600 episodes
- Romantic Media and Wartime Networks (Stanford UP, 2026) by Dr. Deven Parker tells the story of how Britain revolutionized its state communication networks on an unprecedented scale during the French Revolution and the Napoleonic Wars, setting the stage for our modern infrastructure state where connectivity and surveillance go hand in hand. Dr. Parker argues that Romantic literary representations of this state communications network managed to reveal—and, on occasion, to resist—its ideological functions.
In a wide-ranging study drawing upon an archive of military surveys, spy reports, trial records, and even ladies' hand fans, Dr. Parker reveals the scope and impact of the British government's investments in shutter telegraphs, mapping projects, and postal routes across two decades of war with France. The writers of the Romantic period, meanwhile, were cognizant of the political motivations undergirding the state's overhauled networks, which were designed to facilitate and speed up but also to more easily control communications. Taking up familiar writers including Lord Byron, Mary Wollstonecraft, William Godwin, Charlotte Smith, Charles Lamb, William Hazlitt, and Thomas De Quincey—as well as lesser-known figures such as radical playwright John Dent, inventor Richard Lovell Edgeworth, and the proto-science fiction novelist Jane Loudon—Dr. Parker reads Romantic literature for its astute chronicling and interrogation of the material hardware of the state's media ecology.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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31/10/2026 | 1h 15 mins.Irina Shevelenko's Russian Archaism: Nationalism and the Quest for a Modernist Aesthetic (Cornell University Press, 2024) discusses the late-19th and early 20th century search for an archaic Russian folk tradition that could ground Russian art in an idiom independent of “The West.” While the [re]discovery of 14th and 15th century icon painting partially achieved this goal, Russian Modernists most often ended up creating art that was entirely new and which owed little to Russian folk tradition; the audience for this art was, after all, that same Western and Westernized elite.
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27/10/2026 | 40 mins.Chekhov liked to joke that he was a doctor by profession and merely did literary work in his spare time. Behind the joke lies an intriguing truth. We remember Chekhov as a towering literary figure, but medicine and humanitarian work occupied much of his life and profoundly shaped the way he encountered human suffering.
Nowhere is this more striking than in his remarkable journey across Siberia to Sakhalin Island. Travelling through an immense and unforgiving landscape to investigate conditions in the penal colony, Chekhov undertook an expedition that he would remember as one of the defining experiences of his life. Written by a neuroscientist and practising clinician, Chekhov’s Sakhalin Journey: Doctor, Humanitarian, Writer (Bloomsbury, 2023) follows Chekhov along this extraordinary route, drawing on his own account to reveal the doctor, humanitarian and observer behind the celebrated author. The result is a richer portrait of Chekhov, one that asks us to see his medicine and literature not as competing lives, but as different expressions of the same searching attention to human experience and the determination to not ‘do nothing’ to improve human lives.
Professor Jonathan Cole (MA, MSc, DM, FRCP, FTPS), is a British consultant clinical neurophysiologist, author, and researcher known for combining neuroscience with first-person patient narratives. He serves as a consultant at the University Hospital in Dorset, a visiting professor at Bournemouth University, and has served as the President of the International Federation of Clinical Neurophysiology. Inspired by his mentor and friend Oliver Sacks, Cole’s work heavily emphasizes the subjective, lived experience of individuals surviving rare or severe neurological conditions.
Jonathan is one of those rare scientists who combines both the rigor of scientific investigations with literary endeavours and even theatre. I will include both Jonathan’s personal website and his website for his collaborations in theatrical productions.
Dr. Anya Daly is Senior Lecturer in Philosophy and Ethics in the School of Arts and Society, University of Tasmania. Interdisciplinary collaborations are at the core of Anya’s research interests. She investigates the intersections of phenomenology with philosophy of mind, the philosophy of perception, the philosophy of psychiatry, embodied and social cognition, enactivism, ethics, aesthetics and Buddhist Philosophy.
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27/10/2026 | 46 mins.What is the place of poetry in the modern world? In Poetry in General: How a Literary Form Became Public (Columbia UP, 2025), Keegan Cook Finberg, an Associate Professor of English at University of Maryland, Baltimore County narrates the contemporary history of poetry as the emergence of a public literary form. The book shows poets' engagement with social and economic changes, such as the rise of bureaucracy and office jobs, suburbanisation, feminism, and neoliberalism, alongside changes in literary forms and literary practices In doing so, the analysis demonstrates both the importance of poetry to reflect social and economic change, as well as its potential as a critical force in our moment of social and economic crisis. Ranging widely across individual poets, artistic collectives, and performance activities, the book will be of interest across the humanities, as well as anyone interested in why poetry matters today.
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25/10/2026 | 1h 10 mins.A Protestant Air: Gide, Sartre, Barthes, and the Religion of Literary Modernity (Cornell UP, 2026) focuses on the Protestant connection linking three intellectual giants of twentieth-century French thought. All three came from a Protestant background and thus shared a common marginality in a nation culturally marked by Catholicism, one that profoundly shaped their personalities, thinking, and literary careers. When Gide received the Nobel Prize in 1947, he declared that if he had represented anything as a writer, it was the "spirit of protestation." Clémentine Fauré-Bellaïche explores the filiation that this spirit weaves between Gide, Sartre, and Barthes. She shows how their Protestant difference, confronted with France's Catholicity, informed their posture as writers, their conceptualization of literature, and their elaboration of the figure of the French intellectual as a counterauthority, with a distinctive positioning vis-à-vis the individual and the institution. As such, A Protestant Air examines the religious underpinnings of twentieth-century letters and politics, their interaction with the secularization of French society, and, more broadly, the historical and philosophical relationship between the Protestant ethos and modernity itself.
Guest Clémentine Fauré-Bellaïche is Associate Professor of French and Francophone Studies at Brandeis University; she is currently at work on two projects. The first one, tentatively titled Transnational Theologies — Religious Networks and The Making of French Thought, is centered on the reconfiguration of French thought between the wars, informed by transnational circulations, exchanges of ideas across cultural spaces, and intellectual transfers between the religious and the secular spheres. The second one is a French literary history of the notion of conspiracy, both as form and as imaginary, from Balzac and Marcel Proust to Paul Nizan and Michel Houellebecq.
Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press.
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