HT2316 - Photography and My Morning Coffee Routine
HT2316 - Photography and My Morning Coffee Routine
I start every day, 7 days a week, with photography — and my morning cup of coffee. I find that first half hour or so when the house is quiet and I'm not fully awake to be an ideal time to think about photography, brainstorm projects, and even visualize specific images. I don't sit in front of my computer and work in Lightroom or Photoshop, but rather let my mind warm up to the day while I try to be aware of whatever creative impulses bubble up.
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HT2315 - New Work Revitalizes Older Work
HT2315 - New Work Revitalizes Older Work
There's an interesting phenomenon that I've observed now for a couple of decades. Every time I release a new issue of Kokoro, there is an upswing in downloads for previous issues. Of course, the current release is the volumetric winner in terms of downloads, but the accumulated downloads of back issues always exceeds the current release. In other words, publishing new work has a way of revitalizing older work. Plus, as the back catalog grows, the coattails effect increases dramatically.
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HT2314 - The Fly in the Acrobat Ointment
HT2314 - The Fly in the Acrobat Ointment
I love publishing PDFs for Acrobat for several reasons including cross platform compatibility (Mac, PC, tablet, etc.), layout integrity, typographic fidelity, and book-like pages. There is one drawback to PDFs, however, that is frustrating.
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HT2313 - Anthologies
HT2313 - Anthologies
As we all know, you can't please all the people all the time. This is one of the foundational philosophies behind the anthology nature in both LensWork and in my personal work published in Kokoro. The strategy here is that even though a reader might find any given project uninteresting, an anthology increases the possibility that each viewer will find something they like and appreciate.
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HT2312 - Photo Vests
HT2312 - Photo Vests
For 50 years now I've had an on again, off again relationship with photo vests. I'll go through periods where I find them convenient, comfortable, and adequate, then periods when I find them too limiting. The real issue, obviously, is not the vest but rather the amount of gear I feel is necessary for me to do the work I want to do. That issue always leads me back to gear minimalism, and the search for the least possible gear needed. I'd long for the yesterdays of just a camera and that's it, but I've never experienced that. What is the minimum kit?
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About LensWork - Photography and the Creative Process
Random Observations on Art, Photography, and the Creative Process. These talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 50 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work, and building an audience.
Included in this RSS Feed are the LensWork Podcasts — posted weekly, typically 10-20 minutes exploring a topic a bit more deeply — and our almost daily Here's a thought… audios (extracted from the videos.) Here's a thought… are snippets, fragments, morsels, and tidbits from Brooks' fertile (and sometimes swiss-cheesy) brain. Usually just a minute or two. Always about photography and the art life.
Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. He is the author of 13 books on photography and the creative life -- the latest books are The Best of the LensWork Interviews (2016), Photography, Art, and Media (2016), and the four annual volumes of Seeing in SIXES (2016-2019).
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