HT2426 - Sensor Clean X2
I cringe every time I see those fuzzy blue circles in the sky that indicate I have dust on the sensor of the camera. I was given a suggestion by a reader about one way to deal with this and used it religiously these last two months as I was out in the dusty West photographing. I'm delighted to report that I had not a single indication of any dust on any shot.
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HT2425 - Not Just the Most Recent
HT2425 - Not Just the Most Recent
Now that I'm back from two months on the road, it's time to see what I have. For me, that process most often starts with building some collections based on potential projects. I add images from the recent trip into collections and then start scouring my previous images from the last couple of decades and add any of them to the appropriate collections. This forces me to think outside the recent captures and to be sensitive to larger trends I may not be conscious I've been working towards unknowingly.
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HT2424 - Problematic Bokeh
HT2424 - Problematic Bokeh
A peculiar property of a long focal length lens is that it can render a semi-distant object ever-so-slightly outside the depth of field. Instead of looking like a nicely out of focus area from a shallow depth of field, it can look like a poor performing lens that simply can't render those objects sharply. The only answer is to stop down to increase the depth of field.
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HT2423 - Roads
HT2423 - Roads
Landscape photography is inextricably tied to roads. Even if we are hiking into rough terrain, we get to the trailhead via a road. Photographically, not all roads are equal. I've been tooling down the Interstates to get home and doing no photography along the way. For me, photography is always at its best when I'm traveling down a dirt road. If you are not familiar with them, you need to know about Delorme maps.
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LW1477 - The Problem with Location-Based Projects
LW1477 - The Problem with Location-Based Projects
I've returned from my 2-months on the road and am starting the long process of reviewing the 3500 RAW captures. Almost immediately I divided the images into 43 potential projects, but then realized that all of them were location-based project ideas. There is a weakness in this that is not obvious. I call these types of projects "Portrait of a Place." They are easy to unify into a project, but there are alternatives that are often better.
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You might also be interested in. . .
Every Picture Is a Compromise, a series at www.brooksjensenarts.com.
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About LensWork - Photography and the Creative Process
Random Observations on Art, Photography, and the Creative Process. These talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 50 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work, and building an audience.
Included in this RSS Feed are the LensWork Podcasts — posted weekly, typically 10-20 minutes exploring a topic a bit more deeply — and our almost daily Here's a thought… audios (extracted from the videos.) Here's a thought… are snippets, fragments, morsels, and tidbits from Brooks' fertile (and sometimes swiss-cheesy) brain. Usually just a minute or two. Always about photography and the art life.
Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. He is the author of 13 books on photography and the creative life -- the latest books are The Best of the LensWork Interviews (2016), Photography, Art, and Media (2016), and the four annual volumes of Seeing in SIXES (2016-2019).
Ireland