New Books Network

Mentioned in the Bible and discussed in numerous traditional texts, cannabis has long been a part of Jewish life. For millennia, Jews have been buying, selling, and using cannabis for religious and medicinal purposes and as an intoxicant. The opening of YIVO’s latest exhibit, Am Yisrael High: The Story of Jews and Cannabis, will feature a panel discussion moderated by Eddy Portnoy, who will provide a brief overview of the relationship between Jews and cannabis. He’ll then moderate a discussion with Ed Rosenthal, Adriana Kertzer, Rabbi/Dr. Yosef Glassman, and Madison Margolin. Their discussion will consider the many connections of the Jews to cannabis – religious and spiritual, historical, scientific, and more.

Find more information about the exhibit here: https://yivo.org/Cannabis

This panel discussion originally took place on May 5, 2022.
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In this episode of High Theory, Kim talks to Ben Mangrum about Generic. A curious term that denotes both the conventions and rules of genre, and the impersonal or nameless quality of things like generic drugs or generic devices; the generic structures many of our cultural codes. Ben uses both senses to talk about the history of computing. He tells us about the surprising role the genre of comedy has played in our interactions with computers.

Ben suggested that we reference Spike Jones’s 2010 short film I’m Here as an example of computational comedy. In the episode Ben references Aziz Ansari and Eric Klinenberg’s Modern Romance (Penguin Books 2016), a book of comedy and social critique about online dating, as well as classics like Agatha Christie’s Muder on the Orient Express (Collins Crime Club 1934), William Gibson’s Neuromancer (Ace Books 1984), and the film You’ve Got Mail (1998). He also talks about David Schumway’s writing on screwball comedies, “Screwball Comedies: Constructing Romance, Mystifying Marriage” in Cinema Journal 30 no. 4 (Summer 1991): 7-23, doi: 0.2307/1224884, and Lauren Berlant’s on genre, “Genre Flailing” in Capacious: Journal for Emerging Affect Inquiry 1 no. 2 (2018).

If you want to learn more, check out Ben’s book, The Comedy of Computation: Or, How I Learned to Stop Worrying and Love Obsolescence (Stanford 2025). In this cultural history of the computer, Ben shows that comedy has been central to how we've made sense of the technology's sweeping effects on public life and private experience. From the first Broadway play to include a computer in the 1950s to popular films and joke-telling digital assistants, many have used comedy to make the computer seem ordinary. Others have tried to stage the assimilation of computers within corporate life as a kind of comic drama. Mangrum describes these and many other ways in which comedy and computation have come together as a new genre of experience: the comedy of computation.

Ben Mangrum works as an Associate Professor of Literature at the Massachusetts Institute of Technology. His research examines topics ranging from the environmental humanities to twentieth-century “world literature” and the history of ideas and media underlying contemporary methods in the digital humanities. His first book, Land of Tomorrow: Postwar Fiction and the Crisis of American Liberalism, was published in 2019 by Oxford University Press.

The transcript of this episode lives here as a WordDoc and here as a PDF. The image for this episode shows a happy computer, drawn in a few pixels on a blue background. It was made for High Theory by Lili Epstein.
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What happens when we assume women’s presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women’s Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press.

The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women’s work in and around the archive has been diminished, interrupted, erased, or ignored.

In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women’s archival labor, however fleeting, contingent, or speculative they may be. She reflects on how gendered ideas and norms have defined—and limited—our sense of what counts as film-historical labor. And she ruminates on what it means for feminist scholars, in and beyond film and media studies, to collect and recollect the past—for the sake of the feminist present and its still-possible futures.

Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023).
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When twenty-three-year-old Ron LeFlore played his first organized baseball game, it was in a yard at the State Prison of Southern Michigan where he was serving five to fifteen years for armed robbery. An extraordinary athlete, the Detroit native had luck on his side: his coach, a convicted felon, had connections to the Detroit Tigers. Within three-and-a-half years, Ron went from a prison inmate to a Tiger centerfielder.

In Baseball's Outcast: The Story of Ron LeFlore (Bloomsbury, 2026), Adam Henig tells for the first time in full the unbelievable life and career of Ron LeFlore. Blessed with blinding speed and a powerful swing, Ron shed his jailbird past to become one of the game's premiere hitters and its most dangerous base stealer during the latter half of the 1970s. His rags-to-riches life story became a bestselling book and a made-for-television movie starring actor LeVar Burton, fresh from his performance in Roots. But the good times did not last. Less than a decade after making his Major League debut, Ron was finished with baseball.

Baseball's Outcast is not just another book about the rise and fall of a troubled athlete. Henig goes deeper, tracing the star player's family roots, exploring the segregated world that Ron was raised in, examining the criminal justice system he was subjected to, and revealing how childhood trauma shaped his success and downfall. Filled with insight from Ron himself, as well as from former teammates, coaches, front-office personnel, inmates, childhood friends, and relatives, Baseball's Outcast provides unprecedented access into Ron's life story and the obstacles he faced every step of the way.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at [email protected] and follow him on Twitter @paulieknep.
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The global refugee regime has shifted under our feet. Over the last forty years, international asylum practices have expanded to include the queer and trans displaced. At least thirty-seven countries now recognize LGBTIQ refugees on the basis of sexual orientation or gender identity, with some states providing specialized support. Yet amid this expansion, backlash has intensified against refugee protection as well as the hard-earned rights of LGBTIQ people. In this disquieting context, the protection of LGBTIQ refugees remains partial and exclusionary.

The Way Out: Justice in the Queer Search for Refuge (University of California Press, 2026) examines the complexities of queer and trans displacement around the world. Centering personal narratives of LGBTIQ refugees, the book exposes the shortcomings of an international protection regime that is unable to address the harms that drive displacement.

Rebecca Buxton and Samuel Ritholtz's analysis of the stakes of queer and trans inclusion in accounts of displacement justice offers a vibrant example of theory brought to life.

This interview was conducted by Dr. Hannah Pool, a senior researcher at the Max Planck Institute for the Studies of Societies. Her research focuses on human mobilities and her new book has been published in 2025 by Oxford University Press.
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