New Books in Literary Studies

Great books don't happen by accident. Sarah Crichton, one of publishing's most respected voices and the founder of Sarah Crichton Books at FSG, joins host Sarah Russo for an unfiltered conversation about what it takes to acquire, edit, and launch books that last. They cover everything: crashing books in secret, fighting for the right jacket design, discovering A Long Way Gone by child soldier, Ismeal Beah, the differences between being a publisher and an editor, what to understand about hiring a developmental editor, and more. Whether you're an author, aspiring editor, or publishing professional, this episode is a masterclass.

For more information on Sarah Crichton’s work, visit her website: Sarah’s website or connect with her on LinkedIn

Books mentioned in this episode:

“Cyberwar” by Kathleen Hall Jamieson

“A Long Way Gone: Memoirs of a Boy Soldier” by Ishmael Beah

“What Is the What” by Dave Eggers

“A Mighty Heart” by Mariane Pearl, co-written with Sarah Crichton

“Portrait of a Marriage: A Memoir” by Judy Crichton and Jennifer Crichton

“Fierce Attachments” by Vivian Gornick

“The Odd Woman and the City” by Vivian Gornick

“M Train” by Patti Smith

Key Moments

00:44 — How Magazine Editors Think About Readers Sarah Crichton explains how her magazine background gave her a superpower most book editors lack: never forgetting the reader exists.

02:27 — What It Really Means to "Crash" a Book Sarah C. breaks down the secret, adrenaline-fueled process of rushing a book to publication in weeks instead of years.

05:09 — The Editor vs. Publisher Divide (And Why It's Disappearing) Hear about the traditional difference between an editor and a publisher — and why the line between them is blurring

07:22 — How She Turned a Rejected Manuscript into a National Phenomenon

Sarah C. tells the story of discovering “A Long Way Gone” by Ishmael Beah — a book passed over by every publisher — and how a deliberate cover strategy and the first-ever Starbucks book pick turned it into a classroom staple.

14:58 — What Sarah Looks for in a Manuscript (and Why a Great Title Matters More Than You Think)

Sarah reveals what makes her sit up when reading a submission, and the brutal reality of how critics decide what to review.

17:08 — Developmental Editors, Self-Publishing, and "Hitting the Lottery" Sarah gets candid about the economics of book doctoring, shares the story of self-publishing her late mother's memoir, and explains the role of a developmental editor.
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Just how difficult is a career as a writer? In Work of Fiction: Making a Living from Writing in the UK (Palgrave MacMillan, 2024) Christina Williams, a Lecturer in Media Communications at Bath Spa University examines contemporary writing as a paradoxical and precarious occupation. Foregrounding the experiences of a range of different writers, the book shows the range of work writers actually do to sustain their lives, along with the ideas and ideologies that help them to cope with the complexity and contradictions of their vocation. Rich with narratives of the love, luck and magic associated with the contemporary publishing industry, the book will be of interest across the arts, humanities and social sciences, as well as for anyone interested in reading about writing!
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Mark Twain’s Jim, introduced in Adventures of Huckleberry Finn (1885), is a shrewd, self‑aware, and enormously admirable enslaved man, one of the first fully drawn Black fathers in American fiction. Haunted by the family he has left behind, Jim acts as father figure to Huck, the white boy who is his companion as they raft the Mississippi toward freedom. Jim is also a highly polarizing figure: he is viewed as an emblem both of Twain’s alleged racism and of his opposition to racism; a diminished character inflected by minstrelsy and a powerful challenge to minstrel stereotypes; a reason for banning Huckleberry Finn and a reason for teaching it; an embarrassment and a source of pride for Black readers.In Jim: The Life and Afterlives of Huckleberry Finn’s Comrade (Yale UP, 2025) eminent Twain scholar Shelley Fisher Fishkin probes these controversies, exploring who Jim was, how Twain portrayed him, and how the world has responded to him. Fishkin also follows Jim’s many afterlives: in film, from Hollywood to the Soviet Union; in translation around the world; and in American high school classrooms today. The result is Jim as we have never seen him before—a fresh and compelling portrait of one of the most memorable Black characters in American fiction.

Shelley Fisher Fishkin is the Joseph S. Atha Professor of Humanities, professor of English, and professor (by courtesy) of African and African American Studies at Stanford University. She is the author or editor of many books, including Writing America: Literary Landmarks from Walden Pond to Wounded Knee and Was Huck Black? Mark Twain and African American Voices, and editor of the twenty-nine-volume Oxford Mark Twain. She lives in Stanford, CA.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
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RTB's sister podcast, Novel Dialogue, spoke recently with Aaron Gwyn. He is the author of four novels: The World Beneath, Wynne’s War, and, most recently, two wonderfully linked historical novels, All God’s Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism), we learn that Robert Lemmons is a real historical figure and so is Levi English.

One way to grasp Gwyn’s achievement is to consider the contrast between his durably realist work and Cormac McCarthy’s 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy’s characters strike them as monstrous and incredible. How about Charles Portis’s True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn’s ties to Quantrill’s Rangers, an eerily modern pro-Confederate terrorist paramilitary. In NOvel Dialogue's "signature question," we learn why Aaron’s favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here).

Mentioned in this episode:

Richard Slotkin’s notion of “the man who knows Indians” comes from Gunfighter Nation

Mark Twain, A Connecticut Yankee in King Arthur’s Court (1889)

Herman Melville, Moby Dick

William Faulkner, Absalom, Absalom!

Toni Morrison, Beloved

Thomas Pynchon, Gravity’s Rainbow

John Williams, Stoner (but also Butcher’s Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth’s Chimera.

Larry McMurtry’s hard-to-get-into Lonesome Dove

Read transcript here.
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Fans of Batman are used to seeing the Caped Crusader associate with the likes of Superman and Wonder Woman, but what if one were to put the Dark Knight into the company of figures such as Beowulf, Robin Hood, Oedipus, and Sun Tzu, among others? Batman and the Classics: Echoes of Mythology, Literature and Philosophy in the Comics and Films (McFarland, 2026) is the first book to compare famous Batman graphic novels, story arcs, and films to classic texts of literature and philosophy from around the world. Through this comparison we can see, for instance, how the epic warrior archetype of Beowulf or Roland persists in The Dark Knight Returns, or how the metaphor of the journey, found in such works as The Odyssey, occurs in the story arc Knightfall. By placing Batman stories into conversation with such classic texts, this book sheds light on the deeper meanings of key stories of the Dark Knight, as well as how long-lasting themes of literature and philosophy have persisted in the fiction of this popular character.
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