New Books Network

Exploring how digital visual effects have changed the representations of the body and identity in action films. When Harrison Ford appeared digitally de-aged in Indiana Jones and the Dial of Destiny, audiences witnessed more than a technical feat; they saw how visual effects are reshaping what bodies can be on screen. In Action Bodies: VFX, Identity, and Embodiment in Blockbuster Cinema, Drew Ayers (Eastern Washington University) examines how the contemporary action genre redefines embodiment across human, superhuman, animal, and machine forms. Ayers argues that action films are a crucial site for understanding how popular media both reflect and shape cultural debates about identity, citizenship, disability, and ethics in the era of big data and algorithmic culture. Through case studies including Top Gun: Maverick, The Woman King, The Fast & the Furious franchise, and Avatar: The Way of Water, Ayers explores how VFX-altered bodies carry ideological weight. While the action genre has long leaned conservative in its politics of identity, its digitally mediated bodies also generate unexpected opportunities: glimpses of more inclusive and flexible modes of embodiment. As artificial intelligence and synthetic imagery continue to transform film production, Action Bodies demonstrates why careful attention to action cinema is essential for understanding how contemporary culture imagines and engineers the future of the body.
Drew Ayers is a professor of film at Eastern Washington University. He is the author of Spectacular Posthumanism: The Digital Vernacular of Visual Effects, and his work has been published in animation, Configurations, Convergence, and Film Criticism.
Cory Barker is a faculty member in the Donald P. Bellisario College of Communications at Penn State University, where he teaches courses on film, television, and digital culture. Newsletter.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Beneath the Wage: Tips, Tasks, and Gigs in the Age of Service Work (Princeton UP, 2026) retheorizes capitalism from the perspective of the service economy, challenging conventional assumptions about how work is waged, regulated, managed, and automated Today, 80 percent of U.S. workers do service work, from delivering takeout to mopping floors to teaching. Each time we are handed a bag of groceries or a cup of coffee, call for a cab or have our homework graded, we confront both the enormity and the intimacy of the contemporary service sector. Do these jobs have anything in common? Who is doing this work? And what kind of labor politics does it generate? If service work has often been treated as a footnote to modern capitalism, Beneath the Wage reveals it as crucial to understanding how exploitation functions today. Uncovering a history that runs from eighteenth-century servants to present-day gig workers, Annie McClanahan retheorizes capitalism from the perspective of the service economy, challenging conventional assumptions about how work is waged, regulated, managed, and automated. Assembling a diverse set of sources for understanding and reimagining service work—from reality television and conceptual poetry to novels and workers’ own descriptions of what they do—McClanahan explores three paradigmatic types of contemporary service labor: superexploited tipwork, deskilled clerical microwork, and informalized gigwork. She shows how work done “beneath the wage” depends on racialized and gendered forms of economic domination, is often excluded from labor organizing and regulation, and yet has begun to generate a new politics of social reproduction and solidarity.
Annie McClanahan is Associate Professor of English at UC Irvine. Her first book, Dead Pledges: Debt, Crisis, and 21st Century Culture explores how U.S. culture responded to the collapse of the financialized consumer credit economy in 2008. She has published on topics like the rise of microeconomics and methodological individualism, the cultural history of economic stagnation, so-called “neoliberalism” and the history of the university, and the politics and theory of sexwork.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Islamic Ethics and Spiritual Sovereignty: Genres of Tradition in Muslim South Asia (U Notre Dame 2026) explores the rich vast textual archive of Maulana Ashraf Ali Thanavi, a South Asian Muslim theologian and Sufi. Mian’s deep and careful reading of Thanavi’s diverse genres of texts, such as letters, and those composed by his disciples, such as hagiographies and councils, captures the complex colonial era in which Thanavi and his students lived, but more importantly highlights how Thanavi’s Sufi community inhabited realities counter to their modern context, namely those of ethical practices and matters of the soul and heart. In traversing Thanavi's genres of writings, and using a psychoanalytical lens, Mian reflects on how spiritual sovereignty was negotiated in this one modern South Asian thinkers’ worldview, and how formulations of political to metaphysical concepts model the construction of Islamic tradition as a discursive one. This book will be of interest to those who think about South Asian Islam and Sufism.
Ali Altaf Mian is the Izzat Hasan Sheikh Fellow in Islamic Studies and assistant professor of religion at the University of Florida.
Shobhana Xavier is a Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here. She may be reached at shobhana.xavier@queensu.ca.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

At a time when artificial intelligence, neuroscience, and digital technologies increasingly shape our understanding of what it means to be human, Fuchs argues that we need to recover a richer conception of the human person. Rather than viewing ourselves as information-processing systems or collections of neural mechanisms, he develops a philosophical vision centred on embodiment, relationality, and lived experience. The result is a compelling defence of human agency, dignity, and freedom against contemporary forms of reductionism and transhumanism.
Today we'll be discussing In Defence of the Human Being: Foundational Questions of an Embodied Anthropology (Oxford UP, 2021). We discuss central arguments and their implications for philosophy, psychiatry, technology, and the future of human self-understanding.
Prof. Thomas Fuchs holds the Karl Jaspers Professorship for Philosophical Foundations of Psychiatry and is head of the section “Phenomenological Psychopathology and Psychotherapy” at Heidelberg University Psychiatric Hospital. He is also coordinator of the Marsilius Project “Embodiment as a Paradigm of an Evolutionary Cultural Anthropology” as well as research unit leader of the Karl Jaspers Edition. His main scientific interests include phenomenological anthropology and psychopathology on the one hand, and the theory and ethics of psychiatry and neuroscience on the other.
Dr. Anya Daly is Senior Lecturer in Philosophy and Ethics in the School of Arts and Society, University of Tasmania. Interdisciplinary collaborations are at the core of Anya’s research interests. She investigates the intersections of phenomenology with philosophy of mind, the philosophy of perception, the philosophy of psychiatry, embodied and social cognition, enactivism, ethics, aesthetics and Buddhist Philosophy.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In American history, few tragedies have been as consequential—and as enduringly misunderstood—as the Triangle Shirtwaist Factory fire of 1911. Long remembered as a turning point in the struggle for labor protections, Fire in the Heart of the City: The Triangle Shirtwaist Tragedy and the Origins of Modern Charity (NYU Press, 2026) shows how the fire also helped transform another cornerstone of modern American life: the rise of modern charity.

Set in early twentieth-century New York, the book tells the extraordinary story of what happened when a catastrophic fire in Greenwich Village threw Adolph Ochs, the ambitious new publisher of the New York Times, and Rose Schneiderman, a defiant young labor organizer, into a momentous struggle over who should organize the city’s response: a rising charity sector led by wealthy financiers and civic elites, or the reform-minded unions and activists of Lower Manhattan.

Drawing on newly released archival documents, interviews with the descendants of Times publisher Adolph Ochs and New York labor organizers, previously confidential reports, and long-overlooked private diaries and correspondence, David Conrad-Pérez offers a striking new account of the disaster and its aftermath. He shows how a handful of charities on the brink of irrelevance were suddenly recast as New York’s best answer to the social and economic conditions the fire laid bare—a watershed moment in the rise of modern charity and elite authority over social welfare in the United States.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.