New Books in Literary Studies

It is fair to say Aarthi Vadde's wonderful new book, We The Platform, demostrates "how literature changes our perspective on the internet." But you also need to add that it "respond[s] to decline narratives about literature and literary study and to offer an alternative to prevailing sense of defeat and nostalgia that guides them.”
Her conversation with John, like the book itself, aims to narrate the history of Web 2.0 from about 2004 to the present and to explore how writers themselves have responded since 2008. (That means compression" so please Google Aarthi to learn more about her Duke professorship, earlier Levin-prize winning Chimeras of Form: Modernist Internationalism beyond Europe, 1914-2016 , role as President of the Society for Novel Studies; and forthcoming co-edited Columbia University Press collection of conversations from podcast she co-founded, Novel Dialogue.) Aarthi is brimming with unexpected insights about writers responding in varied and unpredictable ways to textual production under digital conditions: Patricia Lockwood, Lauren Oyler, Tao Lin and even Sheila Heti, who early on experimented with LLM conversations in the New Yorker. She sees a new range of writers (Vauhini Vara, Meghan O'Gieblyn) maintaining a commitment to experimental writing, while engaging the power dynamics befalling them with this new tool, what she calls a new case of the "writer's hand at a distance."
Finally, when it comes to defining the "multi-front battle" university English departments will have to fight for their survival, Aarthi also wants to respond generously to students whose desire to write is as strong as their desire to read: why should we condemn that as a narcissistic impulse?
Mentioned in the episode
Karen Hao, Empire of AI
Sarah Wynne-Williams, Careless People
Laurence Lessig Free Culture
Xu Bing's Book from the Ground
Fred Bennison's Emoji Dick.
“glitch art”
Recallable Books
 Elizabeth Eisenstein's 1970 The Printing Press as an Agent of Change, as well as this AHR debate between Eisenstein and Adrian Johns.
Ben Mangrum, The Comedy of Computation: also this excellent Recall this Book conversation about the feared obsolsence of the human knolwedge worker).

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

How does an independent press survive by publishing the books the Big Five overlook? Amherst College professor and Spanglish scholar Ilan Stavans joins Sarah Russo to talk about Restless Books, the press he founded to champion immigrant writers, literature in translation, and the books that live between languages. Ilan shares the origin of Restless Books (including the investor who told him to take a finance course first), the creation of the Kellman Prize for Immigrant Literature, and why he considers Spanglish one of the great creative forces in American English. Ilan and Sarah dig into the practical side of publishing in translation: finding the right translator, editing hybrid-language manuscripts, and navigating the politics around a single project. Ilan also offers advice for immigrant and early-career writers, and makes the case that small presses are doing some of the most important work in publishing today.
For more information on Ilan and Restless Books, please visit the website.
Books mentioned in this episode[1] :
“People Who Live Alone Talk Too Much,” by Sofi Stambo

“A Nation Wrestles with God: American Prophets, Philosophers, and Firebrands,” edited by Ilan Stavans

“The People’s Tongue,” edited by Ilan Stavans

“Cecil the Lion Had to Die,” by Olena Stiazhkina, translated by Dominique Hoffmann

“Daniel and Ismail,” by Juan Pablo Iglesias and illustrated by Alex Peris

“Fictional Translations,” by Ilan Stavans

Also mentioned: Don Quixote, Frankenstein, and The Odyssey
Key Moments
2:02 - How a Midlife Crisis Turned Into a Publishing House 📚
Ilan's candid story of the investor who told him to take a finance course before he'd give him a dime.
5:31 - The $10,000 Bet That Became an 11-Year Literary Prize 🏆
How the Kellman Prize for Immigrant Literature grew from a scrappy idea into a career-launching institution.
8:16 - Editing a 100-Voice Anthology on Faith in America ✝️
The Lilly Endowment project that brought Obama, Du Bois, Sontag, Ginsberg, Dickenson, Rushdie, and many others into one book.
11:15 - Why Spanglish Isn't a "Broken" Language 🗣️
Ilan on the creative, mestizo identity behind Spanglish, and why he believes there's no single version of it.
19:52 - The Trilingual Children's Book That Took 3 Years to Publish 🌍
Finding an Arabic and a Hebrew translator willing to share a byline was "sheer torture."
24:09 - His Best Advice for Immigrant and First-Time Writers ✍️
Why Ilan refuses to call anyone's English "broken," and what he tells writers drowning in drafts.
[1]not sure if you want to mention the classics he cites at the end: Don Quixote, Frankenstein, and The Odyssey (we sort of have a lot here already)

