The Play Podcast

Episode 108: The Lady from the Sea by Henrik Ibsen
Host: Douglas Schatz
Guests: Professor Kirsten Shepherd, Tzen Sam

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing.
When Henrik Ibsen's lyrical play The Lady from the Sea premiered in 1889, the critics were bewildered. On the surface it is a conventional drama of marital strife and the constrained social position of women, but the play is enriched by its acute portrait of psychological trauma and mystical undercurrents. I was prompted to explore the play having seen Simon Stone's modern adaptation at the Bridge theatre in London in the Autumn of 2025, and I am delighted to welcome Ibsen expert, Professor Kirsten Shepherd, back to the podcast, to discuss this intense and mysterious work. Kirsten and I are also joined by Oxford PHD student, Tzen Sam.

Episode 107: Entertaining Mr Sloane by Joe Orton
Host: Douglas Schatz
Guest: Dr Emma Parker

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing.
Joe Orton's black comedy Entertaining Mr Sloane offended many established critics when it premiered in 1964. Orton's first full-length play signalled the arrival of a unique new voice, defined by its anarchic farce, camp sexuality, and faux-refined language, like a ramped-up Oscar Wilde let loose in the emerging age of free love. The play's first production was promoted with ads warning that it was "not for the narrow minded".
I have long wanted to cover Orton on the podcast, and I was prompted to start with this play by the recent revival staged at the Young Vic theatre in London. I am delighted to welcome Orton enthusiast and expert, Dr Emma Parker, to help me explore Orton's provocative farce.

Episode 106: End by David Eldridge
Host: Douglas Schatz
Guest: David Eldridge

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing.
 David Eldridge's new play End is the final instalment of what David has described as a "triptych for the theatre", following Beginning in 2017, and Middle in 2022. Each of the plays in the series presents a snapshot of a couple at a particular time of life. In End we meet a couple who are facing the premature end of their life together. The play is not only an emotionally painful meditation on mortality, but also a testament to the life affirming power of love.
As we record this episode End is playing at the National Theatre in London, with Saskia Reeves and Clive Owen as the couple. I was privileged to talk with David about Beginning way back in episode 11 of the podcast, and then Middle in episode 47, so I am delighted to be able complete the trilogy by welcoming David back to talk about End.

Episode 105: The Weir by Conor McPherson
Host: Douglas Schatz
Guest: Conor McPherson

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing.
The curtain rises on a small rural pub in northwest Ireland. A few of the regulars have dropped in for company and bit of the craic. This is the simple premise of Conor McPherson's breakthrough, internationally successful play, The Weir. The play is a quiet, yet mesmerising piece of drama that consists of nothing more than a handful of people coming together and telling a few stories. Stories which reveal not only personal anxieties, regret and grief on the part of its characters, but which, in the telling, draw us into a collective experience of the mystery of being alive.
The Weir premiered in a tiny space at the Royal Court Upstairs in July 1997. It has since been performed all over the world, and as we recorded this episode a new production was playing in London's West End, directed by the author himself and starring Brendan Gleeson as Jack. I'm delighted to be able to talk with Conor himself about his magical play.

Episode 104: Twelfth Night by William Shakespeare
Host: Douglas Schatz
Guest: Will Tosh

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing.
William Shakespeare's romantic comedy, Twelfth Night, or What You Will is one of Shakespeare's most popular comedies, renowned for its clever cross-dressing plot and festive hi-jinks, but also for its elusive tone, fluctuating between the comic and a darker cruelty. The play is also infused with desire, both declared and suppressed, even subversive, as the characters search for love, status and identity.
As we record this episode a new production of the play is playing at Shakespeare's Globe theatre in London, and I'm delighted to welcome to the podcast the Globe's Director of Education, Dr Will Tosh.