Awards Chatter

In front of an audience at Chapman University, the revered Oscar winner behind masterpieces like 'Cronos' and 'The Shape of Water' reflects on the roots of his infatuation with monsters, the importance of practical movie sets and effects, and finally realizing his 50-year dream of adaptating Mary Shelley's gothic horror novel about a Creator and his Creature into a movie of his own. Learn more about your ad choices. Visit megaphone.fm/adchoices

The South Korean master filmmaker reflects on the roots of his fascination with violence, the early struggles than prepared him for his Vengeance triogy highlighted by 'Oldboy,' and what inspired his latest film — his country's entry for the best international feature Oscar race, now among the final 15 — which reunites him with Lee Byung-hun 25 years after their joint breakthrough 'Joint Security Area.' Learn more about your ad choices. Visit megaphone.fm/adchoices

The world's most famous Brazilian actor reflects on why he once thought a screen career would be impossible for him, how the 'Elite Squad' films led to him playing Pablo Escobar on 'Narcos,' and how Brazil's Bolsonaro era impacted his career and inspired the film for which he was awarded Cannes' best actor prize and could land an Oscar nom. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Oscar and Emmy winning actress and Goop founder and CEO reflects on breaking into the business in the 1990s and becoming "the First Lady of Miramax"; working with a generation of great filmmakers early in their careers, including David Fincher, PTA and Wes Anderson; why she grew disillusioned with Hollywood and focused primarily on business for the last 17 years; and what lured her back in front of the camera to play, well, an actress coming out of retirement, opposite Timothée Chalamet in Josh Safdie's latest film. Learn more about your ad choices. Visit megaphone.fm/adchoices

In front of an audience at the Miami Film Festival's GEMS event, the trailblazing filmmaker reflects on helping to usher in New Queer Cinema with 'Mala Noche' and 'My Own Private Idaho'; subsequently jumping between mainstream films, like 'Good Will Hunting' and 'Milk,' and experimental works, like 'Elephant'; why he came close to directing, but did not direct, 'Brokeback Mountain,' 'Call Me by Your Name' and '50 Shades of Grey'; and returning to feature filmmaking, after seven years away, with a film that is set in the '70s but is eerily timely today. Learn more about your ad choices. Visit megaphone.fm/adchoices