Director Nigel Dick is behind some of the most iconic videos (and images) in rock history. Whether it's Britney Spears, Guns n Roses, Oasis, Tears for Fears, Cher, Def Leppard, or hundreds of others, his visuals are what shapes our impressions of these artists. In this incredibly entertaining conversation, we dive into all the best stories from his nearly 45 years of directing including his time making Hollywood features, how videos are made from the top down, working with temperamental artists, and filming the recording of Band Aid's "Do They Know It's Christmas." Chalk this up to an instant classic! Enjoy!
www.nigeldick.com
www.patreon.com/c/thehustlepod
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2:21:58
Episode 509 - Ed Kuepper of the Saints/Solo
The Saints were a very important band in the history of Australian rock. Their mixture of melodic but greasy garage rock with a punk spirit was unlike anything else in the 70s. It produced the song they're still best known for, "(I'm) Stranded", one of the greatest punk anthems ever. That debut album of the same name from 1977 was recently given the deluxe treatment - 4 albums of remastered versions, b-sides, live shows, and more. Guitarist Ed Kuepper joins us to discuss his own, and the band's history including how they made that killer debut, why he left the band after three albums for a solo career, the loss of Saints frontman Chris Bailey, and a ton more. Enjoy!
www.edkuepper.com
www.saintsmusic.com
www.patreon.com/c/thehustlepod
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Episode 508 - Charles Fisher
Australian producer Charles Fisher's resume is all over the place. Two of his earliest producing jobs were with Australian punk legends Radio Birdman followed by Air Supply! That kind of diversity continued for decades working with everyone from Olivia Newton-John to Divinyls to Jimmy Barnes to Hoodoo Gurus to Deep Blue Something (as well as more Australian artists like Moving Pictures and Ol' 55). In the 90s he hit the jackpot when he did Savage Garden's debut album that went on to sell over 15 million copies. We often discuss the effect financial success has on an artist's desire to create, but here we hear it from the producer's perspective which is a fascinating story. Enjoy!
www.charlesfisherproducer.com
www.patreon.com/c/thehustlepod
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1:34:42
Episode 507 - Don Gehman
Thanks mostly to his magical work with John Mellencamp, Don Gehman was one of the biggest producers of the 80s. He was by John's side from the Cougar days through his whole peak period ending with The Lonesome Jubilee. Along the way he also produced REM's best album, Life's Rich Pageant, Bruce Hornsby's A Night on the Town, and many more, but the success started to wane. Then, he took on the job of producing this new band with a funny name called Hootie and the Blowfish and we know how that ended. Don doesn't do a lot of interviews so we're lucky to hear him discuss all of this as well as Chicago, Brian Setzer, Jimmy Barnes, Pat Benatar and a bunch of others. Don figured out what the sound of Heartland rock in the 80s should sound like, and we're all better off for it.
www.patreon.com/c/thehustlepod
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Episode 506 - Robin Millar
Robin Millar doesn't let anything hold him back. The man is blind, and yet he became one of the most successful producers in the UK in the 80s. His biggest claim to fame is shepherding a young Sade to two world-beating albums (her first two). Working together to find her unique sound made him the go-to guy for "sophistopop" and brought him a ton of success. He did the first few Everything But the Girl albums, the Fine Young Cannibals' debut, the first Colin Hay album and even scratched his rock itch by doing the third Big Country album. Oh, and he discovered Phoebe Bridgers and Cigarettes After Sex. And he was appointed CBE. And knighted. And, again, he's blind. You won't believe this one!
www.robinmillar.org.uk/music
www.patreon.com/c/thehustlepod
Ireland