New Books Network

How did Anita O'Day-the legendary jazz singer who, along with Chet Baker, Miles Davis, Gerry Mulligan, and Stan Getz, led the so-called "cool school" of modern jazz-define cool?
"That means doing everything that you like to do and getting away with it, you dig?"
Her traits included a frosted tone with a dash of vinegar; a blithe, airy rhythmic sense that could make almost any band swing; an ultra-hip bebop vocabulary; and a wisecracking insouciance, as though all this were just a lark. O'Day emerged in 1941 as a big-band singer whose tough look and take-charge style established her as a musically savvy leader of men, not a begowned accessory. Thereafter, while creating a historic body of recordings on Verve Records, O'Day became "one of the boys" in another sense, spending much of the '50s and '60s hooked on heroin. Finally clean by the '70s, she had a stunning renaissance, touring the world each year and releasing dozens of albums; even the TV program 60 Minutes profiled her in 1980.
Her memoir, High Times Hard Times, while vividly written (it was optioned more than once for films that didn't happen), cuts off in 1980, and contains almost no reflections on why she sang the way she did. With Cool Heat: Anita O'Day and Her Dangerous Jazz Life (Equinox Publishing, 2026), author James Gavin, whose biography subjects include Chet Baker, Lena Horne, Peggy Lee, and George Michael, now turns his attention to O'Day's mad roller-coaster life, a nonstop procession of thrills, laughs, outrageous stories, and unforgettable music-making. Gavin, a Grammy nominee and a two-time winner of ASCAP's Deems Taylor-Virgil Thomson Award for excellence in musical journalism, draws upon a wealth of unpublished material, including interviews with many of the people who knew her best making this a definitive portrait of one of the great characters and innovators in jazz history.
James Gavin is the author of five acclaimed books and dozens of New York Times features; he is a worldwide public speaker, a Grammy nominee, and a recipient of two ASCAP Deems Taylor-Virgil Thomson Awards for excellence in music journalism. His previous book are George Michael: A Life (Abrams, 2022), Is That All There Is? The Strange Life of Peggy Lee (Atria Books/Simon & Schuster, 2014), Stormy Weather: The Life of Lena Horne (Atria Books, 2009), Deep in a Dream: The Long Night of Chet Baker (Knopf, 2002; republished by Chicago Review Press in 2011), and Intimate Nights: The Golden Age of New York Cabaret (Grove Weidenfeld, 1991; Back Stage Books, 2006).
James Gavin’s website.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.
Bradley on Facebook and Bluesky.

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Born Again: Romanticism and Fundamentalism (U Toronto Press, 2025) examines the deep historical roots of fundamentalism in Protestantism and the imaginative traditions of Romantic literature. It explores how the resurgence of fundamentalist thought within “born again” Christianity seeks to repress the trauma of modernity through the belief that the world must be radically transformed to align with a divine standard.
By analysing the logic of this repression, the book reveals an alternative vision: a “revivalist rebirth” that offers a new ethical imperative to creatively shape the world in collaboration with others. Thinkers such as Immanuel Kant, Percy Shelley, and Friedrich Schlegel are central to the analysis, as are the literary works Faust and Frankenstein. Jeffrey Champlin illustrates how a revivalist imagination challenges blind faith, presenting figures of life reawakened to conscious moral and political engagement. Engaging with Arendt’s politics of natality and Derrida’s ethics of survival, Born Again offers pathways to reimagine a world that confronts the profound losses fueling fundamentalist ideologies, making it a timely and thought-provoking exploration for contemporary readers.
Jeffrey Champlin is Director of the Learning Commons and Lecturer in the Humanities at Bard College Berlin. His research emphasizes connections between literature and political theory.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

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President John F. Kennedy and Prime Minister Winston S. Churchill remain two of the most iconic figures of the twentieth century and Joel Nelson’s new book, Kennedy’s Only Hero: How JFK’s Obsession with Winston Churchill Defined His Presidency (Public Affairs, 2026), reveals the unexpected influence that Churchill had on Kennedy’s political career.
Winston Churchill remains one of the modern age’s most revered leaders. His life has been the subject of decades of mythmaking and scrutiny, and yet few know the powerful sway he had over another twentieth-century political icon―John F. Kennedy. Drawing on deep wells of unpublished archival material, Kennedy's Only Hero uncovers Kennedy’s obsession with Churchill, whose career, policies, writings, and even daily habits profoundly shaped the future president.
Kennedy discovered Churchill’s books as a teenager and by his early twenties had become an unswerving believer in his brilliance. Under Churchill’s influence, Kennedy rejected his own youthful isolationism and adopted the approach to national and international politics that propelled him to the presidency. Although they would not meet until late in their lives, Churchill’s influence on Kennedy’s campaign tactics, speeches, and worldview was overwhelming. Kennedy’s conviction in the power of peace through strength, his faith in summits, his understanding of the importance of rhetoric, and his deep commitment to service and global engagement―all came from Churchill.
Kennedy's Only Hero is an enlightening and deeply human story of an admiration and aspiration that changed the course of history.

