New Books in Sex, Sexuality, and Sex Work

Political theorist Alisa Kessel (University of Puget Sound) has an important and impressive new book, Rape Fantasies: Rape Culture and the Persistence of Sexual Violence. Kessel’s research grew out of her work on questions of consent and how consent is embedded within the social contract structure. Initially the plan for the research was to critique this concept of “rape culture” which had found its way into popular discourse as well as academic work and was somewhat unclear in terms of application and understanding. Kessel notes in the book and in our conversations that her thinking about the idea of rape culture owes a great deal to black feminists who had been writing about and discussing the underlying issue at the heart of rape culture, which is not just about violence against women, but more broadly about the political, societal, and cultural dimensions of domination, victimhood, and human value. Rape Fantasies develops this understanding and provides fascinating examples of this intersectional concept. One of the key claims of the book is that sexual violence is not accidental, it is not necessarily based on physical urges that just cannot be controlled; it is, instead, based in the dynamic of political domination thus making rape itself a political act. Part of the unexamined problem with rape is that it is built around an entitlement to dominate, which also makes the threat of sexual violence a political act. Rape Fantasies traces this idea through a number of different case studies that unpack the dimensions of this threat of sexual violence in a variety of circumstances and situations, tied, inevitably, to the duality of domination and subordination or victimization, which is also wrapped up with questions of who is deserving of protection and who is not as deserving.

Kessel explains that in examining sexual violence, what she found was multifaceted reflections and refractions, since the issue and the individual’s experience with sexual violence are neither simple nor linear. And the examples and case studies that make up the thrust of the book present this multidimensional nature of sexual violence. This multifaceted thinking about sexual violence also integrates an intersectional analysis, drawing on work from indigenous studies, feminist and women’s studies, feminist theory, black feminism, political theory and other connected schools of thought. The interrogation of rape and rape culture, particular in context of the political valence, “occurs across multiple axes of oppression, including white supremacist, heteropatriarchal, cisgender, settler colonial, and capitalist axes.”[1] The case study examples in Rape Fantasies include bathroom bills across the states, the idea of the frontier and modes of extraction, consent contracts and consent apps, and OnlyFans and intimacy on demand. Each example is deeply researched and unpacked, providing the reader with historical, legal, political, economic, cultural, and societal analyses of these complex areas of domination and entitlement.

Rape Fantasies: Rape Culture and the Persistence of Sexual Violence is an expansive undertaking, bringing together theoretical frameworks from different schools of thought and analysis, threaded with important case studies that help the reader think deeply about this concept and how it is operationalized in our daily lives. Even if we are not aware of these narratives, they surround us and shape so much of our thinking about how the world works. And why sexual violence remains so persistent.

Susan Liebell is Professor Emerita of Political Science at Saint Joseph’s University in Philadelphia.

Lilly J. Goren is a Professor of Political Science at Carroll University in Waukesha, Wisconsin. 

[1] Alisa Kessel. Rape Fantasies: Rape Culture and the Persistence of Sexual Violence. Oxford University Press, 2025. p. 6.
Learn more about your ad choices. Visit megaphone.fm/adchoices

Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince (Duke UP, 2026) is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler
Learn more about your ad choices. Visit megaphone.fm/adchoices

In Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film (Edinburgh UP, 2025), Leslie Barnes examines the ambivalences that mark Southeast Asian sex industries under global imperialism. She explores the multi-layered subjectivities of sex workers, procurers and clients, and interrogates the frameworks in which discourses surrounding sex work circulate. Engaged with debates concerning the status of transactional sex, Sex Work in Southeast Asia explores the symbolic force and concrete conditions of sex work in Cambodia and Vietnam, considering how these debates and the figures they ensnare are mediated by fiction and creative nonfiction. The book’s scenes of ambivalence show how the aesthetic treatment of sex work stretches the paradigms we use to make sense not only of sex work, but also of art, the evidentiary status of testimony and the spectacles of pleasure and suffering. Contesting essentialism and authenticity, and working to suspend judgement, these scenes encourage a re-examination of what we think we know about sex work, how we know it and what we do with that knowledge.

Leslie Barnes is an Associate Professor of French Studies at the Australian National University. She is author of Vietnam and the Colonial Condition of French Literature (2014) and co-editor of The Cinema of Rithy Panh: Everything Has a Soul (2021). We previously chatted on New Books about her work on the great Cambodian film director Rithy Panh, so was excited to speak with her again about Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film.
Learn more about your ad choices. Visit megaphone.fm/adchoices

Bullet bras, bazookas, bombshells, bikinis. In Atomic Bombshells: How Plastics Shaped Postwar Bodies (Duke UP, 2026), Dr. Isabelle Held challenges the usual narratives of how war technologies enter domestic use by following plastics on their journey into women’s bodies. Dr. Held explores the effects of military-industrial science and the emergence of nylon, silicone, and plastic foams on embodied and expressive configurations of gender, sexuality, and race. She focuses on the United States between the late 1930s with the launch of nylon—whose potential was widely celebrated as the world’s first fully synthetic fiber and the ideal replacement for silk stockings—and the late 1970s, when policies began addressing the dangerous health consequences of implantable plastics.

Dr. Held untangles the complex relationships between chemical companies, the US military, the Federal Drug Administration, plastic surgeons, advertising agencies, the Hollywood star system, go-go dancers, drag queens, and fashion and industrial designers. Using feminist, queer, and trans lenses, she shows that there was never just one bombshell identity. In so doing, Dr. Held complicates typical understandings of the shaping and reshaping of gender.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices

Colonial Caregivers: Ayahs and the Gendered History of Race and Caste in British India (Cambridge UP, 2025) offers a compelling cultural and social history of ayahs (nannies/maids), by exploring domestic intimacy and exploitation in colonial South Asia. Working for British imperial families from the mid-1700s to the mid-1900s, South Asian ayahs, as Chakraborty shows, not only provided domestic labor, but also provided important moral labor for the British Empire. The desexualized racialized ayah archetype upheld British imperial whiteness and sexual purity, and later Indian elite 'upper' caste domestic modernity. Chakraborty argues that the pervasive cultural sentimentalization of the ayah morally legitimized British colonialism, while obscuring the vulnerabilities of caregivers in real-life. Using an archive of petitions and letters from ayahs, fairytales they told to British children, court cases, and vernacular sources, Chakraborty foregrounds the precarious lives, voices, and perspectives of these women. By placing care labor at the center of colonial history, the book decolonizes the history of South Asia and the British Empire.Satya Shikha Chakraborty is an Associate Professor of History at The College of New Jersey.Saumya Dadoo is a PhD Candidate at MESAAS, Columbia University
Learn more about your ad choices. Visit megaphone.fm/adchoices