LensWork - Photography and the Creative Process

Here's a Thought… #2760 with Brooks Jensen

The Cynic in Me

This is the best time in the history of photography to be a photographer. That said, the cynic in me can't help but worry about the future of photography as an art medium. Because it has become so easy to make a technical stunning photograph, I wonder if the mystery in the craft has disappeared? If it's easy and everyone can do it well, is it still an admirable medium for making art?

Become a member of LensWork Online and have access to all 2700+ Here's a Thought… commentaries.

Here's a Thought… #2759 with Brooks Jensen

Not ETTR, but ZJSOTR

I'm sure you have all heard the advice, "Expose to the Right." In theory, that's well-founded reasoning and advice. In practice, I've found ETTR a bit impractical and prefer a more pragmatic strategy ZJSOTR — Zebras Just Short of the Right. This is even more true here in the age of AI Noise Reduction of our RAW files.

Become a member of LensWork Online and have access to all 2700+ Here's a Thought… commentaries.

Here's a Thought… #2758 with Brooks Jensen

Forgotten Masters

With the passage of time, it's natural that some artists become more valued and others fade from popularity. If this happened to Bach, why would it not also occur in photography? These days, I almost never hear anyone mention Diane Arbus, Aaron Siskind, Barbara Crane, William Garnett, Linda Connor, August Sander, Art Sinsabaugh, Ralph Eugene Meatyard, Laura Gilpin, Elliott Porter, Ruth Bernhardt, Clarence John Laughlin, Don Worth, or Fay Godwin. This could be a lengthy list indeed. If the public doesn't remember them, at least we who have inherited their photographic legacy can and should.

Become a member of LensWork Online and have access to all 2700+ Here's a Thought… commentaries.

Episode #1524 from our long-running, weekly podcast
On Photography and the Creative Process

Photography as an Art Medium

Of late, I've experienced a number of well-meaning friends who insist on showing me what and where I should photograph. I know their heart is in the right place, but I also know that they do not understand the creative process. That's too harsh. They do not understand my creative process. I've been trying to understand their premises and I think I've begun to do so. In fact, I think this is a universal misunderstanding of photography as an art medium.



All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content.

Sign up for instant access!



You might also be interested in. . .

Every Picture Is a Compromise, a series at www.brooksjensenarts.com.

and...

"How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

Here's a Thought… #2757 with Brooks Jensen

Entering the Creative Bubble

The world of athletics can be divided into two different sets of action. There is the preliminary part of preparation. Then there is the performative part of the competition. I think this provides a useful metaphor for photography and points out an interesting idea about preparation. When I'm out with my camera, my goal is to enter the creative bubble and starting the work of being a photographer. Like the athlete that stretches and warms up before the competition, what should I be doing as a photographer to prepare myself before entering the creative bubble? What is the creative equivalent to stretching and warming up?

Become a member of LensWork Online and have access to all 2700+ Here's a Thought… commentaries.