Andrew O. Pace is a Senior Historian at SNA International in support of the Defense POW/MIA Accounting Agency (DPAA). Dr. Pace is not an employee of DPAA, he supports DPAA through a partnership. The views presented are those of the author and do not necessarily represent the views of DPAA, DoD or its components. 

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How Do AI & Innovation Cohabitate?

Bryan Cassady is an author, professor, and all-around innovator, whether in book form or in classrooms, real and virtual, stretching from Europe to India. He is a professor, consultant, and a serial entrepreneur now with a mission: to teach 1 million innovators by 2027.
He has built companies in 6 countries and trained 40,000+ leaders. He’s also a former professional racquetball player turned mathematician, a United Nations professional who speaks four languages. A researcher who has published on innovation, alignment, and social-media addiction. He’s co-created books with 50+ experts worldwide, including the international bestsellers CYCLES and The Generative Organization: AI Playbook for Exponential Leaders.
There’s the question before the formal questions begin, and then there’s adding humans into the loop—and all across the innovation process, AI has an instrumental role to play. That’s the verdict of this week’s guest, Bryan Cassady, who, true to his word, has put together an outside-the-box book that has brought into the fold multiple co-authors. One of Bryan's main points in both his book and this interview is that AI is a brilliant co-pilot, but a terrible pilot alone. Good prompts are vital for establishing context, role-playing scenarios, and using synthetic-user personas to create a Customer Avatar that helps you tell whether your innovation is likely to find buyers in the marketplace. If there’s a more charming, thoughtful guest than today’s, we’d be surprised.
Bryan’s Offer
You can learn more about him at BryanCassady.com and take advantage of his offer to download a free book and toolkit here, helping him achieve his mission above!
Real Transformations: Business Change That Works from the Inside Out is co-hosted by Julie Anixter and Dan Hill, PhD, entrepreneurs with deep experience as corporate change agents, devoted to helping companies make continuous change work for everyone through clarity and connection. To learn about their keynote talks, workshops and labs, check out the website here.

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It is fair to say Aarthi Vadde's wonderful new book, We The Platform, demostrates "how literature changes our perspective on the internet." But you also need to add that it "respond[s] to decline narratives about literature and literary study and to offer an alternative to prevailing sense of defeat and nostalgia that guides them.”
Her conversation with John, like the book itself, aims to narrate the history of Web 2.0 from about 2004 to the present and to explore how writers themselves have responded since 2008. (That means compression" so please Google Aarthi to learn more about her Duke professorship, earlier Levin-prize winning Chimeras of Form: Modernist Internationalism beyond Europe, 1914-2016 , role as President of the Society for Novel Studies; and forthcoming co-edited Columbia University Press collection of conversations from podcast she co-founded, Novel Dialogue.) Aarthi is brimming with unexpected insights about writers responding in varied and unpredictable ways to textual production under digital conditions: Patricia Lockwood, Lauren Oyler, Tao Lin and even Sheila Heti, who early on experimented with LLM conversations in the New Yorker. She sees a new range of writers (Vauhini Vara, Meghan O'Gieblyn) maintaining a commitment to experimental writing, while engaging the power dynamics befalling them with this new tool, what she calls a new case of the "writer's hand at a distance."
Finally, when it comes to defining the "multi-front battle" university English departments will have to fight for their survival, Aarthi also wants to respond generously to students whose desire to write is as strong as their desire to read: why should we condemn that as a narcissistic impulse?
Mentioned in the episode
Karen Hao, Empire of AI
Sarah Wynne-Williams, Careless People
Laurence Lessig Free Culture
Xu Bing's Book from the Ground
Fred Bennison's Emoji Dick.
“glitch art”
Recallable Books
 Elizabeth Eisenstein's 1970 The Printing Press as an Agent of Change, as well as this AHR debate between Eisenstein and Adrian Johns.
Ben Mangrum, The Comedy of Computation: also this excellent Recall this Book conversation about the feared obsolsence of the human knolwedge worker).

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