New Books Network

Since the late nineteenth century, the US federal government has enjoyed exclusive authority to decide whether someone has the ability to enter and stay in US territory. But freedom of movement was not guaranteed in the British colonies or early US. By contrast, voluntary migrants were met with strict laws and policies created by colonies and states, which denied free mobility and settlement in their territories to unwanted populations. 

Migration and the Origins of American Citizenship: African Americans, Native Americans, and Immigrants (Oxford University Press, 2026) by Dr. Anna O. Law presents a story of constitutional development that traces the confluence of the logics of slavery and settler colonialism in early legal rulings and public policy about migration and citizenship. The book examines the division of labor between the national and state governments that endured for over a century, reasons why that arrangement changed in the late nineteenth century, and what the transformation meant for people subject to those regimes of control. Drawing into one study the migration policy histories of groups of people that are usually studied separately, and
combining the methodologies of political science, history, and law, Dr. Law reveals the unmistakable effects of slavery and Native American dispossession in modern US immigration policy. 

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Female artists have long employed collage to reflect the ways in
which identity is often constructed from conflicting, contrasting and
contradictory parts. Cut Out: A Feminist History of Photo Collage, Montage and Assemblage (Thames & Hudson and V&A Publishing, 2026) by Fiona Rogers explores the relationship between photography and feminist collage, foregrounding the use of femmage—a radical reclaiming of craft traditionally associated with women—as a resilient method within feminist and political art.

Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to
contemporary practitioners, we encounter Victorian album makers; Modernist, Surrealist and Dadaist innovators; and radical, second-wave feminist artists. Thematic sections include profiles written by expert contributors on key individuals, including Hannah Höch, Dora Maar and Lorna Simpson. Looking to the future as much as the past, Cut Out also reveals how the pioneering work of contemporary and digital artists continues to subvert dominant narratives and foster ever-expanding forms of photographic collage. 

At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power. 

This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this unique “history from below," Destination Elsewhere: Displaced Persons and Their Quest to Leave Postwar Europe (Cornell University Press, 2021) chronicles encounters between displaced persons in Europe and the Allied agencies who were tasked with caring for them after the Second World War. The struggle to define who was a displaced person and who was not was a subject of intense debate and deliberation among humanitarians, international law experts, immigration planners, and governments. What has not adequately been recognized is that displaced persons also actively participated in this emerging refugee conversation. Displaced persons endured war, displacement, and resettlement, but these experiences were not defined by passivity and speechlessness. Instead, they spoke back, creating a dialogue that in turn helped shape the modern idea of the refugee. 

As Ruth Balint shows, what made a good or convincing story at the time tells us much about the circulation of ideas about the war, the
Holocaust, and the Jews. Those stories depict the emerging moral and legal distinction between economic migrants and political refugees. They tell us about the experiences of women and children in the face of new psychological and political interventions into the family. Stories from displaced persons also tell us something about the enduring myth of the new world for people who longed to leave the old. 

Balint focuses on those persons whose storytelling skills became a
major strategy for survival and escape out of the displaced persons’
camps and out of the Europe. Their stories are brought to life in Destination Elsewhere, alongside a new history of immigration, statelessness, and the institution of the postwar family. 

Ruth Balint is Associate Professor of History at University of New South Wales. She is the author of Troubled Waters and coauthor of Smuggled.

Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.
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In this episode Chella Ward and Amina Easat-Daas spoke with Dr Martijn de Koning about the nature of Islamophobia in the Netherlands and how this sits in relation to common perceptions about Dutch society as a liberal and tolerant society and the Islamophobic realities of the Netherlands. De Koning also spoke at length of the recent NTA affair in the Netherlands, the exceptionalising of surveilling Muslim communities and how Muslims in the Dutch context have begun to challenge this. Dr de Koning is an Associate Professor in Islam, Politics and Society at Radboud University and has published extensively on Islamophobia in the Netherlands.
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What if, every time you wanted to write down 1,000,000, you had to draw a picture of a god? And what if that number were the biggest you had a symbol for? If you were doing math in ancient Egypt, those were the rules: anything bigger broke math.As mathematician Richard Elwes shows in Huge Numbers: A Story of Counting Ambitiously, from 4 1/2 to Fish 7 (Basic Books, 2026)this is the strange story of math. Even today, writing down some numbers is beyond us: try it with all the zeroes in a googolplex, or an outrageous alien number like TREE(3). Safer not to try: even harnessing every particle in the universe, you wouldn’t come close. But this book is no mere bestiary of numerical monsters. It shows how, by hunting down and studying ever-bigger numbers, arithmetic has reshaped human thought and made our modern era of science and computation possible.Where many math books celebrate abstract algebra or ineffable infinities, Huge Numbers is both more practical and far weirder. It reveals a world where most numbers remain out of reach until we discover how to chase them down and tame them, and so remake our world again.
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