New Books Network

Post Mortem: A Mystery (Knopf,
2026) is the third book in David Lagercrantz's mystery series
following detective duo Rekke and Vargas: this time, their hunt for a
killer has a literary twist. Professor Hans Rekke and police officer
Micaela Vargas have earned a reputation for solving the unsolvable. But
they’ve never been confronted by a serial killer. Until now. Rekke
receives a visit from Spanish chief inspector Rafael Corales, who is
unable to forget the brutal, unsolved murder of a young woman in
Santander in 1988. Now other bodies have come to light, marked with
signs that seem to be some kind of numerical order. Still recovering
from his latest manic episode, his relationship with Vargas strained by a
secret she’s keeping, Rekke agrees to help decipher these signs before
the killer strikes again. The victim was an aspiring writer, and clues
from her posthumously published short story about a stray dog draw Rekke
and Vargas deep into the murk of Sweden’s literary scene. To unmask the
killer, Rekke must relearn the difference between fact and fiction, and
discover what really happened that night back in the 1980s. In yet
another intricate and exciting puzzle mystery, David Lagercrantz draws
on the literary world that he—and we—know all too well to tell a story
about guilt, shame, repressed memories, human depravity, and publishing.
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In the 1970s, as women started to enter the labor force in unprecedented numbers, economists began to examine their roles as economic actors. The result was the rise of gender economics, now a major subfield with powerful data and new methods comparing the economic lives of men and women. Yet despite decades of progress, many of the most consequential questions about gender inequality remain unresolved.

In How Economics Discovered Women: Bringing Gender Economics into the Twenty-First Century (U California Press, 2026), renowned economist and demographer Dr. Shelly Lundberg argues that the problem is not a lack of evidence but a failure to challenge entrenched economic models and outmoded assumptions about markets and gender that have limited what the field can explain.

Why does occupational segregation persist? Why do "women's jobs" pay less? Why are men falling behind in education? And why do policies like paternity leave fail to change behavior? Drawing on more than five decades in the field and integrating insights from other social sciences, Dr. Lundberg explains signs of recent progress and charts a path toward a more realistic, socially grounded economics capable of meeting the challenges of gender inequality today.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Most of the Yiddish songs we know today were created in the first half of the 20th century and distributed through commercial channels such as sheet music, concerts, radio broadcasts, records and CDs, theater stages, and more recently through songbooks produced in educational settings around the world. Our discussion focuses on lesser-known songs – Eastern Yiddish musical folklore, which emerged over a period of approximately four hundred years preceding the formation of the “popular” repertoire. Although we lack transcriptions of melodies or lyrics from before the end of the 19th century, a comparative study of documentation collected from then until the middle of the 20th century reveals that older layers of this musical-poetic creativity had been preserved over long periods of time. I refer to this older repertoire as the "musical pripetshik." Similar to the traditional combined home-heat-generating cooking oven known as the pripetshik, this old song repertoire was an integral part of Jewish culture, evolving in meaning and function over time. While for many, the image of the pripetshik corresponds to the nostalgic song by Mark Varshavski of 1901, this lecture will explore the earlier history of this and other poetic and musical images to offer an appreciation of their significance.

This lecture originally took place on July 23, 2024.
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Russian leader Vladimir Putin, at 73 years old, is still very much alive, yet the “After Putin” conversation is an active one inside and outside of Russia. What could come next and how to think about that question? My guest is Julian G. Waller, a political scientist at George Washington University and author of a recent Foreign Affairs article “After Putin: Russia’s Coming Succession Crisis.” In our discussion, Waller anchors the “After Putin” question in historical context, as to how succession played out after Stalin’s death in the 1953. And we talk about how the current political environment in Moscow, shaped by Putin’s protracted war in Ukraine, is informing the “After Putin” discussion. Could a revolutionary scenario play out? How bodily safe is Putin? Waller is author of Autocrats Can't Always Get What They Want: State Institutions and Autonomy under Authoritarianism (University of Michigan Press, 2024).
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This is Dr. Swati Joshi's inaugural episode on the New Books Network. In this episode, she interviews Dr. Lucy Jeffery about her monograph, Transdisciplinary Beckett: Visual Arts, Music, and the Creative Process (ibidem Press, 2021). She is also co-editor and author of Replaying Communism: Trauma and Nostalgia in European Cultural Production, published by CEU Press and AUP in 2026. She is co-founder of the Replaying Communism project, which received funding from the AHRC SWW-DTP (2023) and the Visegrad Fund (2024). Dr. Jeffery's published research is on Samuel Beckett, Harold Pinter, Ezra Pound, Ingeborg Bachmann, and Magda Szabó. Her monograph—Transdisciplinary Beckett: Visual Arts, Music, and the Creative Process—was published by Ibidem in 2021, and, in 2022, she co-edited a special issue for Green Letters, entitled ‘A New Poetics of Space’.

This episode weaves together Beckett's transdisciplinary creative process with Dr. Jeffery's journey of research, and cogitation over challenges to preserve integrity and creativity of the author's works in the wake of rapidly developing AI tools. Furthermore, the colour blue occupies an integral role in Dr. Jeffery's monograph, so this episode entails analytical segments on pigments used in Beckett's works beyond the black, white, and grey. Dr. Jeffery and I also briefly discuss our ongoing special issue, "A Writer's Palette: Colour in Late Modernist Literature," for Textual Practice. Colleagues interested in sharing their proposal until 12th December, can write to us on latemodernists@gmail.com, for more details.
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