New Books Network

Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries.
Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers.
Peter C. Kunze is an assistant professor of communication at Tulane University.
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In the 1970s, American curator Donna Stein served as an art advisor to Empress Farah Diba Pahlavi, the Shahbanu of Iran. Together, Stein and Pahlavi generated an art market in Iran, as Stein encouraged Pahlavi’s patronage of the Tehran Museum of Contemporary Art. Today, the contemporary section of the Iranian National Collection―most of which continues to languish in storage―is considered one of the most significant collections of modern art outside of Europe and the United States.
The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art (Skira, 2020) is a vivid account of Stein’s experience working on this storied intercultural initiative. In crafting her highly readable narrative, Stein cites a number of previously confidential documents, including private correspondence with artists and dealers. This text explores the relationship between two women united by their shared passion for the arts and the continued legacy of their partnership in today’s art world.
Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills.
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Using the narratives of women who use(d) drugs, this account challenges popular understandings of Appalachia spread by such pundits as JD Vance by documenting how women, families, and communities cope with generational systems of oppression. Prescription opioids are associated with rising rates of overdose deaths and hepatitis C and HIV infection in the US, including in rural Central Appalachia. Yet there is a dearth of studies examining rural opioid use.
RX Appalachia: Stories of Treatment and Survival in Rural Kentucky (Haymarket, 2020) explores the gendered inequalities that situate women’s encounters with substance abuse treatment as well as additional state interventions targeted at women who use drugs in one of the most impoverished regions in the US.
Lesly-Marie Buer is a harm reductionist and medical anthropologist in Knoxville, TN.
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.
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Today I spoke with Dr. Louis Rothschild about his new book Rapprochement Between Fathers and Sons Breakdowns, Reunions, Potentialities (Karnac, 2024). Our conversation moved freely between theory, generational attitudes, thinkers, and personal vignettes.
What is a good enough father? What is the difference between a man of achievement and a man of power? Who is the father of the mother’s mind? What happens when a father enables holding? How is masculinity valued by other men? What is meant by phrases such as a “man’s gotta do what a man’s gotta do?” Why exactly do we need to “call the boy’s father?” How is the father’s role rendered invisible? These are some of the questions subsumed in the broader question of “Who nurtures and who is nurtured?” (And does the myth of the “self-made-man” indicate a man who exists without nurturing?)
“What I'm arguing”, says Rothschild, “is that that sexist dichotomy is a mirage in its own right and that attachment strings needn't be severed. They can be reworked over the lifespan and this idea of having this clean tidy break and going off to live your life where liberating the kid from this regressive maternal bond is the path to individuation, I think that's just patently false.”
Like an analyst, the book has been in formation for many years. “Percolating and distilling” as Dr. Rothschild says at the top of the interview. Motivated by the “way the culture was shifting” he sensed “that things I take for granted are actually a minority opinion.” Rothschild’s survey of sons includes mythology; Oedipus scripture; Issac. As well as the sons of literature; Sendak’s Max, Silverstein’s Boy, White’s Swan, and others. Affect rich case illustrations are also presented. The issues addressed in the book are the ones we are contending with in in analysis. They are the discussions we are having with our fathers, sons, and families. Rothschild’s book is essential and meets the clinical moment.
“Louis Rothschild’s book is both an outstanding representative of ‘return to the father’ and a unique explication of psychoanalytic thought on its own. This is a book of great literary elegance and impressive psychological wisdom.” Salman Akhtar, MD
Christopher Russell, LP is a psychoanalyst in Chelsea, Manhattan. He is a member of the faculty and supervising analyst at The Center for Modern Psychoanalytic Studies and The New York Graduate School of Psychoanalysis. His primary theorists are Sándor Ferenczi and Hyman Spotnitz.
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Adam Bursi’s Traces of the Prophets: Relics and Sacred Spaces in Early Islam (Edinburg University Press, 2024) uses writings by early Muslims to map a history of material objects, relics, and tombs of prophetic figures as they were conceptualized in the 8th and 9th centuries. The book draws from various genres of writings, including biographies and hadith of the Prophet Muhammad and Qur’an commentaries and juristic compilations to capture the tensions and practices around tomb and relic veneration. Some of the discussion of Muslim relic veneration are polemical as they aim to establish some boundaries around similar pious practices amongst Jewish and Christian communities. In the process, we learn that there were indeed debates with regards to the post-mortem “traces” or “athar” of Muhammad’s tomb, which then impacted how spaces associated with him were also perceived, as well as other prophetic figures like Ibrahim (Abraham) or Daniel. Such examples raise conceptual questions of absence and presence and Prophet Muhammad’s capacity for intercession and obligatory versus non-obligatory rituals. In charting these early Muslim debates and narratives, Bursi masterfully captures the differing approaches Muslims had to holy bodies and sacred spaces. The book will be of interest to scholars who think about early Islamic history and also for scholars who work on contemporary Islamic material and shrine cultures.
Shobhana Xavier is an Associate Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at [email protected]. You can follow her on Twitter via @shobhanaxavier.
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