The Playlist Podcast Network

The “Enola Holmes” films have never been short on charm and wits, but “Enola Holmes 3” gives the franchise a little more room to breathe and, dare I say, mature. The mystery is still there. The cheeky banter is still there. Enola is still starting fires and solving crimes. But this time, the story heads to Malta and lets Enola and Tewkesbury deal with a mystery that makes them grow up and face their respective legacies.
On this episode of The Discourse, host Mike DeAngelo speaks with director Philip Barantini and stars Millie Bobby Brown and Louis Partridge about the film, which hits Netflix July 1. Brown returns as Enola Holmes, with Partridge back as Tewkesbury. It follows Enola as she heads to Malta to marry, while her aspirations merge with her most complex and dangerous case yet. The film also features Henry Cavill, Helena Bonham Carter, Himesh Patel, Sharon Duncan-Brewster, and more.
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“The Agency” approaches espionage less as a series of action beats and more as a study in information, perception, and control. The show is at its absolute best when it leans into that tension, allowing seemingly ordinary conversations to simmer with unease while drawing on its wealth of densely fleshed-out characters, each carrying their own agendas, vulnerabilities, and secrets. Conversations are rarely straightforward, motives are constantly in question, and even routine interactions can reshape the balance of power inside the CIA. In Season 2, the Paramount+ with Showtime drama deepens those tensions, following agents and analysts as personal loyalties, institutional pressures, and a growing sense of distrust begin to collide. But this time around the action and pacing is increasing by the second.
Based on the acclaimed French series “Le Bureau des Légendes,” “The Agency” follows Michael Fassbender as Martian, a CIA agent whose personal and professional lives continue to collapse into one another. Season 2 picks up with Martian still trying to save Samia, played by Jodie Turner-Smith, while the agency itself is pulled into a wider web of internal suspicion, shifting loyalties, and a mole hunt that turns the office into its own kind of battlefield.
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The series also stars Jeffrey Wright, Richard Gere, Katherine Waterston, John Magaro, Dominic West, and more. And truly, one of the joys of Season 2 is watching a cast this deep make even the smallest exchanges feel like fully loaded scenes. Wright, who plays Henry Ogletree, and Magaro, who plays Owen Taylor, both spoke with Bingeworthy host Mike DeAngelo about the new season, the ensemble’s unusual chemistry, and what it takes to make all that spy-world jargon feel lived-in rather than laminated.

Robin Hood has been a lot of things over the centuries: noble thief, romantic outlaw, swashbuckling folk hero, animated fox, Kevin Costner with an accent that wanders wherever it pleases. But in Michael Sarnoski’s hands, the myth becomes something darker, sadder, and more spiritually eviscerated. His new film, “The Death of Robin Hood,” is less interested in the legend as a heroic brand than in the man who might be trapped beneath its curse.
Written and directed by Sarnoski, “The Death of Robin Hood” stars Hugh Jackman as an aging, haunted Robin Hood, a man grappling with a life of violence after a battle leaves him gravely injured. In the care of a mysterious Prioress played by Jodie Comer, he’s offered something that might look like salvation, if he can survive long enough to accept it. The film also stars Bill Skarsgård, Murray Bartlett, and Noah Jupe, and arrives in theaters June 19 via A24.
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Sarnoski joined The Playlist’s The Discourse podcast to talk about stripping away centuries of heroic varnish, finding the emotional soul of Robin Hood, reuniting with cinematographer Pat Scola, and writing the upcoming “Death Stranding” movie. And early in the conversation, he acknowledged a thread that has become increasingly clear across his work, from “Pig” to “A Quiet Place: Day One” to “The Death of Robin Hood”: these are stories about people who, in some way, already feel dead before the movie begins.

Just when you think Spider-Man has lost all novelty, “Spider-Noir” finds its spark by going backward into smoke, shadow, bruised conscience, silly accents, and old Hollywood fatalism. It’s still a comic-book story, complete with masks, villains, superpowers, and a hero trying to decide whether he can outrun the thing he was built to become, but its real trick is tonal. The series treats noir not as a costume rack, but as an emotional statement.
On this episode of Bingeworthy, host Mike DeAngelo is joined by writer, producer, and showrunner Oren Uziel to talk about Season 1 of “Spider-Noir,” the live-action Marvel/Sony series starring Nicolas Cage as Ben Reilly (No, not Peter Parker), a washed-up private investigator in 1930s New York forced to confront his past as the masked vigilante known as The Spider. The series, which is now streaming on Prime Video after its MGM+ debut, also stars Lamorne Morris, Li Jun Li, Karen Rodriguez, Brendan Gleeson, Jack Huston, and more.

Following up on a cultural phenomenon like “Yellowstone” is no easy task. Any spin-off has to balance honoring what made the original series a hit while finding its own fresh ground. With “Dutton Ranch,” especially after the letdown of “Marshals,” that challenge falls on Beth Dutton and Rip Wheeler, who leave Montana behind for Texas in hopes of building something new, only to discover that new beginnings come with familiar dangers. Maybe they’re magnets for this kind of thing.
“Dutton Ranch,” the new “Yellowstone” spin-off that follows Beth Dutton and Rip Wheeler as they gamble everything on a new life in Texas. Kelly Reilly and Cole Hauser return as the fan-favorite couple, with Finn Little back as Carter. This time, the Dutton orbit expands to include Annette Bening as Beulah Jackson, a formidable Texas rancher whose power, control, and family legacy put her directly in Beth’s path. The series also stars Ed Harris, Jai Courtney, J.R. Villarreal, Marc Menchaca, Juan Pablo Raba, Natalie Alyn Lind, and more.
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On this episode of Bingeworthy, host Mike DeAngelo speaks with Reilly, Bening, and Hauser about carrying the “Yellowstone” legacy into a new chapter. The conversations cover Beth and Rip’s move from Montana to Texas, Beulah’s dangerous grip on power, the show’s darker Episode 4 turn, and how the creative team approached evolving characters that fans already know inside and out.