Who Arted: Weekly Art History for All Ages

In December 1894, Alphonse Mucha just happened to be in the print shop checking some proofs for a friend, when in walked an actress, Sarah Bernhardt in need of posters for her upcoming play. All of the regular artists she worked with were off for the holidays leaving Mucha as her only option. It was a tremendous stroke of luck for both of them as Mucha created a stunning poster that not only flattered the actress, it caught the attention of collectors all around Paris. People were cutting the posters off of displays and bribing the poster hangers so they could get copies, and the Mucha style laid the foundation for Art Nouveau. This is an encore presentation. Every January/February, I release daily episodes to refresh everyone's memory on the 64 artists and artworks that will be included in my Arts Madness Tournament held in March. While most of these daily episodes will be reruns, I will continue publishing new episodes on Mondays.  Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

Pioneering 19th-century photographer Eadweard Muybridge is celebrated for his groundbreaking work in capturing movement, which laid the foundation for modern cinema. After immigrating to the United States and gaining fame for his stunning landscape photographs of the American West, his career took a decisive turn in 1872. Muybridge was commissioned by railroad tycoon and former California governor Leland Stanford to settle a popular debate and a significant wager of $25,000. Stanford had bet that all four of a horse's hooves leave the ground at once during a gallop. This question pushed the limits of early photographic technology and set Muybridge on a quest to freeze a moment invisible to the naked eye. After years of experimentation, interrupted by a dramatic murder trial, Muybridge devised an ingenious solution in 1878 at Stanford's Palo Alto farm. He arranged a series of cameras along a track, with their shutters triggered sequentially by threads broken by a galloping horse. The resulting sequence of images, famously known as The Horse in Motion, definitively proved that a horse is, for a brief moment, completely airborne. This experiment did more than settle a bet; it revolutionized the scientific study of locomotion. To display his findings, Muybridge later invented the zoopraxiscope, a device that projected the images in rapid succession to create the illusion of movement, directly paving the way for the development of cinematography. This is an encore presentation. Every January/February, I release daily episodes to refresh everyone's memory on the 64 artists and artworks that will be included in my Arts Madness Tournament held in March. While most of these daily episodes will be reruns, I will continue publishing new episodes on Mondays.  Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

The Bay was painted in 1963 as Frankenthaler had refined her soak and stain process. While Mountains and Sea was made with diluted oil paints, The Bay is acrylic on unprimed canvas. She had found that using acrylics gave her greater control over the viscosity or how fluid the paint was. As I look at The Bay, the title indicates a landscape and the brightness, the organic shapes of blue and green give me a sense of a Bay, but it feels like it is more about a happy, contented sort of tone. There is movement, but it seems gentle like sitting out on a boat drifting in calm waters. The Bay represents a different sort of take on Abstract Expressionism. While many followed Jackson Pollock’s and Willem de Kooning’s aggressive and agsty style, Helen Frankenthaler’s color fields are more gentle and at peace. Her work was a breath of fresh air showing that painting could reduce art to fundamental elements in line with esoteric modernist philosophy and still be beautiful and joyous.  Related episodes: ⁠Jackson Pollock⁠ ⁠Diego Rivera This is an encore presentation. Every January/February, I release daily episodes to refresh everyone's memory on the 64 artists and artworks that will be included in my Arts Madness Tournament held in March. While most of these daily episodes will be reruns, I will continue publishing new episodes on Mondays.  Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

From humble beginnings in Recife, Brazil, to international acclaim in Miami, Florida, Romero Britto has redefined the boundaries of contemporary pop art. Born in 1963, Britto developed a signature style known as Neo-pop Cubism, blending the fractured geometric perspectives of Picasso with the vibrant, saturated color palettes of Matisse. His career launched into the stratosphere in 1989 following a collaboration with Absolut Vodka, placing him in the company of icons like Andy Warhol and Keith Haring. Beyond the gallery, Britto has democratized art through extensive licensing and philanthropy, serving on the boards of organizations like Best Buddies International. A closer look at his 2004 work, Mona Cat, reveals how his optimistic, bold aesthetic playfully reinterprets art history, transforming Da Vinci’s masterpiece into a colorful, accessible symbol of joy. Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

Saloua Raouda Choucair was a pioneer of abstract art born in Beirut in 1916. Despite initial discouragement, she pursued her passion for art, studying in Paris and developing a unique style that blended Western modernism with Islamic artistic traditions. Her work, characterized by geometric forms and a sense of dynamic movement, explored the underlying structures of existence and the concept of infinity. Choucair's art was often met with confusion and misunderstanding, and she faced numerous challenges throughout her career. However, she remained committed to her vision and continued to create art that pushed boundaries. Late in her life, she finally received the recognition she deserved, with a major retrospective at the Tate Modern in 2013 solidifying her place in the history of modern art. This is an encore presentation. Every January/February, I release daily episodes to refresh everyone's memory on the 64 artists and artworks that will be included in my Arts Madness Tournament held in March. While most of these daily episodes will be reruns, I will continue publishing new episodes on Mondays.  Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices