The Sin Syndicate

You asked, we answered, Part 2. Our new year Q&A concludes with the second and final installment, "Uta Go Home." In this episode, Casey once again rants about the missing footage from The Amazing Transplant, Alex throws shade at the non-gore Herschell Gordon Lewis films and Gentry would really like people to stop asking him where they can watch these films. If you enjoyed Alex's in-depth explainer from Part 1 about the cost of a sexploitation film, tune in for a history lesson on some important players in his native Canada's sex film industry. And if you want a rapid-fire list of the most noir sexploitation films, get your pen and paper ready. What other podcast is queening out over Cherie Winters' hair? Yeah, just this one. Links:Subscribe to our PatreonCheck out Something Weird VideoInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsContact us: [email protected] thanks: Alex DiSanto

You asked, we answered. We thought it would be fun to kick off the new year with a little Q&A, but that little Q&A unsurprsingly turned into a four-hour epic. So, we've broken it in two. If you don't hear your question answered in this episode, stay tuned for next week. But in the meantime, in Part One, "Radley Metzger's Ascot," we are joined by our Canadian youngboy Alex DiSanto to discuss all manner of sexploitation and sexploitation adjacent topics, including: our most wanted SWV HD upgrades, our favorite SWV releases, Bucky Beaver, Betsy Burger and...Howard Hughes? Yeah, it's a lot. Join us for what will surely be a New Year's tradition (that's a threat), both a celebration of the annual uptick, and a thank you to everyone who has listened and supported us the past year. If we had any haters, I'd thank them too. But they stay quiet.Links:Subscribe to our PatreonCheck out Something Weird VideoInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsContact us: [email protected] thanks: Alex DiSanto

It’s a Christmas miracle! It’s been a long time coming, but for the final episode of the year, The Sin Syndicate have been blessed with the immaculate presence of The Boss, Something Weird Video owner and operator, Lisa Petrucci. Ever since we started this podcast we knew we wanted to bring Lil’ Lisa on the show, but we were waiting for the right moment. Well, what better time than now, our last episode of 2025, where we talk with the multi-talented Ms. Petrucci about a subject near and dear to her heart—the Mighty Monarch of Exploitation, David F. Friedman, and the recently announced series of double and triple features from Melusine and Distribpix dedicated to his colorful career. Besides Uncle Dave, we also chat about the early days of Something Weird, the current state of film censorship, and some of our favorite Friedman films. If you listen closely, you might even catch Lisa drop a couple hints about some upcoming releases from SWV in the new year. So, join us for “On Mighty Monarchs and Lady Bosses,” the first, but hopefully not the last, of our discussions with the small but powerful woman behind an exploitation empire.Links:Subscribe to our PatreonCheck out Something Weird VideoPurchase The Adult Version Of Jekyll & Hide + The Erotic Adventures of ZorroInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsContact us: [email protected] thanks: Lisa Petrucci 

Strap in for Episode 27, “Not That Tony Orlando,” a two and half hour ride that boards at Philadelphia's 30th Street Station, makes a detour to Brigantine, New Jersey, and comes to a stop at New York’s Grand Central Station. There will be: more Dawn Bennett slander, a discussion about what makes a “bear,” and a reveal of the inspiration behind Casey’s move to The Big Apple.Curl up with a bag of Takis for some 60s sexploitation comfort viewing as The Sin Syndicate, with special guest Alex DiSanto, discuss the short filmmaking career of Philly boy Tony Orlando (in association with cinematographer C. “Chuck” Davis Smith), and the four pictures he made before his unfortunate death on the operating table: The Block (1964), Lust and the Flesh (1965), Hot Nights on the Campus (1966) and Banned (1966).Besides covering everything you need to know about this quartet of features, there will be diversions to talk about the most uncomfortable exploitation film ever made (The Molesters, and yes, Alex has the promotional whistle), a disgusting promotional tactic around The Twisted Sex (involving a dead girl in white go-go boots) and two other men on the periphery of this scene: Sande N. Johnsen and Jerry Denby. Also not to be missed is our world famous Sexploitation News segment, were we give our initial thoughts on the recently announced high-definition David F. Friedman series from Distribpix + Something Weird Video, reveal the final tally results from our Mount Rushmore of NYC Sexploitation Actresses Patreon poll, and make other historical updates and corrections. All aboard who are coming aboard. Destination: newer, bigger kicks.Links:Subscribe to our PatreonWatch Hot Nights on the Campus on CultpixWatch the David F. Friedman announcement videoInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsCheck out Something Weird VideoContact us: [email protected] thanks: Alex DiSanto

What would you do for a Van Houten chocolate bar? Crawl on your hands and knees and join us for Episode 26 of the Sin Syndicate, where we are submitting to the erotic symphony of director Allen Savage’s psychosexual 1969 sex film, Submission. Starring future hardcore star Jennifer Welles under her “Lisa Duran” pseudonym, she plays “little miss innocence,” a baby doll beauty used and abused by her cruel master, played by actor (maybe producer?) Gary Judin. When the two insinuate themselves into the home of a wealthy older woman, Orgasmo games ensue. Other familiar sexploitation faces featured in this artistically edited X film include Southern gal Sheila Britt, João Fernandes from Doris Wishman's The Amazing Transplant, and a behind the scenes crew that includes one of Joe Sarno's favorite 60s editors, and the cinematographer of Freddy vs. Jason. Clearly, there’s a lot to discuss with this one, so light a candle, grab your favorite candy confection, and quell your insatiable hunger with “Sex and Chocolate.” Links:Read the show notes on our PatreonWatch Submission on CultpixInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsCheck out Something Weird VideoContact us: [email protected]