Our final patrons' choice episode for 2025 is the 1982 VHS relic The Flight of Dragons from TV special animation legends Rankin/Bass. Based loosely on the speculative science book by Peter Dickinson and the fantasy novels of Gordon R. Dickson, the film sends the author insert character on a quest to save a magical realm from the suffocating encroachment of mankind's science. Along the way, Peter will meet wizards, dragons, a winsome princess, and an evil sorcerer voiced by James Earl Jones. But is it a forgotten classic that deserves to be in a domed nostalgic magic nature reserve, or should it be consigned to the straight-to-video bargain bin? Find out!Support us on Patreon to nominate films for us to cover, access exclusive bonus content, and vote on the final verdict!Rate and review us on your podcast platform of choice, and tell a friend about us.Follow us on TikTok, YouTube, Instagram and Bluesky. Hosted on Acast. See acast.com/privacy for more information.
In the last of our series of early previews of forthcoming films, gleaned from Conrad's time at the Toronto International Film Festival (TIFF) under the wing of Toronto native and film critic extraordinaire, Joe Lipsett, we're looking at two gold-and-turquoise whimsical fantasies: Dust Bunny and Eternal Return.The former is Hannibal and Pushing Daisies showrunner Bryan Fuller's directorial debut, introducing Sophie Sloane as a young girl who recruits the assassin who lives next door (Mads Mikkelsen) to slay the monster that lives under her bed. Cue a delightfully colourful and frequently absurd fairytale that also features fun supporting turns from Sigourney Weaver as Mikkelsen's handler and David Dastmalchian as a rival assassin. It's an odd blend of ingredients, but does it work?Eternal Return is writer-director Yaniv Raz's attempt to create a whimsical romantic time travel fantasy, starring Naomi Scott as a broken-hearted twenty-something and Kit Harington as the eccentric map shop owner who believes he can navigate her back to emotionally significant moments in her life... and possibly change them. Also featuring Simon Callow as an elderly friend who also narrates in his sonorous tones, and set in a London that wouldn't look out of place in a Potter adaptation, does this romantic confection sweep Conrad off his feet?Support us on Patreon to nominate films for us to cover, access exclusive bonus content, and vote on the final verdict!Rate and review us on your podcast platform of choice, and tell a friend about us.Follow us on TikTok, YouTube, Instagram and Bluesky. Hosted on Acast. See acast.com/privacy for more information.
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Dead Birds
Dead Birds (2004), directed by Alex Turner and produced during the early-2000s boom in grimy, low-budget horror, is a Confederate-era ghost story that alternates between jump scares for a slow rot of dread and bad decisions. It follows a group of Civil War deserters – played by E.T.'s Henry Thomas, Patrick Fugit, Michael Shannon, and Isaiah Washington – who rob a bank and hole up in a derelict plantation, only to discover it’s crawling with the supernatural consequences of its own bloody past! So should this dusty relic be set free at last or should it be trapped in the dark with its guilt? Find out!Support us on Patreon to nominate films for us to cover, access exclusive bonus content, and vote on the final verdict!Rate and review us on your podcast platform of choice, and tell a friend about us.Follow us on TikTok, YouTube, Instagram and Bluesky. Hosted on Acast. See acast.com/privacy for more information.
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And Sons & Rose of Nevada (TIFF 2025 bonus reviews)
We're back with our penultimate pair of exciting early previews of forthcoming attractions, gleaned from Conrad's time with Joe Lipsett at the Toronto International Film Festival (TIFF). This time, the connection between them is simpler: they both feature one of Conrad's favourite actors, 1917's George Mackay.The first, & Sons, stars Bill Nighy as a reclusive famous novelist who gathers his two estranged sons, Richard (Johnny Flynn) and Jamie (you guessed it, George Mackay), for an important announcement about their half-brother, Andy (Noah Jupe)... with a fantastical twist. This slow burn family drama with a sci-fi/fantasy element is an adapted from a novel by David Gilbert, directed by Pablo Trapero.Perhaps more hotly anticipated is the new film from Cornish 16-mm phenomenon Mark Jenkins, director of Bait and Enys Men. Rose of Nevada features Mackay in a leading role alongside Masters of the Air's Callum Turner, as two men who unwisely sign up to work on a fishing boat that mysteriously drifted back into the docks – sans crew – after disappearing decades before. What follows is a voyage into an uncanny time-travel purgatory... but did it work? Find out!Support us on Patreon to nominate films for us to cover, access exclusive bonus content, and vote on the final verdict!Rate and review us on your podcast platform of choice, and tell a friend about us.Follow us on TikTok, YouTube, Instagram and Bluesky. Hosted on Acast. See acast.com/privacy for more information.
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Retreat & Honey Bunch (TIFF 2025 bonus reviews)
Joe Lipsett of Horror Queers joins Conrad again for another couple of advance previews of films at the Toronto International Film Festival (TIFF), and it's another case of spotting a couple of movies with a similar premise. In this case, it's women going to an isolated manor house for some form of wellness/recuperation exercise... only to discover things are not what they seem!Retreat is Ted Evans' feature debut, and stars Anne Zander as a young woman who visits an isolated retreat for deaf people in the English countryside, run by the imperious Mia (Sophie Stone). There she discovers a community that may have more in mind than providing a safe space that helps prepare its members for life in the uncaring world of the hearing. Hailed as the world's first deaf thriller – the film's principle cast and its director are deaf – the film's relationship with sound is particularly fascinating.Honey Bunch is an eerie horror/thriller from Madeleine Sims-Fewer and Dusty Mancinelli, in which its central character Diana (Grace Glowicki) and her doting husband Homer (Ben Petrie) arrive at... yes, an isolated country house... so the former can recuperate from an unspecified recent accident. When we tell you Diana's injuries include brain trauma and memory loss, genre fans' twist-detecting spidey senses will immediately start tingling. Steeped in a late 70s Let's Scare Jessica to Death aesthetic, is an atmospheric affair – but did we like it? Find out!Support us on Patreon to nominate films for us to cover, access exclusive bonus content, and vote on the final verdict!Rate and review us on your podcast platform of choice, and tell a friend about us.Follow us on TikTok, YouTube, Instagram and Bluesky. Hosted on Acast. See acast.com/privacy for more information.
Intrepid film fans Conrad and Dan review obscure and forgotten horror, sci-fi and fantasy movies to decide whether they should be set free or thrown back into the oubliette to be forgotten forever! Hosted on Acast. See acast.com/privacy for more information.
Ireland