Digital Frontiers: "INLAND EMPIRE" (2006, Dir: David Lynch)
Corbin and Matt have spent week dreading the moment when they would have to watch INLAND EMPIRE, David Lynch's extreme digital cinema expirment that he shot with a skateboard camera. But what if... it's actually kind of sick with it? Corbin recommends The Long Good Friday. Matt recommends Protean Magazine. Our next episode will be about STAR WARS EPISODE THREE: REVENGE OF THE SITH. It was in theaters again! It's not in theaters anymore, boo!
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1:36:55
DIGITAL FRONTIERS: "Apocalypto" (2005, Dir: Mel Gibson)
Hey sorry the episode is late, we recorded like three episodes this week and Matt didn't have time to edit. Anyway while we were scrambing to figure out something to watch for weird scheduling reasons, we discovered that Apocalypto was shot on digital and boy oh boy were we lucky for that fact because this is a weird one/wild digital artifact. Topics include: Gibson's unrelenting thrist for a certain kind on screen violence, the weird push and pull between woke method and conservative values in the movie, and the uses of digital video in creating a kind of on screen murkiness as a central unifying aesthetic. An artcicle about the movie's busted concept of Mayan history can be read here. Our friend Ryder recommends "Seven Myths of the Spanish Conquest" for a pointed corrective on the kind of anthropological thinking that Gibson promotes here: we don't tak about it much because we're a film scolar and a local dummy but Ryder went to fancy history school. Matt recommends a book that won't be out for a few months. Yeah I don't get it either. Corbin recommends a video game, available on your local video game console of choice. Thursday's episode is about INLAND EMPIRE. Watch it here.
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1:32:59
DIGITAL FRONTIERS: 'The Long Take'
Corbin and Ellis talk about the new proliferation of tracking takes at the dawn of digital cinema, focusing in particular on "Children of Men,' Alfonso Cauron's movie about the whole world losing their minds when fertility ends. Also metioned: Timecode, Russian Ark, video games, Gravity, and 1917. Matt reccomends an album. Corbin reccomends a movie. Next week's episode is about APOCOLYPTO, which you can watch on Hulu.
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1:39:24
Digital Frontiers, Episode Seven: "Crank" (2006, Dir: Mark Neveldine and Brian Taylor)
Statham. Handheld cameras. Offensive stuff. Insane continuity. Statham. Violence. Statham. Statham. Statham. Statham. It's Crank, baby. Matt reccomends this article. Corbin reccomends this article. Next week's episode is about tracking shots, you could watch Children of Men and/or Russian Ark, but you don't have to, I don't think.
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1:30:22
Digital Frontiers, Episode Seven: "Miami Vice" (2006, Dir Michael Mann) (w/ Eric Marsh)
ERIC MARSH joins Matt and Corbin to talk about MIAMI VICE, Michael Mann's digital fantasia/globalization fable/index of excruciatingly hot one liners. Topics include: globalization as topic and as aesthetic driver, the insane looking sky, and the unstability of digital filmmaking in an unstable time. Matt Recommends "Tokyo Vice" on MAX. Corbin recommends "Hell Hath No Fury," an album available on your local music streaming service. Eric recommends the song "Alone," by The Cry. Check out Eric's Podcast, "The Gaunlet," here. Next week's episode is about CRANK. It's not streaming for free anywhere, somehow, but you SHOULD rent it.
About The Pacific Northwest Insurance Corporation Moviefilm Podcast
A Podcast about movies from the fine folks at the Pacific Northwest Insurance Corporation, with Corbin Smith (The Famous Writer) and Dr. Movies, Matt Ellis (A Professor of Movies)
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