Lost in Criterion

Jacques Demy's second feature continues a trend of female characters who are more interesting than anything we've seen from the other male French New Wave directors. Jeannse Moreau stars as a woman throwing off the shackles of patriarchy by becoming addicted to roulette, becoming gambling buddies with Claude Mann as a young man throwing off the shackles of his incredibly forgiving father to feed his own growing obsession.

This week we have our first film from Agnes Varda's husband Jacques Demy and our second film called Lola. Kicking off The Essential Jacques Demy boxset we have his feature length debut Lola (1961) a "musical without the music" except for one very musical number written by Varda. This week the Collection also gives us 4 short films and while we are immediately in love with the work of Demy, at least one of the shorts puts that love to the test. Fortunately, for every profile of a modern saint there's also one about a rural shoemaker.

Sometimes years of doing the podcast align in fun ways and we get to talk about David Cronenberg's Scanners (1981) in October without moving anything around. Scanners is a smorgasbord of body horror effects that starts with a bang and keeps going. But it's also a Parallax View-esque political thriller with murderous psychics. That is to say, it's great.

Pat is a huge fan of the Beatles, which he inherits from his dad, and which he this week fails to pass on to his own children. Richard Lester's A Hard Day's Night (1964) is a movie those kids should like; it's fun and funny, it's The Beatles just on the cusp of being THE BEATLES. Popular as anything already, but not quite bigger than Jesus yet. The film is an interesting look at how that popularity is a prison for four guys in their early 20s.

Georges Franju's homage to/remake of Louis Feuillade's 1916 serial, Judex (1963) is a dreamy tale of revenge full of contrivance and illogic and every single frame is a masterpiece. Encountering films like this is biggest reward of doing the podcast.