New Books Network

Even as Donald J. Trump keeps his tight grip on the Republican Party, conservative ranks are rife with sharpening tensions on both domestic and foreign-policy matters. I discuss this subject with Matthew Continetti, columnist for The Wall Street Journal and author of The Right: The Hundred Year War for American Conservatism (Basic Books, 2022). Conservative thinkers and political figures have different answers to festering questions such as how aggressively American should assert its role in the world, whether America’s ties to Israel should be scaled back, what steps should be taken to regulate Artificial Intelligence, and how to accommodate the populist insurgency that gave rise to Trump. The 2028 Republican Party nomination contest, Continetti says, looms as a battle over the future of the post-Trump conservative movement.

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Since the beginning of European colonization, the sun-drenched land of California has always attracted dreamers and schemers. Whether it was Spanish missionaries, Russian fur traders, or American argonauts, the myth - or perhaps brand - of California has long been a place here one's wildest dreams can come true. Starting in the late nineteenth century and accelerating in the twentieth, that myth also attracted a wide array of starry eyed spiritualists. In Golden States: How California Religion Went from Cautionary Tale to Global Brand (U California Press, 2024), Cal State Long Beach history professor Eileen Luhr explains how and why this state has been such a haven for utopianists, gurus, and spiritual seekers of all kinds. Explaining the stories of individuals from Katherine Tingley to Emmanual Bronner (of soap fame) to Steve Jobs, Luhr shows how the reputation of California as a haven for deep thinkers and outside the box ideas is both well earned, and was carefully crafted over the course of many strange and wonderful decades.

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Kentucky, 1798: A harrowing series of murders begins. The first body, discovered by cattle drovers, lies bloody at the bottom of a ridge. Then another—a dead boy staring up from a sinkhole. Bodies turn up along roadsides, stuffed into brush. They float to the surface of muddy brooks. For nine terrifying months, over hundreds of miles of Kentucky and Tennessee countryside, the terror unfolds. The killers—two men with hazy backgrounds—are brothers, named Wiley and Micajah Harp.

The Harps killed dozens, but why they did it has eluded folklorists and historians for generations. Almost every story imagines that their motive was pure bloodlust, but for historian Katherine Grandjean, that’s too simple. Instead, she uses the Harp murders to reveal the dark side of the young United States’ independence. These were uncertain and dangerous years—a time when the fledgling federal government could do little to protect its citizens. And if the American Revolution was liberating, it was also deeply destabilizing, politically and socially. Even as it built up some men, it stacked the deck against others, punishing them with volatile markets, lost safety nets, and shattered aspirations. Unspooling the mystery of what sent the Harps reeling exposes the hidden, violent legacies of the revolutionary era.

Bristling with tense, page-turning storytelling—and driven by a historian’s obsessive detective work—Kingdom of Devils: A Tale of Murder in the Shadow of the American Revolution (Random House, 2026) recovers these long-forgotten murders as a haunting tale about the darkness at the heart of the American dream.

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As affordability crises once limited to coastal cities have spread across the broader United States, the history of home and land ownership has never been more relevant. In Property Values: The Rise and Fall of the American Homeowner (Princeton University Press, September 2026), Dr. Joshua Specht traces how ownership has challenged the nation’s politics and promise from the founding to the present day.

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Strange and Familiar History of Byzantine Ar: Interpretation, Risk, and Empathy (ARC Humanities Press, 2026) represents a risky experiment in art-history writing. It takes objects of Byzantine art—manuscript illustration, frescos, mosaic, sculpture—and reads them through the lenses of disability studies, media studies, and gender studies in order to reveal something about their significance not only in that historical culture, but also in our own. Moreover, it uses lenses of personal history and self-reflection as a way to model an open-ended and faceted art history. Modern works of film, fiction, and art likewise appear frequently so that the Byzantine objects can emerge as both more strange and more familiar, and as both of the past and of our world. Their capacity for holding multiple times, generating multiple meanings, and for multiple subjectivities is fully embraced, and perhaps a different kind of art history emerges, one that eschews argument and mastery for humility, openness, empathy—thinking with, rather than about.
New Books in Late Antiquity is Presented by Ancient Jew Review
Glenn Peers is Emeritus Professor, Art History at University of Texas Austin and Syracuse University
Michael Motia teaches in Classics and Religious Studies at UMass Boston

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