Rebuilding The Renaissance

The Italian Island of Sicily is one of the most magical places on earth. Embraced by the Mediterranean, Tyrrhenian, and Ionian Seas, kissed by warm sunshine nearly year-round, home to three active volcanoes – the largest of which, "Her Majesty," Mt. Etna, looms over the island like a sleeping giant – and a multi-colored landscape that includes forests, farmland, and arid fields, Sicily, it seems, was truly favored by the gods, both past and present.

From the origins of the name "Rialto," to mysterious statues on the facade of Florence Cathedral, to the connection between Piero della Francesca and Caravaggio, to the reason why the red pigment in Fra Angelico's frescoes glitter, to great Italian Renaissance art in England, and much, much more - this episode answers the very questions that you ask me about the great art, artists, and history of the Italian Renaissance.

Built in the 14th century for the Davizzi family, before being sold to the Davanzati family in the 16th century, the Palazzo Davanzati is today home of the "Museum of the Old Florentine House." The various floors showcase domestic spaces and household objects to recreate life in a medieval Florentine home.

The Museum of Santa Maria Novella is in the convent of the great Dominican complex of Santa Maria Novella in Florence, Italy. It consists of a series of cloisters and spaces that house various artistic masterpieces including the frescoes of the Spanish Chapel, Paolo Uccello's "Stories of Noah, Abraham, and Jacob," and Suor Plautilla Nelli's (who was a Dominican nun and painter) once lost "Last Supper."

The Museum of Santa Croce in Florence, Italy, occupies the former refectory and wing of the Franciscan convent that separated two cloisters. It includes the celebrated Pazzi Chapel, a "God the Father" statue by Bacio Bandinelli, Taddeo Gaddi's "Lignum Vitae," Donatello's "St. Louis of Toulouse," and Giorgio Vasari's "Last Supper."