explains why “Family” never received the reunion it deserved.

Beyond the series, Gary recounts working with screen icons such as Glenn Ford, Julie Harris, Billy Crystal, and Eva Marie Saint, as well as early collaborations with rising talents including Jennifer Lopez. Gary shares fascinating stories about the projects that shaped his career—including his memorable appearance on “Star Trek: Deep Space Nine.”

The conversation takes a deeply personal turn as Gary opens up about stepping away from acting, confronting life’s challenges, and finding renewed purpose through writing his powerful memoir “Up From Down.” With honesty, humor, and hard-earned wisdom, he reflects on sobriety, self-discovery, and the message he hopes readers take away: that even when life looks perfect on the outside, everyone faces struggles—and it’s never too late to begin again. 
 
For information on the Family 50th Anniversary Celebration with Kristy McNichol, Gary Frank, and their friends on October 25, 2026 at the Courtyard Marriott in Monterey Park, CA please email [email protected] 

GARY FRANK
 
Frank’s screen career began in 1974 when he was cast by director Richard Donner in the television movie “Senior Year,” which evolved into the CBS series “Sons and Daughters,” where he starred opposite Glynnis O'Connor.
 
Just days after that series ended, Frank was cast by director Mark Rydell, alongside producers Mike Nichols, Leonard Goldberg, and Aaron Spelling, in the acclaimed ABC drama “Family.” His portrayal of Willie Lawrence earned him the Primetime Emmy Award for Outstanding Supporting Actor in 1977. The series, which ran from 1976 to 1980, also starred James Broderick, Sada Thompson, Meredith Baxter, and Kristy McNichol.
 
Following the show’s successful five-season run, Frank built an extensive TV and film career, appearing in numerous movies and guest-starring on many of the era’s most popular series. His credits include “The Streets of San Francisco,” “T.J. Hooker,” “Charlie’s Angels,” “Fantasy Island,” “The Love Boat,” “Hill Street Blues,” “Friday the 13th: The Series,” and “Star Trek: Deep Space Nine.” He also appeared in the feature film “Deadly Weapon” and had a recurring role in “Remington Steele.”
 
He also starred in numerous TV movies, including the acclaimed historical drama “Enola Gay: The Men, the Mission, the Atomic Bomb.” His film work includes the holiday movie “The Gift” opposite Glenn Ford, Dominick Dunne’s “People Like Us” with Eva Marie Saint, and the Eddie Murphy comedy “The Distinguished Gentleman.”
 
Beyond acting, Frank is an accomplished writer. He has written numerous scripts . His recent memoir, “Up From Down,” offers a deeply personal and heartfelt look at the triumphs, challenges, and defining moments of his life and career.

To Purchase Gary’s Book - https://tinyurl.com/5ecthukm 
 
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