New Books Network

The essential biography of the influential and beloved filmmaker George Lucas.

On May 25, 1977, a problem-plagued, budget-straining independent science-fiction film opened in a mere thirty-two American movie theaters. Conceived, written, and directed by a little-known filmmaker named George Lucas, the movie originally called The Star Wars quickly drew blocks-long lines, bursting box-office records and ushering in a new way for movies to be made, marketed, and merchandised. It is now one of the most adored–and successful–movie franchises of all time.

Now, the author of the bestselling biography Jim Henson delivers a revelatory look into the life and times of the man who created Luke Skywalker, Han Solo, and Indiana Jones in George Lucas: A Life (Little, Brown and Company, 2016)

If Star Wars wasn't game-changing enough, Lucas went on to create another blockbuster series with Indiana Jones, and he completely transformed the world of special effects and the way movies sound. His innovation and ambition forged Pixar and Lucasfilm, Industrial Light & Magic, and THX sound.

Lucas's colleagues and competitors offer tantalizing glimpses into his life. His entire career has been stimulated by innovators including Steven Spielberg and Francis Ford Coppola, actors such as Harrison Ford, and the very technologies that enabled the creation of his films-and allowed him to keep tinkering with them long after their original releases. Like his unforgettable characters and stories, his influence is unmatched.

Brian Jay Jones is the author of the New York Times bestseller Jim Henson: The Biography, as well as Becoming Dr. Seuss: Theodor Geisel and the Making of An American Imagination and Washington Irving: An American Original. His most recent book is The Capitol: The Surprising Biography of an American Building. He continues to believe that Han shot first.

Daniel Moran’s writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, available here on the New Books Network and wherever podcasts are found.

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There is a widespread sense throughout the developed world that
progress towards a better society has stalled. Many countries, including
the UK, have experienced persistent economic stagnation accompanied by
declining trust in institutions. Governments are struggling to respond
not only to traditional economic problems but also to newer challenges
posed by climate change, migration and technological change. Challenging Inequalities: How We Got Stuck and Where We Go Next (Princeton
University Press, 2026), written by Paul Johnson and coauthors, drawing
on the findings of the six-year IFS Deaton Review, connects these
conditions to inequality—inequality not just of income and wealth but of
health, political participation and opportunity. It not only offers a
detailed analysis of the different forms of inequalities but also an
in-depth consideration of why inequalities matter, how they have changed
and what can, or should, be done about them.

The book explains
the enduring effects of early life experiences and education and
examines the trends in employment and earnings over recent decades. It
argues that economic stagnation since the financial crises of 2008–2009
has exposed inequalities originating in the 1980s. Not only have incomes
stagnated, but so has progress towards reducing health inequalities and
dealing with inequalities across gender, ethnicity, geography, age and
educational level. The combination of earnings inequality and economic
stagnation has led to the growing importance of wealth, the increasing
concentration of economic power in an older generation and a decline in
social mobility. Economic inequalities have also resulted directly in
dangerous differences between regions and in political power across
groups.

The need to address inequality has never been more urgent. Challenging Inequalities offers
a road map for how we have arrived at such a perilous spot—and how we
can change course to achieve better outcomes for all.

Paul Johnson
is provost of the Queen’s College, University of Oxford, and former
director of the Institute for Fiscal Studies (IFS). He is the author of
the Sunday Times bestseller Follow the Money.

Morteza Hajizadeh
is a Ph.D. graduate in English from the University of Auckland in New
Zealand. His research interests are Cultural Studies; Critical Theory;
Environmental History; Medieval (Intellectual) History; Gothic Studies;
18th
and 19th Century British Literature.
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Whether recovering a lost history or charting a new land, scholars and explorers alike often hit at frontiers not only of place, but also knowledge. When the evidence only goes so far, what is the right way to advance?

The answer is to make a conjecture: an educated guess that discourses on what is likely the case. Historical examples range from Italian humanists stealing manuscripts from monasteries and reconstructing classical languages, to Jesuit missionaries speculating about land bridges to the Americas, and even Renaissance magicians pioneering in alchemy and astrology.

This collective practice is called “conjectural history,” and its roots go far back. But how far back? To answer that question, as we continue Season 6, I have as our guest, Professor Anthony Grafton.

A former president of the American Historical Association, and the Emeritus Henry Putnam University Professor of History at Princeton University, Grafton is a scholar of early modern Europe and written history, a frequent contributor to the New York Review of Books and London Review of Books, and the author of many books such as The Footnote (1997) and Magus (2023). Today, we will discuss his current project on “conjectural history.”

We discuss the use of conjectural versus counterfactual history, its founders in Herodotus and Thucydides, and proponents like the explorer Jose de Acosta, S.J. and the scholar Lorenzo Valla. Also discussed are Hobbes, Locke, and Rousseau, the birth of modern science from renaissance magic, C.S. Lewis’ The Discarded Image, recent scholarship on premodern eyewitness testimony to the supernatural, the magician Henry Cornelius Agrippa, and the best lost spots of Princeton University.

Hosted by Ryan Shinkel, Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions. The transcript for this interview is available on the JMP substack page, “Madison’s Footnotes.

Chapter Headings:

00:00 | Introduction & What is Conjectural History

4:30 | The Scottish Enlightenment vs. the Renaissance Tradition

11:42 | Conjectural History & a Case Study: Jose de Acosta

19:30 | Theology, Science & The Renaissance

26:19 | Lorenzo Valla and the Donation of Constantine

38:19 | Conjecture, Divination, and Magic

Closing | Reflections: History, Belief, and Closing Thoughts

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In
a matter of decades, a spectacular cold-water paradise thirty million
years in the making is succumbing to warming oceans. Kelp forests are
largely out of sight, hidden under the ocean’s surface, yet they are one
of Earth’s most wondrous and underappreciated marine habitats. It’s
an ethereal light-infused realm of sharks, otters, eels, sea stars,
crabs, rockfish, and myriad other species vital to a functioning ocean
and the countless coastal communities that make their living from the
sea. Unlike coral reefs, whose similar plight plays out in tropical
waters highly visible to vacationing tourists, kelp forests thrive along
cold-water coastlines far from tourist centers. What will it take to
stop the decline before these underwater playgrounds bursting with
colorful life become vast fields of lifeless urchin barrens?

For readers who know kelp only as tangles on the ocean surface or smelly mounds of seaweed littering beaches, Forest of the Sea: The Remarkable Life and Imperiled Future of Kelp (Princeton University Press, 2026) reveals a thriving three-dimensional underwater world of color
and beauty whose loss if allowed to happen will reverberate in
unimaginable ways for both nature and humans. David Helvarg, a veteran
journalist and accomplished scuba diver, takes us on a memorable journey
beneath the waves through kelp’s natural and human history, the
billions of dollars of products and services it contributes to our
global economy, the unwitting human activities that threaten its
survival, and the hopeful movements around the world to restore kelp
habitat. Helvarg introduces us to Indigenous leaders promoting sea otter
reintroduction, out-of-work urchin fisherman,
documentary filmmakers, and ocean scientists all working in an unlikely
collaboration to restore and protect kelp forests while promoting a
growing range of uses for food, medicine, and energy.

Forest
of the Sea is the first book to document what is at stake if we lose
these irreplaceable marine jewels, helping readers to understand how
these natural systems might adapt and survive.

This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 
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Are you a scholar sitting on a manuscript that you think could be a book — but you have no idea where to start? In this episode of The Publishing Playbook, host Sarah Russo sits down with Laura Portwood-Stacer, founder of Manuscript Works and author of two books about academic publishing: “The Book Proposal Book” and “Make Your Manuscript Work.” Laura shares what pulled her out of academia and into editorial consulting, and why “publish or perish” no longer guarantees the payoff it once promised. She breaks down the essential elements of a strong academic book proposal, the real differences between the types of publishers out there, and why authors and editors are on the same team more often than they realize. Laura also dishes on whether academic authors actually need a literary agent, and how generative AI is reshaping trust in publishing. Plus: what it was really like competing on “Jeopardy!”

For more information on Laura’s work, please visit Manuscript Works.

Books mentioned in this episode:

“The Book Proposal Book” by Laura Portwood-Stacer

“Make Your Manuscript Work” by Laura Portwood-Stacer

“Trans Technologies” by Oliver Haimson (both Laura and the Page One team worked with Oliver on his book)

“The Seven Wonders of the Ancient World” by Bettany Hughes

Key Moments

00:00 – “That’s Not the Answer” 😤Laura names the fantasy that finishing a book will magically change your life, and why that unrealistic expectation sets writers up for disappointment.

03:25 – “Publish or Perish” Isn't So Simple Anymore 📚Laura explains why the old academic career formula has broken down: you can do everything right and still lose the job, the promotion, or the department.

07:12 - The Anatomy of a Strong Book Proposal 📝Laura walks through exactly what publishers are looking for, breaking down the unspoken checklist most scholars never see.

10:40 – “You’re on the Same Team” 🤝Laura pushes back on the idea that authors and editors are adversaries, arguing most writers misunderstand just how aligned they actually are with their publisher.

16:37 - Trade, Academic Trade, or Monograph? 🎯Sarah and Laura unpack the three buckets publishers sort academic books into, and why so many authors overestimate how “trade” their book really is.

20:33 - Do You Actually Need an Agent? 🙋Laura levels with authors chasing representation: most scholars publishing with university or academic presses don’t need one at all.

21:13 - AI Has Made Everyone a “Paranoid Reader” 🤖Laura gets candid about how generative AI is eroding trust between editors and authors — and why she resents having become an accidental AI expert.
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