New Books in Literary Studies

What if children’s literature was never as innocent as we imagine?

In Sugarcoated Ethics: Children’s Literature and Atlantic Enslavement (Johns
Hopkins University Press, 2026), the relationship between childhood
reading and Atlantic slavery is brought into sharp focus. The book
argues that children’s literature did not merely emerge alongside the
plantation economy; it was deeply shaped by it. Sugar, sweetness, moral
instruction, and domestic comfort were all tied to systems of
enslavement and colonial trade, even as the violence behind them was
softened or erased in stories for young readers.

The book also
examines how ideas of white civility shaped childhood. White children,
particularly girls, were cast as symbols of innocence, refinement, and
moral feeling, while Black children were excluded from those same
protections. Through analyses of persecuted-heroine narratives,
missionary education, and colonial schooling, the study reveals how
children’s literature helped normalise racial hierarchy across the
British Empire.

Yet the project is equally attentive to
resistance and alternative ethical traditions. Afro-Caribbean oral
storytelling, including Anansi tales, songs, and folktales, emerges as a
powerful counterarchive. These traditions preserved histories of
survival, collective memory, and resistance that colonial print culture
often attempted to suppress. The discussion of the “Queen Mary” Fireburn
song, for instance, highlights how storytelling became a form of
ethical education and cultural continuity across generations.

One
of the book’s most striking contributions is its global scope.
Children’s texts on slavery circulated far beyond Britain and the
Caribbean, travelling to Africa, Asia, and the Middle East via
missionary and imperial networks. In translation and adaptation, these
works sometimes reinforced imperial ideologies, but they could also be
reshaped in unexpected ways by ‘local’ readers and writers.

Sugarcoated Ethics
asks readers to reconsider what children’s literature teaches us about
morality, empathy, and history. It challenges the assumption that
childhood stories are politically neutral and invites us to think more
critically about the ethical worlds children’s books continue to create
today.
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Literature and Learning: A History of English Studies in Britain (Oxford University Press, 2025) by Stefan Collini

The
study and teaching of English literature is generally regarded as one
of the central disciplines in the modern university, yet for much of its
history it struggled to gain academic legitimacy and was frequently
derided as 'a soft option'. Its early professors responded by
emphasizing its scholarly character, foregrounding philology and
literary history in ways that marked the syllabus far into the twentieth
century.

Stefan Collini provides here the first full account of the
discipline's development from its late-eighteenth-century beginnings up
to the early 1960s. Paying special attention to institutional settings,
he challenges numerous assumptions about the character of universities
in the nineteenth and early twentieth centuries. From the detailed
exploration of syllabuses, exam papers, and other institutional records,
the impact of literary criticism is revealed to be later and more
partial than is commonly assumed. Rather than seeing the early teaching
of English literature as 'a substitute for religion' or 'a means to
soften class conflict', Collini emphasizes the role of ideals of
learnedness and scholarship, as well as of external factors such as
opportunities for employment in the civil service and secondary
school-teaching. There are full discussions of the parts played by such
figures as John Churton Collins, A.C. Bradley, George Saintsbury, and
Walter Raleigh, together with sceptical analyses of the decisive
significance usually attributed to Matthew Arnold, T.S. Eliot, I.A.
Richards, and F.R. Leavis. Separate chapters are devoted to neglected
aspects of the story such as the role of Classics, the importance of the
subject for women's higher education, and the connections with English
teaching in schools.

Drawing on extensive use of institutional
archives and records as well as the writings of contemporary
participants, the book offers a vivid and wide-ranging history of
English-as-discipline and its centrality across academic, literary,
cultural, and educational life over the past two year hundred years, as
well as a resounding testament to its continued importance and relevance
today.

Stefan Collini, Professor Emeritus of Intellectual
History and English Literature, University of Cambridge. Stefan Collini
was educated at Cambridge and Yale. Following a Research Fellowship at
St John's College, Cambridge, he was Lecturer, then Reader, in
Intellectual History at the University of Sussex 1974-86; Lecturer, then
Reader, then Professor of Intellectual History and English Literature
at the University of Cambridge 1986-2014. He is a Fellow of the British
Academy, and a frequent contributor to the London Review of Books, Times Literary Supplement, and Guardian.

