LensWork - Photography and the Creative Process

Here's a Thought… #2788 with Brooks Jensen

Two Kinds of Archives

Here is a self-observation that I'm wondering if others have, too. When I look through my past production and my archives, I find I have two kinds of images. There are those who have worn well over the years about which I'm still excited and proud. And then there are those that have not worn well with the passage of time and find I've become ambivalent about or perhaps even loathe. Isn't it interesting how are opinions change over time?

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Here's a Thought… #2787 with Brooks Jensen

The Plot Twist, the Dissonant Chord

Literature and music share a common technique that involves the unexpected surprise. In literature, it's the plot twist. In music, it's the dissonant chord. Try as I might, I can't think of a single example in photography that employees the same idea. How would we introduce the unexpected in a photo project? One color image in a book of black and white? One soft focus image when the rest are all tack sharp? And how would such a startling surprise in a photography project enhance the project? Maybe there's no answer to this, but sometimes asking these kinds of quirky questions opens up unexpected paths in our creative thinking.

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Episode #1528 from our long-running, weekly podcast
On Photography and the Creative Process

Art as Gift

While Brooks is traveling this week, here is an audio recording of him reading the Editor's Comments from LensWork #44, originally published in Dec 2002. This audio is part of the archived of audio presentations of the Ediitor's Comments from the pages of LensWork that are available to members of LensWork Online.



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You might also be interested in. . .

Every Picture Is a Compromise, a series at www.brooksjensenarts.com.

and...

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Here's a Thought… #2786 with Brooks Jensen

Distribution On a Budget

As much as I resist the pragmatics of calculating the cost in production of our art, it is necessary to consider the costs for many of us. This includes not just the production of our work but also the distribution of our work. Wouldn't it be lovely if we could produce 20" prints with abandon and mail them out to everyone we might want to gift a print? If we can't, we can at least devise a means of production and distribution that fits our budget.

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Here's a Thought… #2785 with Brooks Jensen

The Transition to Art Mind

One of the greatest challenges of my creative life has been the flip of mind that is required to shift from everyday mind to artmaking mind. They are different and mutually exclusive. I can't, for example, think about my art while paying the monthly bills. These two activities require a completely different way of processing their respective tasks. The art life question is always one of purposely and at will letting go of everyday mind and slipping into art mind. I've tried all kinds of techniques, but still cannot flip a mental switch to bring it about.

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