New Books Network

Tennyson called nature “red in tooth and claw,” but that warning didn’t keep Timothy Treadwell from living among the grizzlies of Alaska for thirteen summers–until one of them killed him and his girlfriend. Werner Herzog’s 2005 documentary Grizzly Man tells Treadwell’s story and raises the issues of what happens when we ascribe human motives and characteristics to animals and the ways in which we all attempt to stake out our own territory in an indifferent world.

Incredible bumper music by John Deley.

Herzog’s most recent book The Future of Truth (2025) is a series of essays about what constitutes truth and the threats truth faces in our age of AI and deepfakes.

Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla’s substack, The Grumbler’s Almanac, for commentary on offbeat topics of the day.
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At age 22, Sydney’s Bennett’s brain stopped communicating with her body correctly; she was suffering from Functional Neurological Disorder (FND), a condition in which the nervous system stops sending or interpreting signals the right way. Suddenly this bright, beautiful, college girl, recently married, was having seizures, numbness, difficulty moving. Soon she needed a cane, then a wheelchair. But, when we are weak, we are strong, and she found her rock in Jesus our cornerstone. Today she is a faithful and faith-filled advocate, mother of two, and (in the view of your host) present-day Job; and Job reminds us, “The Lord giveth and the Lord taketh away; blessed be the name of the Lord.”

Sydney’s book, Fearfully and Wonderfully Broken, on Amazon, and also from the publisher, Thomas Nelson, where you can listen to the first chapter of the audio book.

The episode of Almost Good Catholics with Mako Fujimura talking about kintsugi (which I excerpted):

Mako Fujimura on Almost Good Catholics, episode 14: The Silence of God: The Meaning of Our Suffering and Redemption

Other related Almost Good Catholics episodes about the Book of Job and the meaning of suffering:

Jonathon Fessenden on Almost Good Catholics, episode 58: The Book of Job: Why Do Bad Things Happen to Good People?

Brian Zahnd on Almost Good Catholics, episode 112: The Tree of Life: “no one who loves the way of Grace ever comes to a bad end.”

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Wayfaring: Photography in Taiwan, 1950s–1980s (Australian Centre on China in the World, 2025) explores four transformative decades of photography in Taiwan, tracing its evolution amid the island’s emergence from Japanese colonialism and integration into Nationalist China, largely under martial law (1949–87). Through a dozen richly illustrated essays and interviews, the book bridges the gap between vigorous Chinese-language scholarship on photography in Taiwan and its limited representation in English. Essays on photographers in the 1950s–60s, including Long Chin-San (Lang Jingshan) (1892-1995), Deng Nan-Guang (1907-1971), Chang Chao-Tang (1943-2024), Liu An-Ming (1928-2022), Hwang Pai-Chi (b. 1931), Hsu Yuan-Fu (1932-2018) and Tsai Hui-Feng (1928-2005), reveal photography’s pivotal role in documenting ‘local’ culture and shaping cultural identity, while challenging ideas of ‘amateur’ and ‘realist’ practices and recognising the importance of transnational connections. Meanwhile, essays on Hsu Jen-Shiu (b.1946), Lin Bo-Liang (b. 1952), Kao Chung-Li (b. 1958), Lien Hui-Ling (b. 1961) and Hou Tsung-Hui (b. 1960), along with interviews sharing the firsthand experiences of Liu Chen-Hsiang (b.1963), Lulu Shur-tzy Hou (1962-2023) and Yao Jui-Chung (b.1969), highlight the experience of photography in 1970s–80s Taiwan, as both witness and agent of social transformation, addressing issues such as environmental protection, mental health and gender politics, as well as being a crucial vehicle for the transdisciplinary nature of contemporary art, theatre, cinema and performance in Taiwan at that time.

Chen Shuxia is a historian and curator of Chinese art. Her research concerns art collectives, diasporic artistic practice, and reciprocal relations between people and objects. Her most recent books include Wayfaring: Photography in Taiwan, 1950s–1980s (2025), Chinese Toggles: Culture in Miniature (2024) and A Home for Photography Learning: the Friday Salon, 1977-1980 (2024). Her most recent curated exhibitions include “Merchants of Haymarket: the Making of Sydney’s Chinatown” (2026), “The trace is not a presence…” (2025), “Chinese Toggles: Culture in Miniature” (2024). Chen is the inaugural curator of the Chau Chak Wing Museum’s China Gallery, and a Senior lecturer in the Master’s degree programme in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design.

