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Voices of Esalen

Podcast Voices of Esalen
the Esalen Institute
"Voices of Esalen" features provocative, in-depth interviews with the dynamic leaders, teachers, and thinkers who reflect the mission of the Esalen Institute. ...

Available Episodes

5 of 196
  • Cosmic Frequencies: Doug McKechnie's Avant-Garde Moog Performance at Esalen (late 1960s)
    Once again, we’re diving deep into the Esalen archives to share a fascinating historical recording - this one featuring electronic music pioneer Doug McKechnie. In the late 1960s and early '70s, Doug McKechnie was at the cutting edge of musical innovation, harnessing the revolutionary Moog synthesizer to create mesmerizing sounds. McKechnie was a contemporary of iconic figures like Wendy Carlos, known for the 1968 record "Switched-on Bach," a collection of pieces by Bach that were performed by Carlos on the Moog synthesizer. This album, which won a Grammy for Classical Album of the Year, played a key role in bringing synthesizers to popular music. McKechnie was also tied to the Grateful Dead, contributing to the band's most experimental album, "Aoxomoxoa.” He also played at Altamont, not really a feather in anyone’s cap, but it shows the breadth of his growing popularity, and that of the Moog synthesizer. Moogs are characterized by distinctive electronic timbres and pulsating rhythms, as well as hypnotic sequences. They are very much a part of the psychedelia of the late 1960s, fitting right in with the oil light shows, pop art, face paint and neon day glo colors of the time. The Moog’s ability to generate evocative psycho-acoustic atmospheres allowed musicians like McKechnie to tap into the exploration of internal landscapes that seemed to naturally occur during psychedelic adventures. The performance you’re about to hear was recorded live at Esalen in the late 1960s, preserved for decades on half inch to reel, then dusted off, digitized, and transported to you via the magic of podcasting. So sit back, relax, and let the Moog take you on a trippy auditory journey to a pivotal moment in musical and technological history.
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  • Roots of Esalen: Richard Horan on Esalen's Garden Origins, Jade Carving, Psychedelics, and the Legendary Art Barn
    Richard Horan first arrived at Esalen in the mid 1960s, traveling from Los Angeles to Big Sur at the height of a cultural renaissance. He was an early member of the Esalen massage crew and played a pivotal role in founding the Esalen Garden, a space that continues to nourish the land and community today. He was also deeply involved in the psychedelic inquiry of the time. Over the years, his connections to Esalen deepened: with Gabrielle Roth he had a son, Jonathan Horan. Later, he married Peggy Horan, and together they raised two daughters, Lucia and Jasmine. Horan's purpose as an artist was revealed to him during his time at Esalen when he founded the Art Barn as a collective with other artists.  Horan remains legendary in Big Sur for his mastery of jade carving. His work includes rings, earrings, pendants, belt buckles, and sculptures, many of which are inspired by ancient esoteric symbols and indigenous traditions. His signature earrings are renowned for their thin-cut jade, which allows light to pass through. As a multi media artist, he has worked in depth with clay, redwood and jade, making musical instruments, art objects and jewelry. Today, we’ll hear from Richard as he reflects on his journey—his artistic process, his connection to Esalen, and the life he has built in harmony with the wild nature of Big Sur. See Richard's work at http://www.richardhoranbigsurjadejewelry.com
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  • The Esalen Check In: Part 2
    A few months ago we brought you a real Esalen check-in (episode one). This practice, rooted in the Gestalt therapy that evolved at Esalen over the years is an authentic cornerstone of the Esalen experience. It's often described as a catalyst for self-awareness, connection, and personal growth. Today's episode is a continuation - Episode 2. Our check-in features Alex Shepherd, Peggy Horan, Jess Siller, Faith Blakeney, Shira Levine, and Sam Stern. What you'll hear is real. It is authentic and unscripted. While our participants were aware of being recorded, they spoke from the heart. We've made every effort to preserve the intimacy and rawness of the experience with only minimal editing. This is the secret sauce - the open, honest sharing that forms the foundation for personal transformation.
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  • Frederic Spiegelberg's 1968 Talk at Esalen: "India and the Saints"
