Rebuilding The Renaissance

Covering some 6,500m2 (70,000ft2), the spectacular mosaic cycle of Monreale Cathedral in Sicily is one of the largest in the world. The mosaics were created in the 12th and 13th centuries by order of Norman King William II in the Byzantine style. While the nave and clerestory mosaics depict Old Testament stories, the side aisle walls, instead, depict New Testament stories. The entire program culminates in the apse of the great cathedral with a massive "Christ Pantocrator" image.

According to legend, in the 12th century, the Virgin Mary appeared to King William II of Sicily while he was napping and ordered him to build a church on a hill just 7km south of Palermo, Italy. The result is one of the greatest churches of the Middle Ages - Monreale Cathedral. Next to the majestic church, whose interior contains Italy's largest mosaic, is an exotic cloister that was clearly influenced by Islamic architecture.

Originally built in the 14th century, the Dominican church and convent were both renovated in the 16th century. While the church displays a n almost dizzying example of Sicilian Baroque architecture, the well-preserved convent is instead quite sober and reflects what mosaic life was like for the nuns. The convent is also home to a still active bakery called "I Segreti del Chiostro" which offers visitors delicious local specialties.

Originally carved in 1554 for the garden of a Spanish nobleman in Florence, the so-called "Fountain of Shame" was dissembled in 644 pieces and transported to Palermo, Sicily, after having been sold to the Senate of Palermo.  Situated on the western side of the Dominican church and nunnery of Santa Caterina, the abundant nudity of the fountain was thought to be shameful in such proximity to the chaste nuns.

The Quattro Canti is a spectacular example of Sicilian Baroque architecture on a grand scale!  Marking the entrance to Palermo's historic district, the Quattro Canti (technically Piazza Vigliena) is a large octagonal piazza laid out in the early 17th century, four side of which are occupied by Baroque facades. Each of these facades contains allegorical fountains on the ground level, statues of Sicily's Spanish rulers of Sicily on the next, and Palermo's four patron saints above.