Colour and Ceramics

Welcome to Colour and Ceramics with your host Bob Acton.
Today Bob is joined by Lucy Morris, a ceramic artist and psychotherapist from South Wales. Lucy brings those two worlds together through her animal sculptures, particularly her hares, exploring vulnerability and the feelings we all share.
Her fascination with hares began while teaching ceramics in the prison system. Their alertness, vulnerability and those extraordinary listening ears offered her a way to explore what it means to feel safe, connected and heard.
You can find her work at https://www.lucymorrisceramicart.co.uk/ and on her Instagram page at https://www.instagram.com/lucy_morris_ceramic_art/
And you can find Bob's work at https://bobactonceramics.com

In this episode of Colour & Ceramics, Bob Acton @bobacton talks with Jasen Robillard of StumpCraft about the fascinating process of transforming artists’ work into intricate wooden puzzles.
We also begin with a short conversation with Nichole Windblad from Art Market Craft Sale, someone Jasen credits with helping him develop his business.
It’s a conversation about art, craft, collaboration, and the people who help creative businesses grow.
Find Jasen and Stumpcraft here:
https://www.stumpcraft.com/
https://www.instagram.com/stumpcraft/
Find Nichole and Art Market Craft Sale here:
https://www.artmarketcraftsale.com/
https://www.instagram.com/artmarketcraftsale/

My guest on the latest episode of Colour & Ceramics is Calgary ceramic artist Mindy Andrews.
Mindy’s work is deeply rooted in nature, from the forests of northwestern Ontario where she grew up to the landscapes of the Canadian Rockies where she has lived for more than 20 years.
Working primarily in porcelain, she uses slips, underglazes, painting, and carving to create vessels and sculptural pieces inspired by trees, flowers, bark, light, and the atmosphere of the forest.
We talk about her connection to nature, how landscape influences her ceramic practice, and the ideas and processes behind her work.
Listen to the full conversation on Colour & Ceramics wherever you find your podcasts.
Mindy's work can be found on her Instagram page here:
https://www.instagram.com/mindyaandrews/

On today's show, Bob Acton @bobacton, interviews Deana Bada Maloney, an Illinois-based ceramic artist and wildlife sculptor whose work brings together hand-built clay, animal anatomy, drawing, expressive surface, and mixed media.
With a background in drawing, painting, anatomy, and scientific illustration, Deana has developed a highly observational approach to ceramic sculpture. She often thinks about working in clay as a form of three-dimensional drawing, using gesture, texture, and carefully observed anatomy to build animals that feel both physically convincing and full of character.
Teaching has also become an important part of Deana’s practice. Through workshops and mentoring, she shares her approach to sculpting animals, studying anatomy, developing form, and using clay as a way of seeing more closely.
Surface is another distinctive part of Deana’s work and teaching. She uses oxides to emphasize the marks made during sculpting and also works with inks on fired ceramic surfaces, allowing drawing and mark-making to continue after the firing process. Her workshops on inking ceramics explore how these materials can add depth, contrast, and character without completely covering the clay beneath.
In this episode of the Colour and Ceramics Podcast, we talk about ceramic animal sculpture, drawing in three dimensions, studying anatomy, hand-building techniques, working with ink on ceramics, developing expressive surfaces, and what Deana has learned through teaching and mentoring other ceramic artists.
If you are interested in ceramic sculpture, wildlife art, hand-building, clay workshops, animal anatomy, ceramic surface techniques, or using drawing as part of your ceramic practice, I think you’ll enjoy this conversation.

My guest today is Drew Caines, a ceramic artist based in Leeds in the north of England who has been working with clay for almost 30 years.
Drew creates richly textured, often sculptural work that brings together influences from very different points in human history. He draws inspiration from ancient Palaeolithic, Mesolithic and Neolithic art, folklore and ethnography, while also pulling in contemporary influences such as street art and Pop art.
There is a wonderful sense of something both ancient and strangely familiar in Drew's work. Pattern, texture and intricate detail are central to his making, but beneath the surface is a deeper interest in memory, emotion and our connection to the people who made things thousands of years before us.
You can find his work here: https://www.instagram.com/drewcainesceramics/