New Books Network

In this episode of the Language on the Move Podcast, Tazin Abdullah chats with Dr. Priyanka Bose. Priyanka is a lecturer in English Literacy Education at the School of Education at Western Sydney University, Australia and winner of the 2026 Michael Clyne Prize for outstanding postgraduate research into immigrant bilingualism and language contact.
Tazin and Priyanka talk about Priyanka’s research into heritage language maintenance amongst Bengali speakers in Australia and how emotions play a decisive role in sustaining heritage language use via digital means. Their conversation about Bengali transnational families explores how grandparents and grandchildren use all the resources in their linguistic repertoire in combination with the affordances of digital mediums to communicate in and maintain Bengali. In these exchanges, emotional factors play a crucial role, setting the scene for the continued use of Bengali between generations.
Reference
Bose, P., Starfield, S., & Perera, N. (2025). ‘Ōlē bābālē!!!’ – Exploring emotions and digital language practices in family language policy among Bengali transnational families: A multimodal approach. International Journal of Bilingualism, 13670069251336173. DOI here
For additional resources, show notes, and transcripts, go here.

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What happens to foreign aid (and to women’s status) when the global development landscape shifts away from U.S. dominance? In this episode of International Horizons, John Torpey speaks with sociologist Mary-Collier Wilks about her book Reimagining Aid: Foreign Donors, Women’s Health, and New Paths for Development in Cambodia (Stanford UP, 2026). They discuss the contrasting approaches of U.S., Japanese, South Korean, and Chinese donors, the rise of competing regional models of development, and what the changing aid landscape means for gender equality and local actors in Cambodia.

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When Neil Selkirk first saw one of Arbus’s photographs as a young man at someone’s house in London, it almost sent him screaming into the street. Unsettled and shaken, the encounter instead opened his eyes to the uncanny powers of photography. It turned Selkirk into an important photographer and, ultimately, an indispensable collaborator to some of the greatest photographers of all time, including Richard Avedon, Diane Arbus, and other greats. In our conversation on great photographers and the art of photography, based on Selkirk’s edited book Why Photographs? (Warbler, 2026) we discuss essential dimensions of photography, including riveting detail, spontaneity, credibility, and the gift of chance, and how they were celebrated by early photographers but soon denounced by an establishment that saw photography as a threat to painting.

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In late 1943, the German Army on the Eastern Front was in dire straits. Its southern army group had been pushed out of eastern Ukraine, and on 6 November 1943, Kiev—one of the Soviet Union’s largest cities—was retaken by an increasingly capable Soviet Red Army. To prevent the total collapse of his army group’s front line, Generalfeldmarschall von Manstein had no choice but to launch a counterattack to halt the Red Army’s advance and recapture the Ukrainian capital. On 7 November, two Panzer divisions attached to the XLVIII Panzerkorps plunged into the Red Army’s positions southwest of Kiev, stopping the Red Army in its tracks. Five days later, two more Panzer divisions joined the counterattack, and the XLVIII Panzerkorps achieved numerous tactical victories as it marched northeast.

Commanded by General der Panzertruppen Balck after mid-November, the XLVIII Panzerkorps continued producing tactical success as it swept aside disorganized resistance from Soviet General Vatutin’s First Ukrainian Front, and recaptured important towns and logistics hubs on the path to Kiev. German hopes for the city’s recapture were dashed in late November, however, as Vatutin’s armies were finally able to stop the German advance, inflict heavy losses, and force Balck to end the counterattack

In his postwar memoir, General der Panzertruppen Balck claimed that meddling by higher-level commanders and poor weather squandered his efforts to recapture Kiev. His Soviet opponents claimed the opposite: a superior Red Army defeated the XLVIII Panzerkorps, and claims about poor weather were merely self-serving justifications for German failure. Defeat at the Dnepr: The XLVIII Panzerkorps Counterattack at Kiev, November 1943 (Casemate, 2026) is the first full-length treatment of this forgotten battle that definitively answers these questions, correcting the historical record on many unknown, ambiguous, and contentious details relating to the XLVIII Panzerkorps counterattack, and in doing so, shedding light on the nature of combat on the Eastern Front in late 1943.

Simon Waring is a PhD candidate at the Royal Military College of Canada, whose research focuses on German-Soviet operations on the Second World War’s Eastern Front. This has not precluded his interest in other subjects, however. Simon also intensely studies U.S. Cold War history, Canadian defence and foreign policy, and the theory, history, and practical application of strategy. He is a frequent contributor to a variety of publications on strategic, defence, and security studies subjects, including SITREP: The Journal of the Royal Canadian Military Institute, and he is a Fellow with the Centre for International and Defence Policy at Queen's University. Simon lives and works from his home in Toronto, Canada.

Stephen Satkiewicz is an independent scholar with research areas spanning Civilizational Sciences, Social Complexity, Big History, Historical Sociology, Military History, War Studies, International Relations, Geopolitics, and Russian and East European history. He served as the editor of the International Society for the Comparative Study of Civilizations (ISCSC) newsletter from 2016 to 2018 and is currently the Book Review Editor for Comparative Civilizations Review.

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From R.J. Palacio, the #1 New York Times bestselling author of Wonder and Brett Helquist, the illustrator of A Series of Unfortunate Events, comes The Haunted Playground (Random House Books for Young Readers, 2026), a spine-tingling Halloween picture book adventure! I cast the spell that brings to life this playground of the night. Here my phantoms come—but not to spook or fright. They’re here because they want to laugh, to frolic and be merry. They’re here because they need to take a break from being scary. When all the trick-or-treating is done and children are tucked in, ghosts are drawn to one special place: the Haunted Playground! Ruled by Rex Magnificus, ghosts arrive not to haunt but to play. But will the appearance of two human children interrupt their revelry? From two master storytellers, this Halloween story is a modern classic!

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