New Books in Literary Studies

Audiences and scholars alike have long remarked that Shakespeare’s poems and plays record the pleasures and perils of the table. Shakespeare in the Kitchen (Routledge, 2026) by Dr. Marissa Nicosia asks what Shakespeare’s works can tell us about Renaissance culinary recipes, and what these recipes can tell us about Shakespeare’s works.

Dr. Nicosia explores how Shakespeare’s works reveal tensions not only within early modern food culture about who should eat, what to eat or serve guests, and when to preserve foods, but also how to undertake the embodied processes of cooking, baking, and serving. The chapters include both analysis of plays and poems, as well as updated historical recipes ready for cooking. Nicosia prepares the recipes that permeate the canon—from Falstaff’s beloved capons to the cakes that invite festivity in Twelfth Night—demonstrating how the physical act of cooking can transform our understanding of once familiar texts, and asking what we can learn about food history by recreating historical recipes with twenty-first-century ingredients and tools.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Plant Thinkers of Twentieth-Century Bengal (Oxford UP, 2024) by Sumana Roy takes an unexpected cast of writers and artists and, in studying their work as ‘plant thinkers’, looks at how their stories and songs, art and films, and, of course, the idiomatic affected Bengali life and thought. Forest and garden, grass and root, weeds and magical plants—supported by a foliage of thought that allowed them to see beyond the botanical, Rabindranath Tagore, Bibhutibhushan Bandyopadhyay, Jibanananda Das, Shakti Chattopadhyay, Satyajit Ray, and others derived their worldview, their poetics and politics, from the plant world. Jagadish Chandra Bose’s scientific experiments, his research and the philosophy that propelled it, religions and rituals that involved an affective relationship with the natural world, a subterranean invocation of plant philosophy in actions and words, in living and in creative practice, and the political possibilities beyond the nation state that such thinking generated give this book its sap and flow. What might we take from these plant thinkers to rehabilitate our consciousness today?

Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University
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Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge.

Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration.
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In Writing Wars: Authorship and American War Fiction, WWI to Present (U Iowa Press, 2022) David Eisler looks at how American literary fiction about war has changed as the nature of civil-military relations has changed. For much of the 20th century the people who wrote novels about war were men who went to war. And for some authors and critics, being a war veteran was a requirement for being authorized to write about war. But Eisler shows that after the end of conscription there was a "dispersal of authority" to write about wars which made room for more authors to write about war as well as more stories to be told about war. By examining the development of the war novel over the past century (1918-2018) Eisler shows how war writing, in particular notions of "authority" and "authenticity," reflect the social/political environments and changes in civil-military relations.

You can find a transcript of our interview here.
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Conceiving the Mother of Tibet: The Early Literary Lives of the Buddhist Saint Yeshe Tsogyel (Oxford UP, 2026) is the first comprehensive study dedicated to the literary tradition surrounding Yeshe Tsogyel, revered as the foremost matron saint of Tibetan Buddhism. It traces the emergence and development of a rich body of narratives about Yeshe Tsogyel during the fourteenth and fifteenth centuries, focusing on the Tibetan Nyingma Buddhist tradition. Through careful textual analysis, the book constructs an emic (insider) Tibetan Buddhist theory of gender and female religious eminence, examining how Yeshe Tsogyel's multifaceted identities--as a devoted disciple, tantric consort, sky-goer (dakini), and spiritual mother--embody a dialectic that shifts back and forth between Tibetan women's social and cultural marginalization and a Buddhist discourse of soteriological inclusivity.

Jue Liang queries these texts for their social and religious functions, especially where ambivalence and contradictions abound. However, these ambivalences do not necessarily disadvantage women in Tibetan Buddhism. Operating with ambivalent, sometimes competing, discourses on womanhood, Nyingma Buddhist theorists in the fourteenth and fifteenth centuries created a space for a flexible treatment of gender, where they traverse between theological terms and embodied reality.

Ultimately, Conceiving the Mother of Tibet not only illuminates the unique position of Yeshe Tsogyel within Tibetan Buddhist literature but also offers a methodological framework for understanding localized theories of gender. This approach highlights alternative ways of being and acting in the world as embodied agents, providing valuable insights for the broader field of Buddhist studies.
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