New Books Network

Much of history has revolved around the journeys, challenges, and relationships, of men, but Serrah, daughter of Asher describes the teachings of her mother, grandmother, and all the women who shared their skills, compassion, hopes, and dreams. She’s mentioned once in passing in Genesis and again in the Book of Chronicles, but in Song of the Bluebird (Row House 2026), she’s known as Blue, who lives for generations, always a hard-working presence as the ancient Twelve Tribes of Israel grow in numbers, follow Joseph into Egypt, suffer as slaves, follow Moses across the sea, wander in the desert for forty years, and finally exult in freedom in the Land of Israel. Song of the Bluebird is a sweet and filling journey through the eyes of a wise and ageless woman.

Esther Goldenberg was born and raised in Chicago, Illinois, where both her parents told her stories and she spent a lot of time daydreaming. As the daughter of an elementary school teacher, Esther spent more time in the classroom than the average child. She studied child development in college and went on to become a teacher. Esther spent a lot of time reading books to students and, over time, began writing books of her own. She has helped many children write stories and many adults write stories for children. She was the editor of a New York Times bestselling children's book (A Day With No Words). Esther considers herself an educator first, even though she is also an editor and writer.

Two of Goldenberg's non-fiction books, Resistant to Reading: Tricks and Tips for Parents of Reluctant Readers and A Story Every Week: Torah Wisdom for Today's World were Amazon bestsellers in their categories, and her debut adult fiction novel The Scrolls of Deborah won the 2024 Foreword Indies gold medal for Religious Adult Fiction. That book is the first installment in The Desert Songs Trilogy of novels that retell the story of the Bible. These books highlight the everyday lives of the women, the relationships between family members, and the (sometimes surprising) similarities between life in modern times and life in ancient times. When not reading, writing, or leading workshops, Esther enjoys the process of making art -- regardless of the end-product.
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Led by the charismatic Kwame Nkrumah, Ghana won its political independence from the United Kingdom in 1957. It precipitated both the dying spiral of colonialism across the African continent and the world's first Black socialist state. Utilising materials from Ghanaian, Russian, English, and American archives, Nana Osei-Opare offers a provocative and new reading of this defining moment in world history through the eyes of workers, writers, students, technical-experts, ministers, and diplomats. Osei-Opare shows how race and Ghana-Soviet spaces influenced, enabled, and disrupted Ghana's transformational socialist, Cold War, and decolonization projects to achieve Black freedom. This title is also available as open access on Cambridge Core.

Elisa Prosperetti is an Assistant Professor of African and global history at NIE/NTU in Singapore.
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In the Sun King's Cosmos: Comets and the Cultural Imagination of Seventeenth-Century France (Northwestern University Press 2025) explores the relationship between sensory experience, state ideology, and artistic form, examining literature and art inspired by comets that unsettled the heliocentric order to which French politics and culture aspired.

Guest Claire Goldstein Professor of French and Director of the Humanities Program at UC Davis. Her research in ancien régime French-language literature and culture has explored subjects such as garden design, art and architecture; theater, ballet, and fête performances; astronomy; early modern fashion accessories; and early journalism. Claire’s current projects include Jesuit school ballets; female itinerant clothing resellers; and the innovative and enterprising publishing practices of Nicholas de Blégny, a best-selling and long forgotten multi-hyphenate physician-author. Her scholarship is motivated by her abiding interests in visual and material culture, her curiosity about how the things people see, and the objects and material practices that they engage with, create cultural meanings. She is the author of In the Sun King's Cosmos: Comets and the Cultural Imagination of Seventeenth Century France (Northwestern UP, 2025) and Vaux and Versailles: The Appropriations, Erasures, and Accidents That Made Modern France (U Penn Press, 2007).

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progresson posthumanist ecological engagement in the surrealist movement.
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Why do supposedly accountability-enhancing electoral reforms often fail in young democracies? How can legislators serve their constituents when parties control the necessary resources? Unity through Particularism: How Electoral Reforms Influence Parties and Legislative Behavior (Cambridge University Press, 2026) by Dr. Lucia Motolinia sheds light on these questions and more by explaining how parties can use personal vote-seeking incentives in order to decrease intra-party dissent. Studying a unique electoral reform in Mexico, the book provides a detailed description of how institutional incentives can conflict. It draws on a variety of rich, original data sources on legislative behavior and organization in 20 Mexican states to develop a novel explanation of how electoral reforms can amplify competing institutional incentives. In settings where legislative rules and candidate selection procedures favor parties, legislators may lack the resources necessary to build voter support. If this is the case, party leaders can condition access to these resources on loyalty to the party's political agenda.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Today we are joined by Alan McDougall, Professor of History at the University of Guelph, and the author of Dreams and Songs To Sing: A People’s History of Liverpool F.C. From Shankly to Klopp (Cambridge: Cambridge University Press, 2025). In our conversation, we discussed the rise of Liverpool as a global football club, the crises that beset the club during the Heysel and Hillsborough disasters, and the necessity of inherent optimism of fandom in contemporary sports.

In Dreams and Songs to Sing, McDougall writes the history of Liverpool FC from Shankly to Klopp in a register that will appeal to both popular and scholarly readers. McDougall is a lifelong Liverpool supporter, and he is careful to point out where his connections to the club and its fandom might shade his examination, but he also shows how those same affective connections allow him to a unique entry point into issues only visible to fans and that supports can be even more critical than a detached observer. This is especially true in his investigation of Heysel and Hillsborough.

The book proceeds roughly chronologically. The book’s early chapters examine the club’s connection to Liverpool’s working-class district 4 and to their Anfield home ground. He pays special attention to the supporter’s end - the notorious Kop. Using oral history interviews, McDougall illustrates the exceptional pull of the stadium to both local and global fans.

The heart of the book is its engaging, thick description of the club’s history during the Shankly era. McDougall shows that not only was Shankly a very successful manager, and quite funny, but that he ran the club with a sense of Liverpool’s local identity. A man who arrived at the right time – he benefitted from Liverpool’s growing global reputation; Beatlemania gave the city a sound but players and fans rubbed shoulders with comics, musicians, and poets.

Shankly embodied the very local socialist, working-class attitudes of the majority of club supporters. His retirement shook the whole city. McDougall uses a family repository of letters to show how people from around the city, the country, and the world wrote to him to express sadness at him leaving and to wish him luck.

McDougall’s account might be from an insider, but his analysis does not shy away from shining a light on the difficult social politics that accompanied the club’s enormous success on the field. European Cup victories sit alongside the deadly hooligan violence at Heysel. Black players like Howard Gayle and John Barnes face racism from the club’s supporters. The club first ignores and then undervalues the rise of women’s football.

McDougall’s history ends in the Klopp era – perhaps a mercy to Liverpool fans! He shows how the contemporary club embodies the idea of a global club with a local heart. The international ownership of the club has successfully navigated the rise of the Premier League and the increasing commercialization of European football, but local supporters have been innovative at creating a culture of resistance to changes that could undermine the glocal identity of Liverpool. Klopp symbolized this new football club: cosmopolitan, emotional, forward, successful.

Compelling and hard to put down, McDougall’s Dreams and Songs to Sing will appeal to all readers of sports history. It will be of particular interest to Liverpool supporters and football fanatics.
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