    Today we're opening up the vault to share an extraordinary archival recording from one of the most influential figures in Esalen's history, Frederic Spiegelberg — and while that name might not be as immediately recognizable as some of the luminaries who graced Esalen's grounds, like Joseph Campbell, Alan Watts, or Gabrielle Roth, understanding Frederic Spiegelberg and his place in Esalen mythology might be key to understanding Esalen itself . . . because in truth, without Frederic Spiegelberg, there might well never have been an Esalen at all. In 1950, Esalen co-founder Michael Murphy was just another Stanford student when he, by complete accident, attended one of Friedric Spiegelberg's philosophy courses. As recounted in Jeffrey Kripal's fantastic book, “Esalen: America and the Religion of No Religions,” that single class would become an initiatory event that transformed Murphy's life forever, providing a pivotal bridge into the metaphysical, the mystical, and the psychical realms, dimensions that would go on to define the course of his life. The recording you're about to hear takes place in 1968, nearly two decades after Michael Murphy’s satori. Frederic Spiegelberg, as you'll hear, is still a force to be reckoned with. He speaks of the convergence between Eastern and Western thought, the transformative power of spiritual experience, and the boundless capacity for human growth. And as you listen to this beautiful recording, originally made on half-inch reel to reel tape that we've recently uncovered in the Esalen vault, dusted off, digitized, and are in the process of joyfully rediscovering, maybe consider this: that you're not just hearing a lecture from the past. Instead, you're taking part in a transmission. A thread that connects the early days of Esalen to the present moment. You're stepping into the very space where minds were opened and spirits awakened and the seeds of some sort of transformation were sown.
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  • Music From the Big Sur Mountains (Archival recording, late 1960s/early 70s)
    For the past several years, I’ve been lucky enough to work closely with the famed and slightly disorganized Esalen archives, diving deep into the history of this extraordinary place. I’ve fashioned several multimedia talks out of the material that I’ve uncovered, one on the history of altered states at Esalen, another on the 1970s and 80s. And recently, I had one of those rare, thrilling moments that every archive enthusiast—every crate digger, like me—dreams of. A while back, I made a trip out to a storage facility near the Monterey Airport, with the producer of this podcast, Shira Levine, and we found boxes upon boxes of historical materials—photographs, slides, notes, VHS tapes, catalogs. As I sifted through them, I stumbled upon something incredible: a box filled with 5” reel-to-reel tapes, very likely recorded in the 1960s and ’70s by a man named Paul Herbert. This was the kind of find that makes you stop in your tracks. Material that had been thought lost—or at the very least, forgotten—suddenly resurfaced in my hands. As I carefully unraveled the reels, I realized I was holding audio time capsules, voices and ideas from Esalen’s past waiting to be rediscovered. Today, I’m sharing one of those recordings. This reel was titled Music from the Big Sur Mountains, and to be completely honest, even after having listened to it, I’m not sure exactly what year it comes from. Based on what I know, I’d place it somewhere between the mid-1960s and mid-1970s. And it is exactly what it sounds like: music from the mountains of Big Sur. You’ll hear musicians local to the area playing hand drums, outside, in the mystic air. But it’s more than just drumming. This recording is alive with the sounds of Esalen itself—the rhythm of hands on drums, the voices of vocalists, the barks of dogs, the laughter and shouts of children, who are more than likely in their 50s and 60s now. It’s a time capsule, a window into a world that no longer exists in quite the same way. - podcast description by Sam Stern and ChatGPT Sam's recent talk at the Berkeley Alembic on The History of Esalen in the 1970s and 80s: https://www.youtube.com/live/4AhzcvwsVT8
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About Voices of Esalen

"Voices of Esalen" features provocative, in-depth interviews with the dynamic leaders, teachers, and thinkers who reflect the mission of the Esalen Institute. For more about the Esalen Institute, head to esalen.org Follow Esalen on Facebook and Twitter
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