New Books in Literary Studies

Twice winner of the Pulitzer Prize, firstly in 1969 for The Armies of the Night and again in 1980 for The Executioner's Song, Norman Mailer's life comes as close as is possible to being the Great American Novel: beyond reason, inexplicable, wonderfully grotesque and addictive.The Naked and the Dead was acclaimed not so much for its intrinsic qualities but rather because it launched a brutally realistic sub-genre of military fiction - Catch 22 and MASH would not exist without it.  In Tough Guy: The Life of Norman Mailer (Bloomsbury, 2023), Richard Bradford combs through Mailer's personal letters - to lovers and editors - which appear to be a rehearsal for his career as a shifty literary narcissist, and which shape the characters of one of the most widely celebrated World War II novels. Bradford strikes again with a merciless biography in which diary entries, journal extracts and newspaper columns set the tone of this study of a controversial figure. From friendships with contemporaries such as James Baldwin, failed correspondences with Hemingway and the Kennedys, to terrible - but justified - criticism of his work by William Faulkner and Eleanor Roosevelt, this book gives a unique, snappy and convincing perspective of Mailer's ferocious personality and writings. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Hello, this is Eric LeMay, a host on the New Books Network. Today, I speak with Daniel Pollack-Pelzner, author of the new artist’s biography Lin-Manuel Miranda: The Education of an Artist (Simon & Schuster, 2025). The book was recently named one of NPR’s Books We Loved for 2025. Pollack-Pelzner is a cultural historian, theater critic, and teacher at Portland State University, whose writing has appeared in The New Yorker, The Atlantic, and The New York Times. Pollack-Pelzner’s biography offers a captivating exploration of Miranda’s artistic journey—from a sensitive child in Manhattan’s Washington Heights to the visionary creator of Hamilton whose voice has reshaped musical theater and popular culture. This book captures a living artist in motion, weaving together countless threads of collaboration, cultural synthesis, and personal revelation that define Miranda’s work. In our conversation, we focus on the challenge of writing biography itself. How does a scholar and critic approach the story of someone whose art feels both deeply personal and expansively historical? How does one trace the education of an artist who learned not in isolation, but through community, heritage, and creative exchange? Pollack-Pelzner guides us through these questions with the grace of a storyteller and the precision of a historian, drawing on unparalleled access to Miranda’s inner circle and his own interviews with the artist. This is a book about how an artist finds his voice, and a conversation about how a biographer finds the shape of a life. Join me for this engaging discussion with the delightful Daniel Pollack-Pelzner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

KGB Literati: Spy Fiction and State Security in the Soviet Union (University of Toronto Press, 2025) offers a first-ever glimpse into the mysterious and long-ignored world and work of Soviet spies- and counterspies-turned-writers. Once out of active service, many former spies have turned to writing spy fiction. They drop the dagger and pick up the pen. Some are very successful, like James Bond’s creator Ian Fleming or the novelists John Le Carré and Graham Greene. Their Soviet counterparts have rarely been afforded the same attention or examination. Drawing on materials from KGB archives and Soviet publications long out of print, KGB Literati offers the first-ever account of spy fiction written, frequently with institutional support, by Soviet intelligence and counterintelligence officers. Spy fiction can give insights into the operational workings of clandestine agencies and the personal dimensions of secret service work. By analysing the literary output of KGB spies and counterspies, the book shows that for the KGB, this type of intervention into Soviet popular culture was a crucial component of their overall counterintelligence strategy. These texts played an instrumental role in the Soviet state’s efforts to neutralize and counter Western cultural influences on the Soviet population. Dr. Filip Kovacevic’s research is of great relevance today, given that a large segment of the Russian ruling elite is still composed of former KGB officers, including Russian president Vladimir Putin. KGB Literati illuminates the deep-seated KGB myths, values, aspirations, and fears that continue to have a profound impact on the foreign and domestic policies of the Russian Federation. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Wednesday, December 17—“The best play I’ve seen this season,” says New York Magazine’s Sara Holdren about Liberation, Bess Wohl’s moving exploration of the women’s movement through the story of an Ohio consciousness-raising group in the early 1970s and a daughter who yearns to understand her mother’s life and her own.To discuss this timely play and the movement’s powerful literary roots, Wohl joins memoirist Honor Moore, co-editor of Library of America’s Women’s Liberation! Feminist Writings that Inspired a Revolution and Still Can, for a conversation about freedom, feminism, and visions for a better future, then and now.LOA LIVE programs are made possible by contributions from friends like you, and we encourage you to consider making a donation to support future presentations. Max Rudin is President & Publisher of Library of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Many Disney films adapt works from the Victorian period, which is often called the Golden Age of children’s literature. Animating the Victorians: Disney’s Literary History (University Press of Mississippi, 2025) explores Disney’s adaptations of Victorian texts like Alice in Wonderland, Oliver Twist, Treasure Island, Peter Pan, and the tales of Hans Christian Andersen. Author Patrick C. Fleming traces those adaptations from initial concept to theatrical release and beyond to the sequels, consumer products, and theme park attractions that make up a Disney franchise. During the production process, which often extended over decades, Disney’s writers engaged not just with the texts themselves but with the contexts in which they were written, their authors’ biographies, and intervening adaptations. To reveal that process, Fleming draws on preproduction reports, press releases, and unfinished drafts, including materials in the Walt Disney Company Archives, some of which have not yet been discussed in print. But the relationship between Disney and the Victorians goes beyond adaptations. Walt Disney himself had a similar career to the Victorian author-entrepreneur Charles Dickens. Linking the Disney Princess franchise to Victorian ideologies shows how gender and sexuality are constantly being renegotiated. Disney’s animated musicals, theme parks, copyright practices, and even marketing campaigns depend on cultural assumptions, legal frameworks, and media technologies that emerged in nineteenth-century England. Moreover, Disney’s adaptations influence modern students and scholars of the Victorian period. By applying scholarship in Victorian studies to a global company, Fleming shows how institutions mediate our understanding of the past and demonstrates the continued relevance of literary studies in a corporate media age. An audiobook will be available in January 2026. Patrick C. Fleming is a scholar of Victorian studies and children's literature. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies