New Books Network

In this NBN episode, host Hollay Ghadery speaks with Wesley Brown about how novella, Looking for Frank Wills (McSweenys, 2026). It's 1972. Tricky Dick is in office, James Brown is on the radio, and Wayne Beasley reluctantly presides over the comings and goings of his barbers and patrons at Wayne's Clip and Trim in Augusta, South Carolina. When one of Wayne's former customers, an unassuming small-town son, is designated 4-F, unfit to serve in Vietnam, he seeks refuge in becoming the next best thing—a security guard for a downtown DC hotel. It is there on a hot summer's night, that Wayne's wayward patron interrupts a break-in that will disrupt the course of a nation's history and his own. Wesley Brown, author of Tragic Magic, Darktown Strutters, and Blue in Green: A Novella, once again remaps the tributaries that run into the stream of our American subconscious, by dipping into the headwaters of pivotal memories and histories to tell the tale from the perspective of the real folks whose stories were too long submerged. Without Frank Wills there is no Watergate. And without Watergate the veil of secrecy and corruption that came to define the Nixon years, warping the very fabric of political discourse from that moment on, would have remained firmly in place. Wesley Brown's re-imagining of the life of Frank Wills reconciles the greatest heist of all—our place in the American story. What was stolen from Wills as he was briefly thrust into the spotlight, while excluded from the annals of history, is reclaimed, as Brown gives voice and breath to the people who loved him and the barber who did his best to guide him.

Wesley Brown is an acclaimed novelist, playwright, and teacher. He worked with the Mississippi Freedom Democratic Party in 1965 and became a member of the Black Panther Party in 1968. In 1972, he was sentenced to three years in prison for refusing induction into the armed services and spent eighteen months in Lewisburg Federal Penitentiary. For twenty-six years, Brown was a much-revered professor at Rutgers University, where he inspired hundreds of students. He currently teaches literature at Bard College at Simon's Rock and lives in Chatham, New York.
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What explains the growing tension between young people and democracy in Africa? Why are some increasingly frustrated, disengaged, or even open to authoritarian alternatives?

In this episode, Temitayo Odeyemi speaks with Cynthia Mbamalu about how young people experience democracy in practice. Reflecting on her journey from student activism to leading youth engagement at YIAGA Africa, Cynthia discusses political education, generational differences, and why many Gen Z citizens feel disconnected from democratic institutions. The conversation examines how digital platforms are reshaping political attitudes and why democratic actors must rethink how they engage young people. It also highlights the role of student activism, youth civic spaces, and more open institutional communication in rebuilding trust.

Transcript here

Cynthia Mbamalu is a lawyer, civic leader, and Director of Programmes at Yiaga Africa. She has led major initiatives on youth political participation, election integrity, and civic engagement across Nigeria and beyond.

Temitayo Odeyemi is a Research Fellow in Democratic Resilience at the University of Birmingham’s Centre for Elections, Democracy, Accountability and Representation (CEDAR).

The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and reshaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation at the University of Birmingham, United Kingdom. Join us to better understand the forces that promote and undermine democratic government around the world.
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The significance of printmaking within the history of art is often underplayed, obscured or misunderstood. The Story of Printmaking: A Global History of Art (Yale UP, 2026) by Holly EJ Black tells the story of artist prints from across the globe in a manner that is accessible and engaging. It demystifies how prints are made – from woodblock to etching – and explores how, throughout history, printmaking has defied easy categorisation, straddling ‘fine’ art practices and commercially minded production. In fact, it has been employed as much for creative experimentation as it has for disseminating information.

Beginning in ancient East Asia and travelling through Renaissance Europe, revolutionary Mexico, and post-Apartheid South Africa, these ten chapters celebrate the interconnected nature of the printed image and its multiple histories, while illuminating the lesser-known players who have been deliberately or erroneously overlooked. Whether formed by slicing linoleum or plunging plates into acid, then distributed via bound books or pasted posters, the print has not just replicated the world, it has shaped it.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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We were joined by Angus Burgin, Associate Professor of History at Johns Hopkins University, and talked about how the arrival of the Internet remade life and politics in the 90s. Angus shared his thoughts on the motivations behind his upcoming book, which offers an intellectual history of the Internet.

Lee Vinsel is a professor in the Department of Science, Technology, and Society at Virginia Tech.

Benjamin Waterhouse is a professor of History at UNC Chapel Hill.
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The YIVO Sound Archive houses over 20,000 recordings (including 78, 45, and 33rpm discs, open-reel and cassette tapes, piano rolls, and compact discs and other digital formats) as well as various artifacts related to sound recordings. It is is one of the most extensive and frequently consulted Jewish music collections in the world, embracing Yiddish and Hebrew folk, pop and theater music, Holocaust songs, liturgical, choral and instrumental compositions and, of course, klezmer music, as well as spoken word, oral histories, interviews, and radio programs. In addition to serving researchers, the Sound Archive maintains a special link to the Yiddish cultural world, and has close relationships with many musicians who utilize its resources in creating their art. It serves anyone seeking to include Yiddish music in their life or work, including teachers, journalists, camp counselors, and radio producers, among others.

Join us for a fascinating insider discussion of the history of the YIVO Sound Archive, important areas of its collections, projects it has facilitated, and other stories of the past 40 years. Moderated by Hankus Netsky, this event will, for the very first time, bring together the founder of YIVO's Sound Archive, Henry Sapoznik, current YIVO Sound Archivists Lorin Sklamberg and Eléonore Biezunski, and former YIVO Sound Archivist Jenny Romaine.

Learn more about the YIVO Sound Archive: https://www.yivo.org/Sound

This panel discussion originally took place on September 13, 2022.
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