New Books Network

Since the start of this century, businesses have confronted a series of extreme and constant disruptions, including technological upheavals, a pandemic, and a global financial crisis. As a result, today’s leaders, from startup founders to the managers of global giants, face unprecedented pressures from their bosses, investors, customers, peers, suppliers, and employees. For many, it’s a recipe for disaster.Part of the problem is that these challenges, while acutely felt, are rarely articulated in a way that makes them graspable and actionable. Robert E. Siegel has witnessed the impact of these cross-pressures from different perspectives. As a lecturer in management at Stanford’s Graduate School of Business, an operator, a venture capitalist, and a consultant, he sees countless teams of managers, at all sorts of companies, struggling to lead their companies into the future.Featuring exclusive lessons drawn from inside the business world, including from the CEOs of Accenture, Mubadala, Kering, Wells Fargo, and Box, The Systems Leader: Mastering the Cross-Pressures That Make or Break Today's Companies (Random House, 2025) is the essential guidebook that teaches readers “systems leadership,” Siegel’s holistic framework that helps leaders understand and master five key dimensions where they are likely to feel contradictory pressures:• Priorities: The need to succeed at both execution and innovation• People: The need to project both strength and empathy• Sphere of influence: The need to focus both internally and externally• Geography: The need to think both locally and globally• Purpose: The need to pursue both ambition and statesmanship
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Dr. Lucy Donkin’s Standing on Holy Ground in the Middle Ages (Cornell University Press, 2022) illuminates how the floor surface shaped the ways in which people in Medieval Western Europe and beyond experienced sacred spaces.
The ground beneath our feet plays a crucial, yet often overlooked, role in our relationship with the environments we inhabit and the spaces with which we interact. “The ground beneath our feet goes unnoticed for the most part. Yet it guides our steps and shapes our identity in many ways. We obey or disregard markings that indicate where to cross the road, stand back from the edge of the platform, or position ourselves on a sports pitch…Differencing convention in homes and places of worship remind us that our own treatment of the surface is culturally constructed."
Dr. Donkin argues that “In the Middle Ages too, the surface of the ground conveyed information to those who stood on it, prompted physical and imaginative responses, and marked out individual and groups in accordance with the values and concerns of the time. Indeed, in some respects, it played a greater role today in articulating space and identity, especially within ecclesiastical settings…. This book focuses on Medieval interaction with holy ground, within and beyond the church interior, asking how these shaped both place and people.”
By focusing on this surface as a point of encounter, Dr. Donkin positions it within a series of vertically stacked layers—the earth itself, permanent and temporary floor coverings, and the bodies of the living above ground and the dead beneath—providing new perspectives on how sacred space was defined and decorated, including the veneration of holy footprints, consecration ceremonies, and the demarcation of certain places for particular activities.
Using a wide array of visual and textual sources, Standing on Holy Ground in the Middle Ages also details ways in which interaction with this surface shaped people's identities, whether as individuals, office holders, or members of religious communities. Gestures such as trampling and prostration, the repeated employment of specific locations, and burial beneath particular people or actions used the surface to express likeness and difference. From pilgrimage sites in the Holy Land to cathedrals, abbeys, and local parish churches across the Latin West, Dr. Donkin frames the ground as a shared surface, both a feature of diverse, distant places and subject to a variety of uses over time—while also offering a model for understanding spatial relationships in other periods, regions, and contexts.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Historical accounts tend to neglect mixed-ancestry Native Americans: racially and legally differentiated from nonmixed Indigenous people by U.S. government policy, their lives have continually been treated as peripheral to Indigenous societies. Mixed-Blood Histories: Race, Law, and Dakota Indians in the Nineteenth-Century Midwest (U Minnesota Press, 2025) intervenes in this erasure. Using legal, linguistic, and family-historical methods, Dr. Jameson R. Sweet writes mixed-ancestry Dakota individuals back into tribal histories, illuminating the importance of mixed ancestry in shaping and understanding Native and non-Native America from the nineteenth century through today.

When the U.S. government designated mixed-ancestry Indians as a group separate from both Indians and white Americans—a distinction born out of the perception that they were uniquely assimilable as well as manipulable intermediate figures—they were afforded rights under U.S. law unavailable to other Indigenous people, albeit inconsistently, which included citizenship and the rights to vote, serve in public office, testify in court, and buy and sell land. Focusing on key figures and pivotal “mixed-blood histories” for the Dakota nation, Dr. Sweet argues that in most cases, they importantly remained Indians and full participants in Indigenous culture and society. In some cases, they were influential actors in establishing reservations and negotiating sovereign treaties with the U.S. government.

Culminating in a pivotal reexamination of the U.S.-Dakota War of 1862, Mixed-Blood Histories brings greater diversity and complexity to existing understandings of Dakota kinship, culture, and language while offering insights into the solidification of racial categories and hierarchies in the United States.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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In October 1973, the poet and singer Leonard Cohen—thirty-nine years old, famous, unhappy, and at a creative dead end—traveled from his home on the Greek island of Hydra to the chaos and bloodshed of the Sinai desert when Egypt attacked Israel on the Jewish high holiday of Yom Kippur. Moving around the front with a guitar and a group of local musicians, Cohen met hundreds of young soldiers, men and women at the worst moment of their lives. Those who survived never forgot the experience. And the war transformed Cohen. He had announced that he was abandoning his music career, but he instead returned to Hydra and to his family, had a second child, and released one of the best albums of his career.
In Who by Fire, journalist Matti Friedman gives us a riveting account of those weeks in the Sinai, drawing on Cohen’s previously unpublished writing and original reporting to create a kaleidoscopic depiction of a harrowing, formative moment for both a young country at war and a singer at a crossroads.
Matti Friedman is an award-winning journalist and author. Born in Toronto and based in Jerusalem, his work has appeared regularly in the New York Times, The Atlantic, Tablet, and elsewhere. Friedman's last book, Spies of No Country: Secret Lives at the Birth of Israel, won the 2019 Natan Prize and the Canadian Jewish Book Award for history. Pumpkinflowers: A Soldier's Story of a Forgotten War was chosen in 2016 as a New York Times Notable Book and one of Amazon's 10 best books of the year. His first book, The Aleppo Codex, won the 2014 Sami Rohr Prize and the ALA's Sophie Brody Medal.
Matti Friedman on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
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In this NBN episode, host Hollay Ghadery speaks with poet Khashayar "Kess" Mohammadi about his new poetry collection, The Book of Interruptions. In The Book of Interruptions (Buckrider Books, 2025) Khashayar “Kess” Mohammadi has brought together a collection of poems written with scalpel-like precision. Infused with “pre-emptive violence” these poems mark the intersection of war, immigration, sexuality and history, with lines often placed at the crossroads of Perso-Islamic and Western thought. Moving between an Iran that is marked with “tulips from the martyr’s blood” and Toronto, a city that is always screaming but where the author is a “ghost, anecdotal,” Mohammadi writes unflinchingly of the reality that faces them and others like them who straddle two worlds. But within this fierce collection there is also room for art, and for pleasure, and for words that invite us all with “gentle patterns of light against light against light.”

Khashayar “Kess” Mohammadi (they/them) is a queer, Iranian-born, Toronto-based poet, writer and translator. They are the winner of the 2021 Vallum Poetry Award and the author of nine chapbooks of poetry. The Book of Interruptions is their fifth poetry book.
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