New Books Network

What is the place of poetry in the modern world? In Poetry in General: How a Literary Form Became Public (Columbia UP, 2025), Keegan Cook Finberg, an Associate Professor of English at University of Maryland, Baltimore County narrates the contemporary history of poetry as the emergence of a public literary form. The book shows poets' engagement with social and economic changes, such as the rise of bureaucracy and office jobs, suburbanisation, feminism, and neoliberalism, alongside changes in literary forms and literary practices In doing so, the analysis demonstrates both the importance of poetry to reflect social and economic change, as well as its potential as a critical force in our moment of social and economic crisis. Ranging widely across individual poets, artistic collectives, and performance activities, the book will be of interest across the humanities, as well as anyone interested in why poetry matters today.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this NBN episode, host Hollay Ghadery speaks with Jennifer LoveGrove about her poetry collection, The Tinder Sonnets (Book*hug Press, 2026).
From acclaimed writer Jennifer LoveGrove comes an electric poetry collection exploring female sexual desire, contemporary dating, misogyny, and middle age that reflects and embodies our social media-saturated times.
Unabashedly confessional and radically vulnerable, The Tinder Sonnets rallies against the long-standing demand that “women of a certain age” politely accept being rendered non-sexual. Each poem is based on a date, relationship, or contemporary dating insight, and highlights how misogyny impacts the way we connect in the modern world–or don’t.
Juxtaposing folklore and the natural world against the digital sphere of texting and dating apps, this is poetry that defies invisibility and instead confronts and subverts it through a discerning feminist lens. While experimenting with the traditional form of the sonnet, these sonically textured poems are playful and wry, erotic and joyful, all while refusing to shy away from palpable anger, frustration, and disappointment.
Centring strength and resilience in the face of a resurgence of misogynistic chauvinism, The Tinder Sonnets is a staunch refusal to recede from view, to cede sexual space, or to be quiet and polite.
Hollay Ghadery is an award-winning Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and is a 2026 Giller Prize finalist. Her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Founder of River Street, and the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. She is also a member of The National Book Critics Circle, The Creative Nonfiction Collective, and The Writers Union of Canada. Hollay was also featured on the cover of issue 10 of The Ampersand Review. Learn more about Hollay here.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Chekhov liked to joke that he was a doctor by profession and merely did literary work in his spare time. Behind the joke lies an intriguing truth. We remember Chekhov as a towering literary figure, but medicine and humanitarian work occupied much of his life and profoundly shaped the way he encountered human suffering.
Nowhere is this more striking than in his remarkable journey across Siberia to Sakhalin Island. Travelling through an immense and unforgiving landscape to investigate conditions in the penal colony, Chekhov undertook an expedition that he would remember as one of the defining experiences of his life. Written by a neuroscientist and practising clinician, Chekhov’s Sakhalin Journey: Doctor, Humanitarian, Writer (Bloomsbury, 2023) follows Chekhov along this extraordinary route, drawing on his own account to reveal the doctor, humanitarian and observer behind the celebrated author. The result is a richer portrait of Chekhov, one that asks us to see his medicine and literature not as competing lives, but as different expressions of the same searching attention to human experience and the determination to not ‘do nothing’ to improve human lives.
Professor Jonathan Cole (MA, MSc, DM, FRCP, FTPS), is a British consultant clinical neurophysiologist, author, and researcher known for combining neuroscience with first-person patient narratives. He serves as a consultant at the University Hospital in Dorset, a visiting professor at Bournemouth University, and has served as the President of the International Federation of Clinical Neurophysiology. Inspired by his mentor and friend Oliver Sacks, Cole’s work heavily emphasizes the subjective, lived experience of individuals surviving rare or severe neurological conditions.
Jonathan is one of those rare scientists who combines both the rigor of scientific investigations with literary endeavours and even theatre. I will include both Jonathan’s personal website and his website for his collaborations in theatrical productions.
Dr. Anya Daly is Senior Lecturer in Philosophy and Ethics in the School of Arts and Society, University of Tasmania. Interdisciplinary collaborations are at the core of Anya’s research interests. She investigates the intersections of phenomenology with philosophy of mind, the philosophy of perception, the philosophy of psychiatry, embodied and social cognition, enactivism, ethics, aesthetics and Buddhist Philosophy.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In Rehearsing the Future: The Thought and Practice of James and Grace Lee Boggs (AK Press, 2026), Michael Doan explores the work and legacy of James and Grace Lee Boggs, two of the most influential American radical thinkers of the twentieth century. Grace Lee Boggs earned a PhD in philosophy in the 1940s, though facing obstacles to an academic career as a young Chinese American woman, she left and became a political organizer in Detroit, where she met and married James Boggs, a Black autoworker and labor organizer from Alabama who had moved North during the Great Migration. Over the course of more than forty years of partnership and participation in labor, civil rights, Black Power, anticolonial, and feminist movements, the Boggses articulated a philosophy of long-term revolutionary strategy they called “dialectical humanism.” Rejecting state socialism and traditional Marxism, dialectical humanism instead attributes social change to the conscious, collective activity of people engaged in place-based organizing with a view to transforming everyday life, with hallmark projects such as community gardens, daycare networks, and mediation programs. Above all, revolution is not a fixed program but must evolve as ideas, movements, and institutions are changed through collective practice.
Through their life work and publications, James and Grace Lee Boggs modeled how to do philosophy from within movements. In Rehearsing the Future, Doan lays out the intellectual history of dialectical humanism, the far-reaching theory and practice that continues to guide movement-building around the world, inspiring forms of activism such as visionary organizing and emergent strategy.
Michael D. Doan is a Canadian-born father, educator, activist, and philosopher. He joined the James and Grace Lee Boggs Center to Nurture Community Leadership in 2016 and is an Associate Professor of Philosophy at Oakland University.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025).

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

From the discovery of the Dead Sea Scrolls to the Zohar, this is the untold story behind our enduring fascination with lost and found religious texts The Dead Sea Scrolls, the oldest biblical manuscripts ever found, were discovered in a cave by a shepherd and his goat. This story is mostly true, and it is not the first such tale about long-lost books. Legend has it that the Zohar--the foundational text of Jewish Kabbalah--was lost for centuries before being discovered in a cave by a farmer, who sold it to spice merchants as packing material. It was only when a scholar picked through a trash heap and joined the fragments together that the world recovered its mystical secrets. These are just two of many tales recounting the discovery of ancient religious manuscripts. Tracing a time-honored pattern of storytelling about lost and recovered sacred texts, in Hidden Scrolls, Buried Bibles: How We Discover the Sacred Past (Yale UP, 2026) Eva Mroczek reveals a surprising feature of Jewish and Christian thought: the idea that scripture is not complete--that it is partly lost, destroyed, or hidden--is not only the stuff of fantasy novels and conspiracy theories. Mroczek shows that modern scholarly mythmaking is more tightly bound with Jewish and Christian legends than we may think. Through the lens of discovery tales, this innovative book explores how traditions live in tension with the possibility of unknown pasts and surprising discoveries.
New books in late antiquity is presented by Ancient Jew Review
Eva Mroczek is Simon and Riva Spatz Chair in Jewish Studies; Professor; Religious Studies; Undergraduate Advisor for Religious Studies
Michael Motia teaches in Classics and Religious Studies at UMass Boston

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.