Filmspotting

Film critic and author Marya E. Gates joins Michael to explore perhaps the simplest, most influential direction ever given to an actor: "Be natural."

The phrase is associated with pioneering filmmaker Alice Guy-Blaché, who posted the reminder in her New Jersey studio more than a century ago. As one of cinema's earliest storytellers, Guy-Blaché helped establish film as a distinct art form, separate from the theatrical traditions that shaped many of its first performers.

From Guy-Blaché's silent shorts to the work of Greta Garbo, Janet Gaynor, John Garfield, Nicolas Cage, and Lupita Nyong'o, Michael and Marya examine what "natural" acting really means, and why some of the most truthful screen performances can also be the most stylized.
Links:
-"Cinema Her Way" | Marya E. Gates
https://maryaegates.com/cinemaherway/

-Be Natural: The Untold Story of Alice Guy-Blaché | VOD
https://www.justwatch.com/us/movie/be-natural-the-untold-story-of-alice-guy-blache
-There is one Murnau, Borzage, and Fox Box available on Amazon… for $1,336.

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Adam and Josh welcome Filmspotting SVU co-host Matt Singer for the Top 5 Comedy Boom Movies. Singer’s new book, “Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever” documents the Frat Pack era of studio comedies that dominated the box office from the early 2000s to the mid-2010s—and gave a generation a lifetime’s worth of movie quotes. Plus, reviews of Zach Cregger’s Resident Evil and the new Scottish indie The Incomer.
This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off.
(Timecodes will not be precise with ads.)
Intro (00:00:00-00:02:17)
Top 5 Comedy Boom Movies (00:02:18-1:01:58)
Filmspotting Family (1:01:59-01:05:34)
Top 5, cont. (01:05:35-01:38:31)
Polls (01:38:32-01:52:09)
Resident Evil (01:52:10-02:23:50)
The Incomer (02:23:51-02:27:36)
Credits / New Releases (02:27:37-02:32:25)
Notes:
Matt Singer’s “Funny Business"
https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/
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With Ethan Hawke back in theaters in the period adventure The Weight, we're sharing Adam's 2018 interview with the always thoughtful and insightful actor.
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The new Netflix comedy Best of the Best introduced Matt and Jordan to the world of collegiate competitive Bollywood dance, and they left converts: to the dancing, to stars Maitreyi Ramakrishnan and Priyanka Kedia, and to director Lena Khan’s winning movie (which has a joke-filled script written by comedian Hassan Minhaj and writing partner Prashanth Venkataramanujam). In the Best of the Best-inspired Rec Seg, they recommend an entry-level Bollywood classic and an obscure NYC-set dance movie. Then it’s a pair of single-setting (“bottle”) movies for listener Steven, and Producer Sam hosts a “Let’s Dance!” round of trivia.
Intro (00:00:00–00:02:28)
Best of the Best (00:02:29–00:20:55)
Rec Seg! (00:20:56–00:36:45)
Listener Req Seg! “Bottle Movies” (00:36:46–00:52:14)
Game: Let’s Dance! (00:52:15–01:08:55)
New to Streaming / Credits (01:08:56–01:26:39)
Show Notes
For what film should Alison Willmore make her triumphant return to SVU?
https://poll.fm/17448084
Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠
Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠
Feedback: Email us at feedback@filmspottingSVU.com
Follow Matt on Blue Sky: @mattsinger.bsky.social
Follow Jordan on Blue Sky: @jhoffman.bsky.social
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Padraic McKinley’s The Weight isn’t a remake ofThe Wages of Fear, though it feels deeply indebted to the H.G. Clouzot classic in its thrilling depiction of a group of outlaws on a near-impossible mission across deadly terrain. William Friedkin’s 1977 cult favorite Sorcerer technically isn’t a Wages remake, either — Friedkin insisted it was his own adaptation of the original Georges Arnaud novel — though it’s similarly difficult to watch without thinking about its predecessor. So you’ll forgive us if this week’s revisitation of Sorcerer takes a few detours into Wages as we consider how Friedkin put his own distinctive stamp on this juicy premise, whether the film’s extended prologue works toward or against its narrative momentum, and how much of Sorcerer’s notoriously arduous production comes across on screen. Then in Feedback, a listener provides a recommendation for a recent under-the-radar road movie that follows in the tire tracks of Paris, Texas and Priscilla, Queen of the Desert.
Please share your thoughts about Sorcerer, The Weight, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.
This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.
See omnystudio.com/listener for privacy information.