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  • ‘Now You See Me, Now You Don’t’: Ruben Fleischer On Reuniting With Jesse Eisenberg & Woody Harrelson, His 'Venom' Experience, & His Upcoming Western Vampire Film [The Discourse Podcast]
    theaters on November 14 from Lionsgate.For Fleischer, returning to work with Eisenberg and Harrelson was a huge draw, but it wasn't the only draw. “It was a combination of factors,” he said. “Definitely a desire to work with Jesse and Woody again. This was my fourth movie with each of them. They’re great collaborators, super funny, brilliant actors. I just absolutely love working with them.” He was also a fan of the original franchise and, as he put it, “a huge fan of magic.” Those factors made it an easy yes. “It seemed like it would be a lot of fun and it played to my strengths of making a super fun movie for audiences.”
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  • ‘The Running Man’: Edgar Wright On His Sci-Fi Blockbuster, Stephen King, Digital Filmmaking, & Why He’s Still On A “Cape Break” After Leaving 'Ant-Man' [The Discourse Podcast]
    The future isn’t sleek or utopian; it’s loud, televised, and brought to you by your favorite corporate sponsors. In Edgar Wright’s high-voltage new film, “The Running Man,” entertainment has literally become a blood sport. Based on Stephen King’s 1982 novel, this isn’t your father’s dystopia; it’s a world where survival ratings matter more than life itself, and one wrong move can make you viral in all the wrong ways. Glenn Powell stars as Ben Richards, a man framed, hunted, and transformed into TV’s latest disposable hero.It’s a punchy, adrenaline-fueled reinvention from a filmmaker who loves turning chaos into choreography. Wright trades the candy-coated energy of “Baby Driver” and “Scott Pilgrim vs. the World” for something grittier and sweatier, a survival thriller that feels uncomfortably close to our algorithmic present. It’s wickedly funny, politically sharp, and unmistakably his, even as it veers into darker, nastier terrain.READ MORE: ‘A House of Dynamite’: Noah Oppenheim On Real-Time Nuclear Horror, Collaborating With Kathryn Bigelow, His ‘Jack Ryan’ Film & More [The Discourse Podcast]
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  • ‘Amsterdam Empire’: Famke Janssen On Her Wild Weed Fueled Netflix Crime Series, Netherlands, & Why She’s Not In ‘Avengers: Doomsday’ [Bingeworthy Podcast] —
    Crime, corruption, and a phoenix-like comeback collide in the heart of Amsterdam’s weed underworld. Netflix’s “Amsterdam Empire” is a pulpy, fun new crime series set in Amsterdam’s glamorous and dangerous weed industry, where revenge and reinvention go hand in hand. The show follows Betty, a former pop star played by Famke Janssen, whose crumbling marriage to the owner of a Marijuana shop empire known as “The Jackal” sparks a battle that pulls in gangsters, police, and lovers. Weed may be legal to smoke in the Netherlands, but growing it is not, and the family’s illegal grow operations soon attract unwanted attention from rival factions and law enforcement alike.Joining Bingeworthy for this episode is Famke Janssen, who not only stars as Betty but also serves as executive producer and co-costume designer. The series also marks her first time performing in her native Dutch language. She describes the experience as both nerve-wracking and exhilarating.
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  • ⁠‘The Last Frontier’: Jason Clarke & Jon Bokenkamp On Their 90’s Action Movie-Inspired Series, Wilderness Filming, & Practical Bloody Mayhem [Bingeworthy Podcast]⁠
    In Alaska’s endless white, a small town sheriff hunts escaped convicts through blizzards and betrayal, only to uncover a web of CIA secrets and buried love that refuses to stay frozen. Yes, the ’90s action vibes are strong with Apple TV+’s “The Last Frontier,, a wintry chase thriller where a quiet Alaskan town becomes a pressure cooker. Planes fall out of the sky, fugitives scatter into the wild, and a local deputy with a past shoulders more than his share of the storm. It’s lean, charged, and undoubtedly built to binge. The series stars Jason Clarke, Haley Bennett, Dominic Cooper, Alfre Woodard, and more.Joining Bingeworthy for this episode covering “The Last Frontier” are Jason Clarke (star and executive producer) and Jon Bokenkamp (writer, producer, and showrunner). Throughout our conversations, they delve into throwback influences, the human heartbeat beneath the chaos, and why the show’s most memorable moments aren’t always the loudest ones.During the interviews, Jon Bokenkamp is quick to openly call the series a love letter to high-concept ’90s summer action thrillers, the kind you can pitch in one sentence and feel in your bones like “Con Air” and “Point Break.” “It’s really a high-concept idea,” Jon said. “Most of those films that inspired it, you can say in one sentence, ‘here’s the elevator version,’ and you go, ‘I get it.’ A little action heavy, slightly heightened, maybe turned up to 11 or 12.”
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  • ‘A House of Dynamite’: Noah Oppenheim On Real-Time Nuclear Horror, Collaborating With Kathryn Bigelow, His ‘Jack Ryan’ Film and More [The Discourse Podcast]
    What would you do with 18 minutes left before the end of the world? That question ignites "A House of Dynamite," a pulse-pounding new thriller from director Kathryn Bigelow and writer-producer Noah Oppenheim that dramatizes the unthinkable: the countdown between nuclear launch and annihilation. Told in real time, the film locks viewers inside the corridors of power as a U.S. president, military advisors, and intelligence officials face the impossible decision to retaliate or die trying. The result is an unbearably tense and disturbingly plausible experience that plays less like Hollywood fiction and more like a documentary from the edge of civilization. The film hits Netflix on October 24.On this episode of The Discourse, host Mike DeAngelo sits down with Noah Oppenheim, who discusses crafting the film’s chilling realism, his creative partnership with Kathryn Bigelow, and how his background as a journalist and former NBC News president informed his approach to humanizing institutions we normally only see as faceless power structures.READ MORE: ‘A House Of Dynamite’ Review: Kathryn Bigelow Returns With Another Explosive Political Thriller [Venice]
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Home to The Playlist Podcast Network and all its affiliated shows, including The Playlist Podcast, The Discourse, Be Reel, The Fourth Wall, and more. The Playlist is the obsessive's guide to contemporary cinema via film discussion, news, reviews, features, nostalgia, and more.
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