Morteza Hajizadeh
is a Ph.D. graduate in English from the University of Auckland in New
Zealand. His research interests are Cultural Studies; Critical Theory;
Environmental History; Medieval (Intellectual) History; Gothic Studies;
18th
and 19th Century British Literature. 
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This is Dr. Swati Joshi's inaugural episode on the New Books Network. In this episode, she interviews Dr. Lucy Jeffery about her monograph, Transdisciplinary Beckett: Visual Arts, Music, and the Creative Process (ibidem Press, 2021). She is also co-editor and author of Replaying Communism: Trauma and Nostalgia in European Cultural Production, published by CEU Press and AUP in 2026. She is co-founder of the Replaying Communism project, which received funding from the AHRC SWW-DTP (2023) and the Visegrad Fund (2024). Dr. Jeffery's published research is on Samuel Beckett, Harold Pinter, Ezra Pound, Ingeborg Bachmann, and Magda Szabó. Her monograph—Transdisciplinary Beckett: Visual Arts, Music, and the Creative Process—was published by Ibidem in 2021, and, in 2022, she co-edited a special issue for Green Letters, entitled ‘A New Poetics of Space’.

This episode weaves together Beckett's transdisciplinary creative process with Dr. Jeffery's journey of research, and cogitation over challenges to preserve integrity and creativity of the author's works in the wake of rapidly developing AI tools. Furthermore, the colour blue occupies an integral role in Dr. Jeffery's monograph, so this episode entails analytical segments on pigments used in Beckett's works beyond the black, white, and grey. Dr. Jeffery and I also briefly discuss our ongoing special issue, "A Writer's Palette: Colour in Late Modernist Literature," for Textual Practice. Colleagues interested in sharing their proposal until 12th December, can write to us on latemodernists@gmail.com, for more details.
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Ancient apologetics is usually treated as a literary genre or a branch of early theology. This Element offers a different account. It argues that many Jewish and Christian texts conventionally labeled 'apologetic' are better understood through a bibliographic and archival lens: They produce authority not only by defending doctrines, but by organizing books, constructing corpora, mobilizing archives, and regulating interpretation. Tracing a trajectory from the Letter of Aristeas to Jerome's De viris illustribus, this Element shows how citation, collection, cataloguing, and textual ordering made traditions appear authoritative. Examining Aristeas, Josephus, Tatian, Justin, Origen, Pamphilus, Eusebius, and Jerome, it argues that apologetics is best understood as a form of curatorial power through which ancient communities learned to think with books. This title is also available as open access on Cambridge Core.

New Books in Late Antiquity is presented by Ancient Jew Review.

Sabrina Inowlocki is a Senior Research Fellow Institute for Religion and Critical Inquiry (IRCI) at the Australian Catholic University.

Michael Motia teaches in Classics and Religious Studies at UMass Boston
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A groundbreaking reassessment of the relationship between Federico García Lorca and American poet Philip Cummings and its impact on the poems in Lorca's landmark collection, Poet in New York.In August 1929, Spanish poet Federico García Lorca left New York City to spend ten days with his friend and lover Philip Cummings at a lakeside cottage in northern Vermont. Lorca in Vermont: The Spanish Poet and His American Lover (High Road Books, 2026) tells the story of two young men with mismatched goals and expectations: Lorca, already well established in his career, who sought a sustained romantic relationship with another man, and Cummings, a new college graduate eight years his junior, who had no interest in long-term commitment or in challenging social conventions. Based on over a decade of research, Lorca in Vermont explores the full course of Lorca’s relationship with Cummings, an affair that spanned three years and two continents. Combining unique access to primary sources, extensive original research, and a fresh analysis of published sources, the book describes not only the pair’s history as a couple but also the suppression of their relationship by Lorca scholars after the poet’s tragic death in 1936. Perhaps most importantly, it reveals previously unrecognized links between the disappointment and loss Lorca experienced in his relationship with Cummings and at least eight of the poems in his landmark collection Poet in New York, a work that has long intrigued and inspired other writers. The book brilliantly blends compelling new findings and an engaging narrative style in a page-turning tale that is a must read for anyone interested in Lorca and his legacy.
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