New Books in Literary Studies

A Protestant Air: Gide, Sartre, Barthes, and the Religion of Literary Modernity (Cornell UP, 2026) focuses on the Protestant connection linking three intellectual giants of twentieth-century French thought. All three came from a Protestant background and thus shared a common marginality in a nation culturally marked by Catholicism, one that profoundly shaped their personalities, thinking, and literary careers. When Gide received the Nobel Prize in 1947, he declared that if he had represented anything as a writer, it was the "spirit of protestation." Clémentine Fauré-Bellaïche explores the filiation that this spirit weaves between Gide, Sartre, and Barthes. She shows how their Protestant difference, confronted with France's Catholicity, informed their posture as writers, their conceptualization of literature, and their elaboration of the figure of the French intellectual as a counterauthority, with a distinctive positioning vis-à-vis the individual and the institution. As such, A Protestant Air examines the religious underpinnings of twentieth-century letters and politics, their interaction with the secularization of French society, and, more broadly, the historical and philosophical relationship between the Protestant ethos and modernity itself.
Guest Clémentine Fauré-Bellaïche is Associate Professor of French and Francophone Studies at Brandeis University; she is currently at work on two projects. The first one, tentatively titled Transnational Theologies — Religious Networks and The Making of French Thought, is centered on the reconfiguration of French thought between the wars, informed by transnational circulations, exchanges of ideas across cultural spaces, and intellectual transfers between the religious and the secular spheres. The second one is a French literary history of the notion of conspiracy, both as form and as imaginary, from Balzac and Marcel Proust to Paul Nizan and Michel Houellebecq.
Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press.

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Our second episode on “The Literary Ecosystem” features scholars of contemporary literary culture Dan Sinykin and Sarah Brouillette in conversation with host Aarthi Vadde. Like the good close readers we all are, we begin by thinking about how the metaphor of the “literary ecosystem” works. Sarah values the way it brings relationships between cultural institutions to the foreground but prefers the base-superstructure model of Marxian critique. Dan, too, moves away from “naturalizing” metaphors although he sees the ecosystem’s potential for pithily naming the interplay of literary production, circulation, and reception.
From here the conversation ranges widely as we consider the economic and social forces shaping contemporary literature – be they the conglomeration of publishing houses (see Dan’s Big Fiction) or the impact of platform capitalism upon authorial labor (see Sarah’s Content Machinesand Aarthi’s We the Platform). We acknowledge the hollowing out of institutions meant to cultivate appreciation for literature and ponder the viability of platforms like Substack for reconstituting a literary sphere. Finally, what would a discussion of the literary ecosystem be without addressing the elephant in the room: AI. We bracket the author scandals to address the supporting players under threat: the translators, the audiobook narrators, the humans who bring books to readers across languages and formats. Come for the literary sociology; stay for the inside scoop on “prompting” a dark romance novel.
Mentions
Marx – base-superstructure model
Bruno Latour – actor-network theory
Sophie Bishop – Influencer Creep
Andrew de Waard - Derivative Media
Pierre Bourdieu – The Rules of Art

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Agnes Heller loved being part of the Budapest School--and she hated being part of any school. In his 2019 In Memoriam piece, John explored her ambivalence about intellectual camaraderie, its virtues and its vices.
This experiment in reading Public Books articles aloud--akin to Books in Dark Times and Recall This Story and Recall This B-Side--follows on from JP's earlier Hannah Arendt articles and 2026 article about the Pope and AI. You can consult the footnotes on Agnes Heller and read a transcript by heading back to the article in its original 2019 form here.

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A Conversation with the author Amanda Batarseh about Rooted Movements: The Radical Poetics of Palestinian Space (Syracuse UP, 2026).
Present in the heart of modern Palestinian literature is a pervasive sense of rootedness, sustained and nurtured by a deep care for land stewardship and embedded in a spatialized history. In Rooted Movements, Amanda Batarseh examines the epistemology of Palestinian Indigeneity based in a radical relationship to place. Against a colonial logic that often centers displacement as the chief lens through which to understand Palestinian connection to place and spatialized existence, Batarseh argues that Palestinian literature poses Indigeneity as a dialectic relying as much upon rootedness as on ideas of movement.
In elaborating this tension, Batarseh develops a methodology of reading Palestinian literature that foregrounds how Palestinians negotiate space and removal through liberatory mobilization and not as a symptom of zionist, colonial violence. Reading the poetry, creative nonfiction, essays, novels, and films of writers in Palestine and in exile—from Ghassan Kanafani to Naomi Shihab Nye, Hussein Barghouthi, Raja Shehadeh, Ibtisam Azem, and Randa Jarrar—she exposes the limitations of focusing on the geopolitical borders of a modern nation-state and offers alternative imaginaries not bound by colonial spatial control. Instead, the Palestinian poetics of space Batarseh articulates engage rooted movement as an Indigenous expression of deep-seated and enduring connections to place. Palestine, this place, is not static, enclosed by military boundaries, or frozen in time before or after the Nakba, but generative and looking toward a Palestinian future.
Books and Artists mentioned in the Podcast:
Leila El-Haddad: here
Dana Barqawi: here
Amanda Batarseh is an assistant professor of literature at the University of California, San Diego, where her research and teaching focus on Palestinian literature with a broader focus on Arab cultural production in and outside of Arabic, Indigenous studies, and Mediterranean studies.

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Islamic Ethics and Spiritual Sovereignty: Genres of Tradition in Muslim South Asia (U Notre Dame 2026) explores the rich vast textual archive of Maulana Ashraf Ali Thanavi, a South Asian Muslim theologian and Sufi. Mian’s deep and careful reading of Thanavi’s diverse genres of texts, such as letters, and those composed by his disciples, such as hagiographies and councils, captures the complex colonial era in which Thanavi and his students lived, but more importantly highlights how Thanavi’s Sufi community inhabited realities counter to their modern context, namely those of ethical practices and matters of the soul and heart. In traversing Thanavi's genres of writings, and using a psychoanalytical lens, Mian reflects on how spiritual sovereignty was negotiated in this one modern South Asian thinkers’ worldview, and how formulations of political to metaphysical concepts model the construction of Islamic tradition as a discursive one. This book will be of interest to those who think about South Asian Islam and Sufism.
Ali Altaf Mian is the Izzat Hasan Sheikh Fellow in Islamic Studies and assistant professor of religion at the University of Florida.
Shobhana Xavier is a Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here. She may be reached at shobhana.xavier@queensu.ca.

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