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Fitness for Freedom: Disability, Degeneration, and Modern Irish Writing (Syracuse UP, 2025) explores the legacy of intersectional stereotypes of disability, race, gender, sexuality, class, and religion that justified imperial rule in Ireland and the forms of oppression that continued after independence. Marion Quirici identifies models of citizenship and creative autonomy in Irish modernist literature that valorize vulnerability over ability and interdependence over independence. She uncovers a history in which an entire nation, Ireland, was characterized as disabled and therefore “not fit for freedom.” Beyond symbolism, the Famine and decades of emigration led to a perception that Ireland’s racial stocks were depleted, and that those who remained were feeble and few. The fraught relationship between disability and Irishness provides context for Quirici’s analysis of modernist Irish literature. Revivalists such as William Butler Yeats, Lady Gregory, Pádraic Pearse, and the Gaelic Athletic Association created new mythologies of Irish ability to counter imperial stereotypes, tacitly reinforcing the idea of disability as a disqualification for sovereignty. Certain Irish modernists, however—James Joyce, Edna O’Brien, Samuel Beckett, Brian O’Nolan, and Christy Brown—called the “fitness for freedom” ideology into question. These authors allow us to disentangle disability from unfitness and scrutinize its relationship to liberation. In their work, disability becomes an avenue for exploring the human experience and discovering the inherent creativity and collaborative potential of an interdependent life.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Wastelands and Wonderlands: Utopias and Dystopias in Film and Literature with Matthew Leggatt (SUNY Press, 2026) is an edited collection exploring utopias ad dystopias in films and literature. It challenges readers, in these uniquely dystopian times, to reevaluate their ideas about utopia and dystopia.
The book brings together film, literary, and utopian studies scholars from across the world. As an interdisciplinary collection, it covers a wide range of utopias and dystopias, from those of visionaries as varied as William Morris and George Lucas to such fresh new and distinctive voices like Nana Kwame Adjei-Brenyah and N. K. Jemisin.
Contributors dismantle myths about utopian and dystopian film, literature, and television. Several chapters analyse the nature of utopian and dystopian fiction and its important relationship to our present moment. What's the future of utopia? What does it mean to be a utopia today? Do we still need the warnings of dystopia?
Whether through ecocritical work, work aimed at decolonizing utopian studies, debates about our relationship with technology and the nonhuman, forms of utopian hope and pessimism, or new thinking about cinematic and literary techniques and production, the essays offer fresh insight into the subject area and something to interest any reader.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Water Logics: Materialist Epistemologies for the Environmental Humanities (U Virginia Press, 2026) examines the epistemological adjustments that take place when we make water the source and medium for thinking about the world. Eschewing metaphorical readings of rivers, seas, and oceans, it brings together leading voices from across the social sciences and the humanities to argue rather for a distinct focus on materiality, engaging posthumanism, biotheory, and other cutting-edge theoretical approaches.
From the Caribbean Sea to the Indian Ocean, this rich collection is inhabited by migrants, port cities, and coral reefs. It explores the fruitful potential of water for literary, anthropological, and ethical studies, bringing both cohesive transdisciplinarity and fresh comparative perspectives to hydro-criticism. Taken together, the wide range of critical interpretative practices constitutes a signal contribution to the blue humanities.
Guest yasser elhariry is Associate Professor of French Studies and Chair of the Department of French & Italian Studies at Dartmouth College, where he is affiliated with the Programs in Comparative Literature, Women’s, Gender & Sexuality Studies, and Middle Eastern Studies. He is the author of This Book Is Full of Holes: Literary Bodies & the Invention of an Idiom and Pacifist Invasions: Arabic, Translation & the Postfrancophone Lyric. He has published dozens of essays on Arabic and French lyric, translation, and postcolonialism. Along with Water Logics, he is coeditor most recently of Literature as Sound Studies, Re-Membering Hospitality in the Mediterranean, Abdelkébir Khatibi: Literature & Theory, and The Postlingual Turn.
Guest Edwige Tamalet Talbayev is Associate Professor of French at Tulane University where she also holds affiliations with the Environmental Studies Program and the Middle East and North African Studies program, which she founded in 2022. Talbayev recently joined the faculty advisory board for the newly established Tulane Global Humanities Center. She concurrently serves as Professor Extraordinarius at the Institute for Social and Health Sciences at the University of South Africa (UNISA) and as a member of the advisory board for the Center for Francophone Research at the University of Leipzig. She is the long-time Editor of Expressions maghrébines and a co-editor of the “Passagen” book series at Georg Olms Verlag (Germany). Talbayev is the author of The Transcontinental Maghreb: Francophone Literature across the Mediterranean with Fordham UP and the co-editor of several edited collections; in addition to Water Logics and Rethinking Hospitality in the Mediterranean (both with our other guest today) these include a roundtable entitled “Ecocritical Terrains: Rethinking Tamazghan and Middle Eastern Environments” published in the International Journal of Middle East Studies in 2025.
Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.