Olivier Krischer is a historian and curator of art from East Asia and the Asian Australian diaspora, whose research concerns modern and contemporary transcultural art, photography and intermedia practices. His curatorial projects include “Assembly” (2023), featuring eight Hong Kong-born artists, “Wayfaring: Photography in 1970s-80s Taiwan” (2021) and “Between: Picturing 1950-1960s Taiwan” (2016). His publications include John Young: The History Projects (2025), Zhang Peili: From Painting to Video (2019) and Asia through Art and Anthropology: Cultural Translation Across Borders (with F. Nakamura and M. Perkins, 2013). Krischer is currently a lecturer and program convenor for the Master’s degree programe in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design.

Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping’s NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University.

Relevant Links:


Open Access for Wayfaring: Photography in Taiwan 1950s−1980s


Wayfaring 找路: Photography in 1970s–80s Taiwan Exhibition Webpage


Wayfaring Exhibition Pamphlet


Wayfaring Exhibition Video Tour | Part 1 — Overview


“Between: Picturing 1950s-60s Taiwan / 間：臺灣五六十年代面影”

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How can we study the late ancient and Byzantine history from ecological perspectives? How might one grapple with the more-than-human in sources and media created by humans? Exploring the diverse ways in which pre-modern texts engaged with the broader natural world, Ecologizing Late Ancient and Byzantine Worlds (Bloomsbury, 2025) presents scholarly ventures into the terrains of the past. From the ancient treatises on dreams to monastic tales from the Hexameron literature to the Byzantine romance, from the Exeter Book to a mysterious Byzantine icon, the chapters investigate a diverse range of literature and other sources, uncovering intricate ecosystems of relationships.

The team of leading international experts behind the volume focuses on encounters between human and more-than-human beings. They pay attention to the entanglement of multiple agencies that cut through texts and other meshes. With insights from such theoretical traditions as ecocriticism, new materialism and environmental humanities, they re-expose ancient media to the elements.

New Books in Late Antiquity is presented by Ancient Jew Review

Laura Borghetti is a Doctoral Candidate in Byzantine Studies at Johannes Gutenberg University of Mainz, Germany.

Thomas Arentzen is a Reader in Church History at Lund University, Sweden, and Associate Professor at Sankt Ignatios College, Stockholm School of Theology, Sweden.

Michael Motia teaches Classics and Religious Studies at UMass Boston
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In Real Men on Top: How Patriarchy Shapes Our Reality (Oxford University Press, 2026), Robin Dembroff shows us that we don't just live in a patriarchal world. We live in a world that patriarchy taught us to see. Patriarchy is not simply a system where men dominate women, Dembroff argues. It is a deeper reality-shaping force that legitimizes economic exploitation, political injustice, and social cruelty by dividing all of us into the rigid categories of Man, Woman, Animal, and Child.

These categories are presented as natural truths, but Dembroff reveals them as man-made myths--ones that construct a reality in which being characterized as Woman, Animal, or Child marks moral degradation. By no coincidence, feminization, dehumanization, and infantilization are the very degradations used to make a man 'less of a man'.

But this book is more than critique; it's also a guide to transformation especially for those grappling with what it means to be a man under patriarchy. Patriarchy's myths celebrate the identity Man, but these myths are no friend to most men. Promising strength and superiority, they instead fuel isolation, emotional repression, and relentless pressure to prove oneself while propping up systems that enrich the powerful few. Rather than deliver freedom and prosperity, these myths entrap and impoverish. Real Men on Top invites readers to see through them and, in so doing, to find new possibilities for living, relating, and becoming human.

Sharp, daring, and deeply felt, Real Men on Top is a book for anyone who senses that something is deeply wrong with the way we live and wants to understand how we got here, and where we might begin the work of remaking reality.

Robin Dembroff is an Associate Professor of Philosophy at Yale University

Caleb Zakarin is CEO and Publisher of the New Books Network.
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